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Considered radical at the time, Breton's ideas today seem almost prescient, yet breathtaking in their passionate underlying belief in the indestructibility of life and the freedom of the human spirit. Breton wrote Arcanum 17 during a trip to the Gaspe Peninsula in Quebec in the months after D-Day in 1944, when the allied troops were liberating Occupied Europe. Using the huge Perce Rock - its impermanence, its slow-motion crumbling, its singular beauty - as his central metaphor, Breton considers issues of love, loss, aggression, war, pacifism and feminism.
The Lost Steps (Les Pas perdus) is Andri Breton's first collection of critical and polemical essays. Composed between 1917 and 1923, these pieces trace his evolution during the years when he was emerging as a central figure in French (and European) intellectual life. They chronicle his tumultuous passage through the Dada movement, proclaim his explosive views on Modernism and its heroes, and herald the emergence of Surrealism itself. Along the way, we are given Breton's serious commentaries on his Modernist predecessors, Guillaume Apollinaire and Alfred Jarry, followed by his not-so-serious Dada manifestoes. Also included are portraits of Marcel Duchamp, Francis Picabia, and Breton's mysterious friend Jacques Vachi, as well as a crisis-by-crisis account of his dealing with Dada's leader, Tristan Tzara. Finally, Breton offers a first glimpse of Surrealism, the movement that was forever after identified with his name and that stands as a defining force in twentieth-century aesthetics. Mark Polizzotti, editorial director of David R. Godine, Publisher, is the author of Revolution of the Mind: The Life of Andri Breton. He is also the translator of Jean Echenoz's Double Jeopardy (Nebraska 1994) and Cherokee (Nebraska 1994) and of Andri Breton's Conversations: The Autobiography of Surrealism. Mary Ann Caws is Distinguished Professor of French at Hunter College and at the City University of New York. Her most recent work is Robert Motherwell: What Art Holds. She is the translator of Andri Breton's Mad Love (Nebraska 1987) and Communicating Vessels (Nebraska 1990).
1951 a study in sacred numbers & symbols. a detailed study of the Tarot. Contents: Acknowledgment; Introduction; Arcanum 0-22 - illustrated & explained; Conclusion; Appendix a - What is Man; Appendix B - Bible Numbers; Appendix C - The Two Numbe.
Often regarded as an artistic movement of interwar Paris, Surrealism comprised an international community of artists, writers, and intellectuals who have aspired to change the conditions of life itself over the course of the past century. Consisting of a wide range of dedicated case studies from the 1920s to the 1970s, this book highlights the international dimensions of the Surrealist Movement, and the radical chains of thought that linked its followers across the globe: from France to Romania, and from Canada to the former Czechoslovakia. From very early on, the surrealists approached magic as a means of bypassing, discrediting, and combatting rationalism, capitalism, and other institutionalized systems and values that they saw to be constraining influences upon modern life. Surrealist Sorcery maps out how this interest in magic developed into a major area of surrealist research that led not only to theoretical but also practical explorations of the subject. Taking an international perspective, Atkin surveys this important quality of the movement and how it's remained an important element in the surrealist project and its ongoing legacy.
An all-new 120-page Stormlight Archive novella, "Edgedancer," will be the crown jewel of Arcanum Unbounded: The Cosmere Collection, the first book of short fiction by #1 New York Times bestselling author Brandon Sanderson. The collection will include nine works in all. The first eight are: “The Hope of Elantris” (Elantris) “The Eleventh Metal” (Mistborn) “The Emperor's Soul” (Elantris) “Allomancer Jak and the Pits of Eltania, Episodes 28 through 30” (Mistborn) “White Sand" (excerpt; Taldain) "Shadows for Silence in the Forests of Hell” (Threnody) “Sixth of Dusk” (First of the Sun) “Mistborn: Secret History” (Mistborn) These wonderful works, originally published on Tor.com and elsewhere individually, convey the expanse of the Cosmere and tell exciting tales of adventure Sanderson fans have come to expect, including the Hugo Award-winning novella, “The Emperor's Soul” and an excerpt from the graphic novel "White Sand." Arcanum Unbounded will also contain the 120-page Stormlight Archive novella "Edgedancer," which will appear in this book for the first time anywhere. It is a story of Lift, taking place between Words of Radiance and the forthcoming Oathbringer. Finally, this collection includes essays and illustrations for the various planetary systems in which the stories are set. Other Tor books by Brandon Sanderson The Cosmere The Stormlight Archive The Way of Kings Words of Radiance Edgedancer (Novella) Oathbringer The Mistborn trilogy Mistborn: The Final Empire The Well of Ascension The Hero of Ages Mistborn: The Wax and Wayne series Alloy of Law Shadows of Self Bands of Mourning Collection Arcanum Unbounded Other Cosmere novels Elantris Warbreaker The Alcatraz vs. the Evil Librarians series Alcatraz vs. the Evil Librarians The Scrivener's Bones The Knights of Crystallia The Shattered Lens The Dark Talent The Rithmatist series The Rithmatist Other books by Brandon Sanderson The Reckoners Steelheart Firefight Calamity At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A Concise book on Kabalah and Tarot by Samael Aun Weor first published in 1969. In its paragraphs are the whole path very well written but very concrete and very raw. There is more than enough information in order to clarify the priorities to which this study applies (illustrated with the 22 "official" Tarot Trumps of the Gnostic Movement drawn by Iglasias Janeiro). Also includes a sizable editor's Appendix with the following texts: -Sepher Yetzirah -The Twelve Keys of Basil Valentine -Viridarium Chymicum -Tarot Prediction. Libro conciso y auténtico sobre Kábala y Tarot por Samael Aun Weor primero publicado en 1969. En sus párrafos está todo el camino no precisamente muy bien escrito pero sí muy concreto y muy crudo. Más que suficiente para aclararle las prioridades al que vale para esto (está ilustrado con los 22 arcanos del Tarot "oficial" del Movimiento Gnóstico dibujado por Iglesias Janeiro). Reproducción del segunda edición de 1977.
Surrealism and the Gothic is the first book-length analysis of the role played by the gothic in both the initial emergence of surrealism and at key moments in its subsequent development as an art and literary movement. The book argues the strong and sustained influence, not only of the classic gothic novel itself – Ann Radcliffe, Charles Maturin, Matthew Lewis, etc. – but also the determinative impact of closely related phenomena, as with the influence of mediumism, alchemy and magic. The book also traces the later development of the gothic novel, as with Bram Stoker’s Dracula, and its mutation into such works of popular fiction as the Fantômas series of Marcel Allain and Pierre Souvestre, enthusiastically taken up by writers such as Apollinaire and subsequently feeding into the development of surrealism. More broadly, the book considers a range of motifs strongly associated with gothic writing, as with insanity, incarceration and the ‘accursed outsider’, explored in relation to the personal experience and electroshock treatment of Antonin Artaud. A recurring motif of the analysis is that of the gothic castle, developed in the writings of André Breton, Artaud, Sade, Julien Gracq and other writers, as well as in the work of visual artists such as Magritte.
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life. This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media’s materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author’s previous, Harmony & Dissent, examines the Dada and Surrealist movements as responses to the advent of the cinema.
Sacred Eroticism addresses a neglected chapter in Latin American literature, namely, the influence of Georges Bataille and Pierre Klossowski's atheist mysticism in the Latin American erotic novel of the twentieth century. Combining a Lacanian analytical framework with an (Inter)textualist approach. Juan Carlos Ubilluz reveals how Julio Cortazar, Salvador Elizondo, Mario Vargas Llosa, and Juan Garcia Ponce adopted Sataille and Klossowski's aesthetic and philosophical models as a point of departure to rearticulate the modern subject's buried dimension of the sacred through various Innovations on the erotic novel's form. Ubilluz examines the dialectical irruption of these literary experiments into their particular aesthetic, theoretical, and political contexts; showing, for instance, that Cortazar's