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Memphis is a city whose rich architectural heritage dates back to before the Civil War. This lucid, lively book, the first guide to Memphis architecture, invites readers to explore a very special urban environment, savoring its triumphs and mourning its crucial losses. Descriptions of some 550 buildings, together with 250 photographs and detailed maps, are organized to facilitate touring the city section by section. Brief histories of Memphis and of its architectural development introduce the text, while entries sketch the origins and characters of particular neighborhoods, suggesting the contexts within which individual structures were created. Of special interest are descriptions of important buildings no longer standing. With this book in hand, one can imagine a specific urban scene as it once was, then compare it with the same scene today. -- cover
Founded in 1981, the international group of architects, Memphis, shook the design world to its foundations. Based in Italy and led by Ettore Sottsass, it overturned and re-shaped the pre-suppositions on which the production of so-called Modern Design is based. It became the almost mythical symbol of the New Design. Laughing out loud at our culture and at itself, Memphis pulled out all stops when it came to colour, pattern, decoration and ornamentation.
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics – alternately vilified and appropriated, used either to shock or to invert conventions of architecture. This book presents sixteen new scholarly essays which rethink ugliness in recent architecture – from Brutalism to eclectic postmodern architectural productions – and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century. The book attends to the diverse relations between the aesthetic register of ugliness and closely connected aesthetic concepts such as the monstrous, the ordinary, disgust, the excessive, the grotesque, the interesting, the impure and the sublime. This volume does not simply document the history of a postmodern anti-aesthetic through case studies. Instead, it aims to shed light on aesthetic problems that have been largely overlooked in the agenda of architectural theory. This book answers in detail the questions: How did postmodern architects appropriate troublesome contradictions bound to the raw ugliness of the real? How have the ugly and the antiaesthetic been a productive force in postmodern architecture? How can ugliness be of value to architecture? And how can architecture make good use of ugliness?
The story of the Memphis, Tennessee artesian water supply and the Water Division in the era of steam machinery
Published to accompany the exhibition held at the Powerhouse Museum, Sydney, August 2002 - March 2003.