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Filled with glamour, mystery, and madness, Archie and Amélie is the true story chronicling a tumultuous love affair in the Gilded Age. John Armstrong "Archie" Chanler was an heir to the Astor fortune, an eccentric, dashing, and handsome millionaire. Amélie Rives, Southern belle and the goddaughter of Robert E. Lee, was a daring author, a stunning temptress, and a woman ahead of her time. Archie and Amélie seemed made for each other—both were passionate, intense, and driven by emotion—but the very things that brought them together would soon tear them apart. Their marriage began with a “secret” wedding that found its way onto the front page of the New York Times, to the dismay of Archie’s relatives and Amélie’s many gentleman friends. To the world, the couple appeared charmed, rich, and famous; they moved in social circles that included Oscar Wilde, Teddy Roosevelt, and Stanford White. But although their love was undeniable, they tormented each other, and their private life was troubled from the start. They were the F. Scott and Zelda Fitzgerald of their day—a celebrated couple too dramatic and unconventional to last—but their tumultuous story has largely been forgotten. Now, Donna M. Lucey vividly brings to life these extraordinary lovers and their sweeping, tragic romance. “In the Virginia hunt country just outside of Charlottesville, where I live, the older people still tell stories of a strange couple who died some two generations ago. The stories involve ghosts, the mysterious burning of a church, a murder at a millionaire’s house, a sensational lunacy trial, and a beautiful, scantily clad young woman prowling her gardens at night as if she were searching for something or someone—or trying to walk off the effects of the morphine that was deranging her. I was inclined to dismiss all of this as tall tales Virginians love to spin out; but when I looked into these yarns I found proof that they were true. . . .” —Donna M. Lucey on Archie and Amélie
A New York Times Book Review Editors’ Choice Selection “[Lucey] delivers the goods, disclosing the unhappy or colorful lives that Sargent sometimes hinted at but didn’t spell out.”—Boston Globe In this seductive, multilayered biography, based on original letters and diaries, Donna M. Lucey illuminates four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny intuition, Sargent hinted at the mysteries and passions that unfolded in his subjects’ lives. These women inhabited a rarefied world of wealth and strict conventions—yet all of them did something unexpected, something shocking, to upend society’s rules.
Harry Symes Lehr was born in 1869 into a family that was neither wealthy nor socially prominent. His natural gift for entertaining and his penchant for hobnobbing with the very rich earned him entry to the powerful circle of the New York and Newport social elite, where Harry clowned his way to a position of prominence. One of his admirers and patrons, Mrs. Stuyvesant Fish, introduced him to a young widow, Elizabeth Wharton Drexel. Elizabeth was smitten with young Harry, his elegant dress, and outrageous behavior. They were soon married. But King Lehr had a secret--he was not what he seemed. On their wedding night he cruelly dictated to his new bride the rules of their strange bedfellowship. For twenty-three years, Mrs. Lehr protected his secret and remained in a loveless and abusive marriage. After Harry's death, Elizabeth remarried, to the Baron Decies. Lady Decies wrote down her secret story in 1938, incorporating Harry's most intimate diaries, and told all in this scandalous tale of power, desire, and deception.
"A powerful, vital gut-punch" - Laura Bates"Funny and sad, this book urges girls to know their own worth" - The Guardian"Tackles abusive relationships with a compassionate and authentic voice" - The I It looked like love.It felt like love.But this isn't a love story.Amelie fell hard for Reese. And she thought he loved her too. But she's starting to realise that real love isn't supposed to hurt like this.So now she's retracing their story, revisiting all the places he made her cry. Because if she works out what went wrong, perhaps she can finally learn how to get over him.
Photographing Montana showcases more than 150 photographs of life in Montana from the 1890s through the 1920s. Evelyn Cameron's work portrays vast landscapes, range horses, cattle roundups, wheat harvests, community celebrations, and wildlife of the high plains. Her vivid images convey the lonely strength of sheepherders and homesteaders and track the growth of Terry, a small town on the Yellowstone River.
A dramatic visual history celebrates the contributions of women who helped shape the history of America, from the earliest Native Americans to the suffragists who won the right to vote in 1919, in a study that incorporates 160 period photographs and artworks, diary excerpts, and letters. Reprint.
An inevitable tragedy unfolds by a chance encounter, an untamable force and one mans greed fueled ego and another's insatiable genius. The impact of meteorite pieces develops a series of traumatic endings to the unwitting victims of a biological entity. The FBI investigates several mysterious fatalities and work CDC scientists to study the entity but ultimately all fragments are destroyed. All except one which is developed in secret into a work-changing bio-engineered super treatment that becomes irresistible due to its seemingly miraculous effect on the body. However the amazing powers prove too good to be true and eventually instigate a global catastrophe and decimate the global population and subsequent inevitable breakdown of civil society. Fateful and tragic endings are destined for the key instigators of this tragedy and only lucky few survive and escape to a new life away from an unsustainable city life
A rich, fascinating saga of the most influential, far-reaching architectural firm of their time and of the dazzling triumvirate—Charles McKim, William Mead, and Stanford White—who came together, bound by the notion that architecture could help shape a nation in transition. They helped to refine America’s idea of beauty, elevated its architectural practice, and set the standard on the world’s stage. Their world and times were those of Edith Wharton and Henry James, though both writers and their society shunned the architects as being much too much about new money. They brought together the titans of their age with a vibrant and new American artistic community and helped to forge the arts of America’s Gilded Age, informed by the heritage of European culture. McKim, Mead & White built houses for America’s greatest financiers and magnates: the Astors, Joseph Pulitzer, the Vanderbilts, Henry Villard, and J. P. Morgan, among others . . . They designed and built churches—Trinity Church in Boston, Judson Memorial Baptist Church in New York, and the Lovely Lane Methodist Church in Baltimore . . . They built libraries—the Boston Public Library—and the social clubs for gentlemen, among them, the Freundschaft, the Algonquin of Boston, the Players club of New York, the Century Association, the University and Metropolitan clubs. . . . They built railroad terminals—the original Pennsylvania Station in New York City—and the first Roman arch in America for Washington Square (it put the world on notice that New York was now a major city on a par with Rome, Paris, and Berlin). They designed and built Columbia University, with Low Memorial Library at the centerpiece of its four-block campus, and New York University, and they built, as well, the old Madison Square Garden whose landmark tower marked its presence on the city’s skyline . . . Mosette Broderick’s Triumvirate is a book about America in its industrial transition; about money and power, about the education of an unsophisticated young country, and about the coming of artists as an accepted class in American society. Broderick, a renowned architectural and social historian, brilliantly weaves together the strands of biography, architecture, and history to tell the story of the houses and buildings Charles McKim, William Mead, and Stanford White designed. She writes of the firm’s clients, many of whom were establishing their names and places in upper-class society as they built and grabbed railroads, headed law firms and brokerage houses, owned newspapers, developed iron empires, and carved out a new direction for America’s modern age.
Baker, working with previously unpublished materials, breathes new life into this legendary man who dominated American architecture at the turn of the twentieth century and gained infamy in the sensational manner of his death and the subsequent trial of his murderer. 50 black-and-white photos.