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The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Fascinated with the heritage of ancient Greece, early modern intellectuals cultivated a deep interest in its language, the primary gateway to this long-lost culture, rehabilitated during the Renaissance. Inspired by the humanist battle cry “To the sources!” scholars took a detailed look at the Greek source texts in the original language and its different dialects. In so doing, they saw themselves confronted with major linguistic questions: Is there any order in this immense diversity? Can the Ancient Greek dialects be classified into larger groups? Is there a hierarchy among the dialects? Which dialect is the oldest? Where should problematic varieties such as Homeric and Biblical Greek be placed? How are the differences between the Greek dialects to be described, charted, and explained? What is the connection between the diversity of the Greek tongue and the Greek homeland? And, last but not least, are Greek dialects similar to the dialects of the vernacular tongues? Why (not)? This book discusses and analyzes the often surprising and sometimes contradictory early modern answers to these questions.
This lavishly illustrated volume contains more than 65 chapters by international specialists, providing a detailed and thorough study of the Ancient city of Nineveh, the once-flourishing capital of the Assyrian Empire in present-day Iraq.
In 2006 it will be 75 years since excavations by the American School of Classical Studies at Athens started in the ancient Agora. Almost every year since 1931 new areas of the ancient civic center have been cleared and exciting discoveries made, and this book presents the latest, detailed, account of the monuments and artifacts that can be seen on a visit to the site. After a short introduction to the history of the Agora, each monument is described in turn. Famous buildings like the Tholos or Stoa of Attalos are discussed in detail, but also lesser-known areas, passed over by other books, are revealed. Plans and color illustrations help locate the reader, while a large fold-out map at the back of the book distinguishes the different chronological phases of the Agora. For the first time this map also shows discoveries made in the last few years at the northern edge of the site. A final section presents a guide to the museum, substantially reorganized in preparation for the 2004 Olympic Games. Written by the director of the Agora excavations for over a decade, this book presents the most detailed and up-to-date coverage available of the birthplace of democracy. It will be invaluable for any visitor to or student of the site.