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Who were key figures in the making of European monetary union? Which ideas did they contribute to ensuring that monetary union would be sustainable? How prescient were they in identifying the necessary and sufficient foundations of a sustainable monetary union? This book provides the first systematic historical examination of key architects of European monetary union in the period before its launch in 1999. Using original archival and interview research, it investigates the intellectual and career backgrounds of these architects, their networking skills, and their own doubts and reservations about the way in which monetary union was being constructed. In the light of the later Euro Area, Architects of the Euro deals critically with not just their contribution to the making of European monetary union but also their legacy. The book brings together a distinguished group of scholars working on the history of Economic and Monetary Union.
As a part of the activities that will celebrate the 25th anniversary of the European Union Prize for Contemporary Architecture - Mies van der Rohe Award, this catalogue explains the value of the Prize as a platform for discovery and debate about two main topics: the historical value of the Prize as a demonstration of the significance of European architecture, and the Award's role as a mechanism for bringing up topics of concern in today's European architecture, and as a process that contributes to building an architectural and urban discourse, both in Europe and throughout the world. The works of the last 25 years are essential tools for defining the future in the upcoming years.
Philippe Samyn, architect and engineer, created with this building for the European Council an architectural masterpiece. Clever in its entirety and in every detail, in its iconic functions, and in its decorum, it perfectly reflects the aura of power that the 28 members of the European Union share together. In addition to Jean Attali and Philippe Samyn's view on the building phases, this book also includes the overall picture of the project. All the phases of the building process as well as the facilities are dealt with. Text in English, Dutch and French.
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
'On Site' presents projects and strategies in landscape architecture from Berlin to Bordeaux. The projects are supplemented by essays on European cartography, the cultural landscape, the history of ideas in landscape architecture, the role of ideal landscapes, urban policies, and the pioneers from Portugal.
In the past few years the image of tender procedures in which Dutch public clients selected an architect has been dominated by distressing newspaper headlines. Architects fear that the current tender culture will harm the quality of our built environment due to a potential lack of diversity, creativity and innovation in architectural design. Due to potential risks clients often allow legal requirements to overrule their actual wishes. This PhD research addresses the origin of the problems as currently experienced by public commissioning clients in architect selection and proposes pragmatic implications for future practice. It is therefore of interest for commissioning clients, management consultants, policy makers and legal advisors but also for designers and researchers in the field of architecture and decision making.
Contemporary architecture between Lithuania and Portugal, between Iceland and Roumania is not united by their style but by the existence of a unique and individual architectural expression in each of the European countries. Around 200 of the most interesting buildings from all parts of the continent have been selected for this volume of the new series: "Collection". The 512 page volume features the best of Europe's most recent architecture - by the best known internationally acclaimed architects as well as the best that are at the beginning of their careers - focusing on the diversity to be found in Europe's architecture today. Each project is featured either on two or four pages by comprehensive texts in English, German and French, sketches, floor plans and draw-ings as well as high-quality photographs.