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From prehistory until now there are moments worth discovering poetically: the incarnation of the Word into flesh, the search for the meaning of suffering, the revelation of love in a look, Christ’s descent into hell, the onslaught of death, the abundance of life. Arcadian Grace means to witness a multitude of thoughts and events which happened through various cultures, with the intention of serving a relevance to our lives in the twenty-first century. We still seek out quietude as would a T’ang Dynasty poet on the shores of West Lake, our aspiration to rise, if only for an instant, into levels far surpassing the concrete, capable of being cracked, would meet the expectation evinced in a transcendentalist philosopher’s highest excursion, our despair at seeing wanton destruction, a theologian’s in the Second World War. And does the Spirit today, in the miasma of despair and confusion, reach us with the real power of light and love? The reality found through this adventure of time is that it does.
A modern mystery born in a timeless Tasmanian forest from Australia's favourite storyteller, with new novel The Night Tide out now. In the 1930s, in an isolated and beautiful corner of southern Tasmania, a new young wife arrives at her husband's secluded property - Arcadia. Stella, an artist, falls in love with Arcadia's wild, ancient forest. And when an unknown predator strikes, she is saved by an unusual protector... Two generations later, Stella's granddaughter, Sally, and her best friend, Jessica, stumble over Stella's secret life in the forest and find themselves threatened in turn. What starts as a girls' adventurous road trip becomes a hunt for the story of the past, to solve the present, and save their future... A breathtaking Tasmanian tale of ancient forests; of art and science; of love and, above all, of friendship.
This volume attempts an objective reassessment of the controversial works and life of American horror writer H. P. Lovecraft. Ignoring secondary accounts and various received truths, Gavin Callaghan goes back to the weird texts themselves, and follows where Lovecraft leads him: into an arcane world of parental giganticism and inverted classicism, in which Lovecraft's parental obsessions were twisted into the all-powerful cosmic monsters of his imaginary cosmology.
Walking surveys the proliferation of pedestrian practices across contemporary art, taking an avowedly political stance on where and how the three practices of art, walking, and writing intersect. Across the world, walking is a vital way to assert one’s presence in public space and discourse. Walking maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology contends that, as a relational practice, walking inevitably touches upon questions of access, public space, land ownership, and use. Walking is, therefore, always a political act. Artists surveyed include Stanley Brouwn, Laura Grace Ford, Regina Jose Galindo, Emily Hesse, Tehching Hsieh, Kongo Astronauts, Myriam Lefkowitz, Sharon Kivland, Andre Komatsu, Steve McQueen, Jade Montserrat, Sara Morawetz, Paulo Nazareth, Carmen Papalia, Ingrid Pollard, Issa Samb, Sop, Iman Tajik, Tentative Collective, Anna Zvyagintseva. Writers include Jason Allen-Paisant, Tanya Barson, André Brasil, Amanda Cachia, Sarah Jane Cervenak, Annie Dillard, Jacques Derrida, Dwayne Donald, Darby English, Édouard Glissant, Steve Graby, Antje von Graevenitz, Stefano Harney and Fred Moten, Elise Misao Hunchuck, Kathleen Jamie, Carl Lavery, JeeYeun Lee, Michael Marder, Gabriella Nugent, Isobel Parker Philip, Rebecca Solnit.