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In 2011, cavers exploring a little-known cave on Moneen Mountain in County Clare in the west of Ireland discovered part of a human skull, pottery and an antler implement. An archaeological excavation followed, leading to the discovery of large quantities of Bronze Age pottery, butchered animal bones and oyster shells.
In 2011, cavers exploring a little-known cave on Moneen Mountain in County Clare in the west of Ireland discovered part of a human skull, pottery and an antler implement. An archaeological excavation followed, leading to the discovery of large quantities of Bronze Age pottery, butchered animal bones and oyster shells. The material suggests that Moneen Cave was visited intermittently as a sacred place in the Bronze Age landscape. People climbed the mountain, squeezed through the small opening in the cave roof, dropped down into the chamber, and left offerings on a large boulder that dominates the internal space. The excavation also resulted in the recovery of the skeletal remains of an adolescent boy who appears to have died in the cave in the 16th or 17th century. Scientific analyses revealed he had endured periods of malnutrition and ill health, providing insight into the hardships faced by many children in post-medieval Ireland.
The archaeology of caves in Ireland is a ground-breaking and unique study of the enigmatic, unseen and dark silent world of caves. People have engaged with caves for the duration of human occupation of the island, spanning 10,000 years. In prehistory, subterranean landscapes were associated with the dead and the spirit world, with evidence for burials, funerary rituals and votive deposition. The advent of Christianity saw the adaptation of caves as homes and places of storage, yet they also continued to feature in religious practice. Medieval mythology and modern folklore indicate that caves were considered places of the supernatural, being particularly associated with otherworldly women. Through a combination of archaeology, mythology and popular religion, this book takes the reader on a fascinating journey that sheds new light on a hitherto neglected area of research. It encourages us to consider what underground activities might reveal about the lives lived aboveground, and leaves us in no doubt as to the cultural significance of caves in the past. Marion Dowd is Lecturer in Prehistoric Archaeology at the Institute of Technology Sligo, Ireland. Her doctoral research examined the role of caves in Irish prehistoric ritual and religion. She has directed excavations in many caves, and has published and lectured widely on the subject.
Edited by two pioneers in the field of sensory archaeology, this Handbook comprises a key point of reference for the ever-expanding field of sensory archaeology: one that surpasses previous books in this field, both in scope and critical intent. This Handbook provides an extensive set of specially commissioned chapters, each of which summarizes and critically reflects on progress made in this dynamic field during the early years of the twenty-first century. The authors identify and discuss the key current concepts and debates of sensory archaeology, providing overviews and commentaries on its methods and its place in interdisciplinary sensual culture studies. Through a set of thematic studies, they explore diverse sensorial practices, contexts and materials, and offer a selection of archaeological case-studies from different parts of the world. In the light of this, the research methods now being brought into the service of sensory archaeology are re-examined. Of interest to scholars, students and others with an interest in archaeology around the world, this book will be invaluable to archaeologists and is also of relevance to scholars working in disciplines contributing to sensory studies: aesthetics, anthropology, architecture, art history, communication studies, history (including history of science), geography, literary and cultural studies, material culture studies, museology, philosophy, psychology, and sociology.
Through time people have lived with darkness. Archaeology shows us that over the whole human journey people have sought out dark places, for burials, for votive deposition and sometimes for retreat or religious ritual away from the wider community. Thirteen papers explore Palaeolithic use of deep caves in Europe and the orientation of mortuary monuments in the Neolithic and Bronze Age. It examines how the senses are affected in caves and monuments that were used for ritual activities, from Bronze Age miners in Wales working in dangerous subterranean settings, to initiands in Italian caves, to a modern caver’s experience of spending time in the one of the world’s deepest caves in Russia. We see how darkness was and is viewed at northern latitudes where parts of the year are spent in eternal night, and in Easter Island where darkness provided communal refuge from the pervasive sun. We know that spending extended periods in darkness and silence can affect one physically, emotionally and spiritually. How did interactions between people and darkness affect individuals in the past and how were regarded by their communities? And how did this interaction transform places in the landscape? As the ever-increasing electrification of the planet steadily minimizes the amount of darkness in our lives, curiously, darkness is coming more into focus. This first collection of papers on the subject begins a conversation about the role of darkness in human experience through time.
The Burren and the Aran Islands form a region renowned for its geology, flora and archaeology. Possibly the greatest interest is in its archaeology but the ancient monuments are often perceived as shrouded in mystery and beyond explanation. This work presents these archaeological interpretations.
The Archaeology of Caves in Ireland is a ground-breaking and unique study of the enigmatic, unseen and dark silent world of caves. People have engaged with caves for the duration of human occupation of the island, spanning 10,000 years. In prehistory, subterranean landscapes were associated with the dead and the spirit world, with evidence for burials, funerary rituals and votive deposition. The advent of Christianity saw the adaptation of caves as homes and places of storage, yet they also continued to feature in religious practice. Medieval mythology and modern folklore indicate that caves were considered places of the supernatural, being particularly associated with otherworldly women. Through a combination of archaeology, mythology and popular religion, this book takes the reader on a fascinating journey that sheds new light on a hitherto neglected area of research. It encourages us to consider what underground activities might reveal about the lives lived aboveground, and leaves us in no doubt as to the cultural significance of caves in the past.
Irish Names Of Places (Volume Iii) has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Blarney Castle, the medieval home of the MacCarthy lords of Muskerry, is one of Ireland's best-known castles. Many visitors to Ireland include a trip to the castle in their itinerary, often queuing to kiss the Blarney Stone in hope of acquiring the 'gift of the gab.' Yet, despite the castle's ubiquitous image on postcards and tourist promotional literature, there is little acknowledgment of the building's historical and archaeological significance as a native lordly residence. This book - now available in paperback - brings the castle's architecture to the fore, placing it in the context of an expansive native lordship in late medieval Munster, and showing how changes in the layout and appearance of the building can be attributed to the castle's occupants, who continued to redefine their social standing and cultural identity through the Tudor reconquest and beyond.