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S. V. Zharnikova book is dedicated to ancient roots Russian folk culture. The book examined the artistic creativity, folk songs, traditions and rituals, have survived in the same forms as in the north of Russia, and India. Many of them for the first time are explained on the basis of ancient Aryan texts. S. V. Zharnikova of the book readers will learn about the origins of the age-images of folk songs, tales, epics, conspiracies. About the complex symbolism of the ancient ornaments, which are more than twenty thousand years, dispatches from the North Russian weavers and embroiderers to the present day.
The book of outstanding researchers A.G. Vinogradov and S.V. Zharnikova is devoted to the study of the ancestral home of the Indo-European peoples: Indian, Iranian, Slavic, Baltic, German, Celtic, Romance, Albanian, Armenian and Greek language groups. The book is devoted to archaic images of North Russian folklore. The book was written in 1989-90, but could not be published in Russia. Over the past time, additional materials have appeared that confirm the opinion of the authors.
The resurgence of national and historical awareness among the people of what was once the USSR has been nowhere stronger than among the Russians themselves. Some of the larger projects of rediscovery amount to a reinterpretation of traditional culture. This carefully annotated collection of recent studies of Russian folk religion, village organization and family life, including the rituals associated with childbirth, special attention to women's roles and to the specificity of Siberia in Russian culture, will be a revelation to a wide array of readers. It is intended for use not only in anthropology departments but more widely interdisciplinary courses in Russian studies, peasant studies and women's studies.
The collection includes selected articles of various legends written and published in scientific journals for 19 years from 1984 to 2002.
Russia is a country of eternal changes and completely non-conservative, it is country beyond conservative customs, where historical times live, and do not part with rituals and ideas. The Russians are not a young people, but the old ones - like the Chinese. They are very old, ancient, conservatively preserved all the oldest and do not refuse it. In their language, their superstition, their disposition, etc., one can study the most ancient times. Victor von Hyun. 1870.
Mythic discourses in the present day show how vernacular heritage continues to function and be valuable through emergent interpretations and revaluations. At the same time, continuities in mythic images, motifs, myths and genres reveal the longue durée of mythologies and their transformations. The eighteen articles of Mythic Discourses address the many facets of myth in Uralic cultures, from the Finnish and Karelian world-creation to Nenets shamans, offering multidisciplinary perspectives from twenty eastern and western scholars. The mythologies of Uralic peoples differ so considerably that mythology is approached here in a broad sense, including myths proper, religious beliefs and associated rituals. Traditions are addressed individually, typologically, and in historical perspective. The range and breadth of the articles, presenting diverse living mythologies, their histories and relationships to traditions of other cultures such as Germanic and Slavic, all come together to offer a far richer and more developed perspective on Uralic traditions than any one article could do alone.
"A sweeping, intricate description of Russian cultural history, spanning the pre-Romanov era through six centuries to the reign of Joseph Stalin. Flowing with ease through time and topic — from art to music, literature, philosophy, mythology and more — the book provides readers with an alluring portrayal of Russia’s proud heritage. Its impressive scope and lasting insights have made it a foundational text in Russian studies. In fact, it was this book, more than any other, that captured my imagination and propelled me toward the study of Russia and the Soviet Union." --Condoleezza Rice, The New York Times "A rich and readable introduction to the whole sweep of Russian cultural and intellectual history from Kievan times to the post-Khruschev era." - Library Journal Includes Illustrations, references, index.
A rich and fascinating exploration of the Volga--the first to fully reveal its vital place in Russian history The longest river in Europe, the Volga stretches over three and a half thousand km from the heart of Russia to the Caspian Sea, separating west from east. The river has played a crucial role in the history of the peoples who are now a part of the Russian Federation--and has united and divided the land through which it flows. Janet Hartley explores the history of Russia through the Volga from the seventh century to the present day. She looks at it as an artery for trade and as a testing ground for the Russian Empire's control of the borderlands, at how it featured in Russian literature and art, and how it was crucial for the outcome of the Second World War at Stalingrad. This vibrant account unearths what life on the river was really like, telling the story of its diverse people and its vital place in Russian history.
This is the first ethnohistory of Siberia to appear in English, tracing the history of the native peoples from the Russian conquest onwards. James Forsyth compares the Siberian experience with that of the Indians and Eskimos in North America and the book as a whole will provide readers with a vast corpus of ethnographic information previously inaccessible to Western scholars.
This volume presents an attempt to argue the role of metals in the history of Greek society using the widest possible variety of sources: the evidence of ancient writers, epigraphical material and archaeological data: the excavated remains of workshops and hoards, archaeometallurgical finds; the results of studies of ancient mines and analyses of ancient metal objects: bronze plastics and jewelry articles, coins etc. The main task of this work is to analyse the role of various metals in the context of Greek economic life, politics, culture and art, to trace the movement of metal from ore to finished the objects, including works of art, to show the relations between the regions where metals were extracted and the centres of metalworking, the structure of the workshops and the connections between them and the role of the workshops in the economic life at the different stages in Greek history. The chronological frame of the study is the 8th-1st centuries BC, i.e. from the beginning of the Great period of Greek colonization till the end of the Hellenistic epoch. The geographical frame of the work is the Greek oikumere.