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This well researched and documented book recounts the unique history of water and water distribution in early San Antonio, Texas. The founding of San Antonio in 1718 was due to the presence of two major sources of water --San Pedro Springs and the headwaters of the San Antonio River. From these Spanish engineers designed seven major acequia systems that followed sometimes barely perceptible land contours downward. The history and remarkable expertise of those early engineers is recounted here. Photographs and maps of early San Antonio and urban San Antonio add to the story. The manuscript was completed shortly before the renown local San Antonio archaeologist died at the age of 70 years.
Illustrated throughout with 2-color and tinted maps and drawings and numerous photographs, Rebuilding Central Park is the first close examination of these invaluable 843 acres in more than a century.
In 1718, the Spanish settled San Antonio, partly because of its prolific and breathtaking springs—at that time, one of the largest natural spring systems in the known world. The abundance of fresh water, coupled with the Spanish colonial legal concept that water was to be equitably shared by all settlers, led to the building of the system of acequias (canals or ditches) within the settlement. The system is one of the earliest and perhaps most extensive municipal water systems in North America. This book offers a meticulous chronicling of the origins and often-contentious development of water rights in San Antonio from its Spanish settlement through the beginning of the twentieth century.
Full color publication. Highlights the Hispanic imprint on the built environment of the United States. This effort by the National Park Service and partners aims to increase the awareness of the historic places associated with the nation's cultural and ethnic groups that are identified, documented, recognized, and interpreted. These constitute the foundation for Hispanic Reflections. Many of the examples are drawn from National Park Service cultural resources programs in partnership with other government agencies and private organizations.
Illustrates events in Texas history and geography through 64 maps and brief essays.
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.
Capitalism and Classical Social Theory, Second Edition offers solid coverage of the classical triumvirate (Marx, Durkheim, and Weber), but also extends the canon strategically to include Simmel, four early female theorists, and the writings of Du Bois.
Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
Archvial photographs and text describe the history, social life and customs of San Antonio, Texas.