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What the Victorian history of self-help reveals about the myth of individualism. Stories of hardworking characters who lift themselves from rags to riches abound in the Victorian era. From the popularity of such stories, it is clear that the Victorians valorized personal ambition in ways that previous generations had not. In Material Ambitions, Rebecca Richardson explores this phenomenon in light of the under-studied reception history of Samuel Smiles's 1859 publication, Self-Help: With Illustrations of Character, Conduct, and Perseverance. A compilation of vignettes about captains of industry, artists, and inventors who persevered through failure and worked tirelessly to achieve success in their respective fields, Self-Help links individual ambition to the growth of the nation. Contextualizing Smiles's work in a tradition of Renaissance self-fashioning, eighteenth-century advice books, and inspirational biography, Richardson argues that the burgeoning self-help genre of the Victorian era offered a narrative structure that linked individual success with collective success in a one-to-one relationship. Advocating for a broader cultural account of the ambitious hero narrative, Richardson argues that reading these biographies and self-help texts alongside fictional accounts of driven people complicates the morality tale that writers like Smiles took pains to invoke. In chapters featuring the works of Harriet Martineau, Dinah Craik, Thackeray, Trollope, and Miles Franklin, Richardson demonstrates that Victorian fiction dramatized ambition by suggesting where it runs up against the limits of an individual's energy and ability, where it turns into competition, or where it risks upsetting a socio-ecological system of finite resources. The upward mobility plots of John Halifax, Gentleman or Vanity Fair suggest the dangers of zero-sum thinking, particularly evidenced by contemporary preoccupations with Malthusian and Darwinian discourses. Intertwining the methodologies of disability studies and ecocriticism, Material Ambitions persuasively unmasks the longstanding myth that ambitious individualism can overcome disadvantageous systematic and structural conditions.
Archie Ferguson is the last of the original fly-by-the-seat-of-your-pants Alaska bush pilots to be the subject of a biography. Dubbed Alaska's Clown Prince," he added many hilarious chapters to Alaska's history. He is also the originator of the "Arctic Bump," current practice of airline pilots who give a blast of power as they fly over the Arctic Circle to provide gullible tourists the impression that the air north of the Arctic Circle is different than air south of the Arctic Circle. His title, "the Craziest Pilot in the World, was given to him by The Saturday Evening Post in its December 1945 issue. Ferguson, who died in 1967, was an excellent example of the colorful character/con men who made Alaska what it is today."
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In this candid and bluntly humorous collection of essays on a wide range of topics, Lurie begins with a portrait of her life at Radcliffe during World War II when the smartest women in the country were treated like second-class citizens, the most scholarly among them expected to work in factories to support the war effort. She moves on to her unheralded, clumsy attempts and near failure to be a writer and, finally having reached a level of recognition, the good fortune of forming close relationships with other writers and editors and great thinkers, including Robert Silver of The New York Review of Books, the poet James Merrill, and the illustrator, Edward Gorey. On this fascinating journey, we are amused by her insightful, often delightfully funny meditations on topics such as “deconstruction” and beloved children’s literature series such as The Lion, the Witch and the Wardrobe, Harry Potter, and Babar. Words and Worlds is a crowning reminiscence from a much beloved and celebrated writer.
Meet your new neighbor, Archie! When a vampire vixen moves into a “haunted” property near Archie’s house, strange things start happening. It’s weird enough that this mystery woman moved in late at night, but when Archie hears ominous noises coming from her house, he’s downright frightened! Is Archie just over-reacting, or is there something sinister going on in Riverdale? Find out in the fearsome first story “Midnight Madness!”