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Jughead has a mystery to solve. But every question he thinks he finds an answer to only leads to more questions. Does everyone in Riverdale have something to hide?
THE BEST OF ARCHIE: 80 YEARS, 80 STORIES is a special expanded, commemorative volume of Archie's all-time best-selling THE BEST OF ARCHIE COMICS graphic novel series celebrating the 80th anniversary of Archie Comic Publications. This title features one excellent story from each of the 80 years of Archie's distinguished history. Celebrate 80 years of Archie and the Riverdale Gang with this fun, full-color commemorative collection of high school hijinks! Contains over 700 pages of classic, much-loved comic book stories - one from each of the 80 illustrious years of Archie Comics publishing. Each of the comics in THE BEST OF ARCHIE COMICS: 80 YEARS, 80 STORIES has been personally chosen by creators, fans and contributors alike. Featuring special behind-the-scenes anecdotes that shed light on decades of mirth, this is a must-have for all comic book fans everywhere!
The first arc of Nick Spencer's revitalized series featuring a modern take on Archie Andrews and the whole Riverdale cast of characters. Spencer (Amazing Spider-Man) and Marguerite Sauvage (DC Bombshells) begin a brand new era of our flagship series as they take a trip to Riverdale and bring the town along for a wild ride complete with new mysteries, new relationships, and much more!
Between 1971 and 1979, All in the Family was more than just a wildly popular television sitcom that routinely drew 50 million viewers weekly. It was also a touchstone of American life, so much so that the living room chairs of the two main characters have spent the last 40 years on display at the Smithsonian. How did a show this controversial and boundary-breaking manage to become so widely beloved? Those Were the Days is the first full-length study of this remarkable television program. Created by Norman Lear and produced by Bud Yorkin, All in the Family dared to address such taboo topics as rape, abortion, menopause, homosexuality, and racial prejudice in a way that no other sitcom had before. Through a close analysis of the sitcom’s four main characters—boorish bigot Archie Bunker, his devoted wife Edith, their feminist daughter Gloria, and her outspoken liberal husband Mike—Jim Cullen demonstrates how All in the Family was able to bridge the generation gap and appeal to a broad spectrum of American viewers in an age when a network broadcast model of television created a shared national culture. Locating All in the Family within the larger history of American television, this book shows how it transformed the medium, not only spawning spinoffs like Maude and The Jeffersons, but also helping to inspire programs like Roseanne, Married... with Children, and The Simpsons. And it raises the question: could a show this edgy ever air on broadcast television today?
During the "Must See TV" 1990s, Americans enjoyed such immensely popular sitcoms as Friends, Seinfeld, Home Improvement and The Drew Carey Show. Shows that did not make the ratings cut numbered in the hundreds--the emergence of new networks and cable channels airing original programming resulted in a vast increase in short-lived sitcoms over the previous decade. Some of these "flops" were actually quite good and deserved a better fate. The author revisits them--along with the "dramedies" of the day--with detailed entries providing production and broadcast information, along with critical analyses, and recollections by cast and crew members. A subsection highlights sitcoms that returned for an abbreviated second season. Dozens of cast and crew photographs are included.
Michael Gibbons, schoolmaster, was living in Prince Frederick Parish, Georgetown District, South Carolina, in 1748/9 when he wrote his will. The will was recorded in Dec. 1753. His son, Michael (b. before 1755 - d. 1803), served in the Revolutionary War as one of Marion's Men. He and his wife, Sarah, had three sons and five daughters. Descendants lived in South Carolina, North Carolina, and elsewhere. Some descendants spell their name "Gibbon."
This comprehensive title is among the first to extensively use newly released 2010 U.S. Census data to examine multiculturalism today and tomorrow in America. This distinction is important considering the following NPR report by Eyder Peralta: “Based on the first national numbers released by the Census Bureau, the AP reports that minorities account for 90 percent of the total U.S. growth since 2000, due to immigration and higher birth rates for Latinos.” According to John Logan, a Brown University sociologist who has analyzed most of the census figures, “The futures of most metropolitan areas in the country are contingent on how attractive they are to Hispanic and Asian populations.” Both non-Hispanic whites and blacks are getting older as a group. “These groups are tending to fade out,” he added. Another demographer, William H. Frey with the Brookings Institution, told The Washington Post that this has been a pivotal decade. “We’re pivoting from a white-black-dominated American population to one that is multiracial and multicultural.” Multicultural America: A Multimedia Encyclopedia explores this pivotal moment and its ramifications with more than 900 signed entries not just providing a compilation of specific ethnic groups and their histories but also covering the full spectrum of issues flowing from the increasingly multicultural canvas that is America today. Pedagogical elements include an introduction, a thematic reader’s guide, a chronology of multicultural milestones, a glossary, a resource guide to key books, journals, and Internet sites, and an appendix of 2010 U.S. Census Data. Finally, the electronic version will be the only reference work on this topic to augment written entries with multimedia for today’s students, with 100 videos (with transcripts) from Getty Images and Video Vault, the Agence France Press, and Sky News, as reviewed by the media librarian of the Rutgers University Libraries, working in concert with the title’s editors.
In the world of JUGHEAD THE HUNGER, there are no vampires, having been wiped out in their great war with the werewolves. In the VAMPIRONICA universe, the opposite is the case, as it was the vampires who were the victors. So what happens when these two eternal enemies are brought together again? Whatever it is, it can’t be good for poor ol’ Jug and Vampironica, you can count on that much…
Archie Bunker, George Jefferson, Maude--the television sitcom world of the 1970s was peopled by the creations of Norman Lear. Beginning in 1971 with the premier of All in the Family, Lear's work gave sitcoms a new face and a new style. No longer were families perfect and lives in order. Mostly blue-collar workers and their families, Lear's characters argued, struggled, uttered sometimes shocking opinions and had no problem contributing to--or at least, acknowledging--the turmoil so shunned by 1960s television. Significantly, not only did Lear address difficult issues, but he did so through successful programming. Week after week, Americans tuned in to see the family adventures of the Bunkers, the Jeffersons, and Sanford and Son. With a thorough analysis of his sitcoms, this volume explores Norman Lear's memorable production career during the 1970s. It emphasizes how Lear's shows reflected the political and cultural milieu, and how they addressed societal issues including racism, child abuse and gun control. The casting, production and behind-the-screen difficulties of All in the Family, Sanford & Son, Maude, Good Times, The Jeffersons and One Day at a Time are discussed. Each show is examined from inception through series finale. Interviews with some of the actors and actresses such as Rue McClanahan of Maude and Marla Gibbs from The Jeffersons are included.