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Douglas Haig's popular image as an unimaginative butcher is unenviable and unmerited. In fact, he masterminded a British-led victory over a continental opponent on a scale that has never been matched before or since. Contrary to myth, Haig was not a cavalry-obsessed, blinkered conservative, as satirised in Oh! What a Lovely War and Blackadder Goes Forth. Fascinated by technology, he pressed for the use of tanks, enthusiastically embraced air power, and encouraged the use of new techniques involving artillery and machine-guns. Above all, he presided over a change in infantry tactics from almost total reliance on the rifle towards all-arms, multi-weapons techniques that formed the basis of British army tactics until the 1970s. Prior re-evaluations of Haig's achievements have largely been limited to monographs and specialist writings. Walter Reid has written the first biography of Haig that takes into account modern military scholarship, giving a more rounded picture of the private man than has previously been available. What emerges is a picture of a comprehensible human being, not necessarily particularly likeable, but honourably ambitious, able and intelligent, and the man more than any other responsible for delivering victory in 1918.
The Red Army's leading operational theorist in the 1930s, Georgii Samoilovich Isserson was the mastermind behind the "deep operation"--the cornerstone of Soviet offensive operations in World War II. Drawing from an in-depth analysis of Isserson's numerous published and unpublished works, his arrest file in the former KGB archives, and interviews with his family, this book provides the first full-length biography of the man. The bulk of the narrative deals with the flowering of his intellectual talents from 1929 through 1941. Additional chapters deal with Isserson's arrest and his remaining 35 years, 14 of which were spent in labor camps and internal exile.
Designing Victory tracks Madison from his native Cleveland and several points further south in his extraordinary journey to a first-class education in domestic and international institutions. One prize at the end of Madison's struggles was an opportunity to collaborate with and learn from virtually every one of the twentieth century's most storied architects, including Le Corbusier, Philip Johnson, Walter Gropius, and I.M. Pei. Among Madison's signature design achievements are the U.S. Embassy in Dakar, Senegal, the Engineering & Nuclear Facility at Tuskegee Institute, and the Rock & Roll Hall of Fame.Designing Victory also recounts Madison's adventures in love and war-he's a Buffalo Soldier and a Purple Heart medal awardee-and explores his rise to become a cultural and civic leader in Cleveland. Designing Victory tells the tale of a talented, courageous man who learned early on how to win the long game and become one of the most celebrated living architects by refusing to listen to those who told him that a black architect would starve.
On a summer's day, Ellen returns to the coastal town she grew up in, Victory Point. Revisiting old haunts and people from her past, she feels increasingly disconnected. Exploring a town, which itself is an experiment in how to live, Ellen searches for some comfort in her own history that might just give her the strength to move forward. 'Victory Point' quietly explores the idea of how we choose to live and be remembered.
The great British general's life is chronicled in a revisionist biography that provides details about Kitchener's victorious Sudanese campaign and his successful strategy during World War I. Reprint.
Lieutenant General Sir Frank Berryman is one of the most important, yet relatively unknown officers in the history of the Australian Army. Despite his reputedly caustic personality and noted conflicts with some senior officers, Berryman was crucial to Australia's success during the Second World War. But did the man known as 'Berry the Bastard' deserve his reputation? Bold, calculating and talented, Berryman was at the forefront of operations that led to the defeat of the Japanese, and his operational planning secured Australia's victories at Bardia, Tobruk and in New Guinea during the Pacific War. With access to rare private papers, Peter Dean charts Berryman's special relationships with senior US and Australian officers such as MacArthur, Chamberlin, Blamey, Lavarack and Morshead, and explains why the man poised to become the next Chief of General Staff would never fulfil his ambition.
This book-Behrendt's principle theoretical work in German and the precursor to Modern Building- presents a revisionist concept of style that places equal emphasis on form and function. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public.
A major profile of the Soviet general credited with a decisive role in key World War II victories compares his legend with his achievements while surveying his eventful post-war experiences as Krushchev's disgraced defense minister. 15,000 first printing.
The Cold War was one of the most dangerous periods in American history, but it ended with one of our greatest victories: the dismantling of the Soviet Empire and discrediting of Communist ideology. Architects of Victory tells how the Cold War was won and it does so in a unique way by focusing on the lives of six great figures who were among those most responsible for Western victory: Harry Truman, Winston Churchill, Konrad Adenauer, Alexander Solzhenitsyn, Pope John Paul II, and Ronald Reagan. This scholarly survey of contemporary history and celebration of human greatness provides an indispensable overview of the events and personalities that dominated the second half of the 20th Century.
It is clear that working with historic structures is both more environmentally sustainable and cost effective than new architecture and construction—and many believe that the best design occurs at the intersection of old and new. Françoise Astorg Bollack presents 28 examples gathered in the United States and throughout Europe and the Middle East. Some are well known—Mass MOCA, Market Santa Caterina in Barcelona, Neues Museum in Berlin—and others are almost anonymous. But all demonstrate a unique and appropriate solution to the problem of adapting historic structures to contemporary uses. This survey of contemporary additions to older buildings is an essential addition to the architectural literature. “I have always loved old buildings. An old building is not an obstacle but instead a foundation for continued action. Designing with them is an exhilarating enterprise; adding to them, grafting, inserting, knitting new pieces into the existing built fabric is endlessly stimulating.” —Françoise Astorg Bollack