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The latest in the popular Watermark Architectural Guides series, covering the architecture of this huge and ancient city from Byzantine ruins to modern high-rise.
Architecture and urban planning have always been used by political regimes to stamp their ideologies upon cities, and this is especially the case in the modern Turkish Republic. By exploring Istanbul's modern architectural and urban history, Murat Gul highlights the dynamics of political and social change in Turkey from the late-Ottoman period until today. Looking beyond pure architectural styles or the physical manifestations of Istanbul's cultural landscape, he offers critical insight into how Turkish attempts to modernise have affected both the city and its population. Charting the diverse forces evident in Istanbul's urban fabric, the book examines late Ottoman reforms, the Turkish Republic's turn westward for inspiration, Cold War alliances and the AK Party's reaffirmation of cultural ties with the Middle East and the Balkans. Telltale signs of these moments - revivalist architecture drawing on Ottoman and Seljuk styles, 1930s Art Deco, post-war International Style buildings and the proliferation of shopping malls, luxurious gated residences and high-rise towers, for example - are analysed and illustrated in extensive detail.Connecting this rich history to present-day Istanbul, whose urban development is characterised anew by intense social stratification, the book will appeal to researchers of Turkey, its architecture and urban planning.
This book is a comprehensive, up-to-date guide to the spectacular ancient sites to be found mainly along the Aegean and Mediterranean shores of the western part of Anatolia or Asian Turkey. From the majestic ruins of the great Graeco-Roman cities on the Aegean shore to the haunting beauty of Lycia's rockcut tombs, John Freely's evocative text brings the monuments of a vanished civilization back to life. Fully illustrated with photographs, maps and site plans, Classical Turkey is both an enjoyable book to read while planning a journey and a useful handbook to consult on the spot. -- From back cover.
The mosques of Istanbul represent the splendour of Islamic architecture. Their central domes, rising above the skyline of the city, convey both the ideals and ambitions of powerful Ottoman Sultans and the brilliance of the architects who created them. Th
First published in 2005. Long acknowledged to be the 'best travel guide to Istanbul' (Times of London) this classic of travel literature is now available in a larger format in hardback binding. The work is both a useful and informative guide to the city with major useful monuments described in detail in terms of the history and architecture. Although the main emphasis of the book is on the Byzantine and Ottoman Antiquities, the city is not treated as a museum in the context of a living city. Itineraries are arranged so that each one takes the visitor to a different part of Istanbul.
In its transition from 18th century capital of the Ottoman Empire to economic powerhouse of the Turkish Republic, the city of Istanbul has been transformed beyond recognition. After the establishment of the Republic, Turkey increasingly turned to the West for ideas about how to create, shape and direct the development of a modern culture. This desire was felt most strongly in Istanbul, Turkey's most populous city. Its status as the capital of the Ottoman Empire, and later the economic hub of Turkey, made Istanbul a forum for the different regimes to display their political, ideological and social policies in the context of the built environment. Some modernisation policies never came to fruition - such as the unsuccessful late nineteenth century attempt by young Ottoman bureaucrats to initiate planning reforms at a time when the Empire was on the verge of collapse. The new Turkish Republic at first neglected the old Ottoman capital, and later attempted to make it conform to its secular political ideology. After World War II, Istanbul entered a new era in modernisation, with the Democratic Party government conducting a large scale re-design of Istanbul's urban form in order to show Turkey as a major political and economic force in post-war Europe and the Middle East. The scale of this modernisation process mirrored the spectacular transformation of Paris a century before: thousands of buildings were demolished, boulevards were carved out within the old city, and whole new residential neighbourhoods were created. In telling the story of this dramatic transformation, Murat Gül investigates and traces the impact of these changing policies on the very fabric of the city itself - in its streets, buildings and landscapes - and in the process provides new insights into the history of Turkey.
Cleave has taken a very personal view of the glorious and diverse former capital of the Byzantine and Ottoman empires that is today Turkey’s most modern and largest city. Istanbul: City of Two Continents is divided into three parts: "The Historic Heart of Istanbul"; "Across the Golden Horn: Beyoğlu and beyond"; and "The Other Side: Istanbul in Asia." It includes photographs of the Süleymaniye mosque taken from a helicopter, the Grand Bazaar, the Osmanlı Bank Museum, various consulate buildings, the district of Şişli with its skyscrapers, the shopping mall Kanyon, Beylerbeyi Palace, the Atik Valide Mosque, Laleli fountain, shoe shiners and many other depictions of life and buildings in the city.
Four essays on the oldest church in Istanbul. The Monastery of Stoudios was built in the fifth century in Constantinople and for centuries constituted one of the most significant monasteries of the Byzantine capital. Today, only the church of the monastic complex--which was converted into a mosque in the Ottoman Period--survives. The chapters of this book complement different aspects of the Monastry of Stoudios based on primary sources. Esra Kudde explores its architectural characteristics and provides detailed documentation; Nicholas Melvani provides a meticulous study of its Byzantine history and evaluates its elements of architectural sculpture; and Tarkan Okçuoğlu narrates the Ottoman history of the complex.