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This book contains fifteen essays that synthesize the documentary and archaeological evidence for the development of early medieval Durham and asses its archaeological potential. It systematically extracts the important aspects of materials related to architectural history of the Durham cathedral.
Excerpt from Architectural Illustrations and Description: Of the Cathedral Church at Durham This Volume was commenced with the intention of making the architectural illustrations to one scale. This intention has been carried out, and the Work as now completed, forms, together with a similar Work by the Author upon the Cathedral Church at Carlisle, the first series of parallel representations of two English Cathedrals ever given to the public. It would seem perfectly surprising that, in the numerous works already produced, this plan has not been adopted, did not the length of time necessarily expended in making correct representations, and lack of patronage, at once explain the cause. For the materials of the Historical Account the Author is indebted to Sanderson's reprint of "Davis's Rites and Monuments of the Church of Durham" (1767); the reprint (1816) of Hegge's "Legend of St. Cuthbert"; Hutchinson's "History of Durham" (1785); and Raine's "St. Cuthbert" (1828). As these contain the lives of the Bishops of Lindisfarne and Durham, as well as biographies of the Priors and Deans, with the Statutes of the Cathedral, and many other particulars, it has been thought unnecessary to enter into any long account, and the principal portion of the following pages therefore relates to the Cathedral in its present state. The Author begs to tender his acknowledgments to the Dean and Chapter of Durham, for the numerous facilities afforded him in the prosecution of the Work, now terminated. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This important addition to the literature is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Eric Fernie, a recognized authority on the subject, begins with an overview of the architecture ofthe period, paying special attention to the importance of the architectural evidence for an understanding of the Norman Conquest. The second part, the core of the book, is an examination of the buildings defined by their function, as castles, halls, and chamber blocks, cathedrals, abbeys, andcollegiate churches, monastic buildings, parish churches, and palace chapels. The third part is a reference guide to the elements which make up the buildings, such as apses, passages, vaults, galleries, and decorative features, and the fourth offers an account of the processes by which they wereplanned and constructed. This book contains powerful new ideas that will affect the way in which we look at and analyze these buildings.
Having won more than one recent poll as Britain’s best-loved building, the appeal of Durham Cathedral appears abiding, which begs the question whether an iconic sacred building can retain meaning and affective pertinence for contemporary, secular visitors. Using the example of Durham Cathedral, this book sets out to explore wherein the appeal of historic churches lies today and considers questions of how and why their preservation into a post-Christian era should be secured. By including feedback from visitors to the cathedral, and the author’s own very personal account of the cathedral in the form of an ekphrasis, this work seeks to privilege an interpretation of architecture that is based on the individual experience rather than on more conventional narratives of architecture history and cultural heritage policy. Recognising the implication of our choice of narrative on the perceived value of historic churches is crucial when deliberating their future role. This book puts forth a compelling case for historical sacred architecture, suggesting that its loss - through imperceptive conservation practices as much as through neglect or demolition - would diminish us all, secularists, atheists and agnostics included.