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This book is a comprehensive, illustrated reference for the chromolithographic advertising cards issued by the Arbuckle Brothers Coffee Company in the late 19th Century. Such cards were printed and distributed by a multitude of businesses during this period, and are commonly referred to as "Victorian Trade Cards." To promote their "ARIOSA" brand of coffee, Arbuckles' distributed hundreds of different cards, most of them inserted into their 1-lb. coffee packages, and many of them in distinct and numbered series. Some cards simply consisted of pretty pictures on the front, with Ariosa coffee advertising on the back. Many others purported to be educational in nature, weaving topics such as history, geography, zoology, and even cooking into both the illustrations and the accompanying narratives. This reference includes full-color images of each and every card that was issued as part of a series, as well as most of the known cards that were issued independently. Printing varieties that have been identified for some cards are detailed and, in most cases, also illustrated. For a few of the series, which did not use designs originally commissioned for Arbuckles', background information has been included which traces the original sources for those designs. Hopefully, this reference will serve not only as a valuable resource for active collectors of these wonderful old pieces of Americana, but perhaps also as an inspiration for future collectors and historians to delve into the fascinating world of both the Arbuckle Brothers Coffee Company and Victorian Trade Cards in general.
A stunning and comprehensive collection of lithographs from 1818 to 1900 Texas.
How trading cards captured the popular culture—from war to sports, science to celebrities—with tips on how to start and develop your own collection. The collection of picture cards has fascinated generations of children and adults since the late nineteenth century. Between 1900 and 1940, cartophily, as the hobby became known, became widespread as hundreds of millions of attractive cards were issued, usually with packets of cigarettes. These cards give us a unique insight into the cultural history of the period. Although the production of cigarette and other trade cards has declined in recent decades, millions of people worldwide now collect trading cards and stickers issued by the likes of Topps and Panini. This attractive and extensively illustrated guide to collecting cigarette and other trade cards gives the reader a lively history of the hobby, and offers the collector some valuable advice on how to begin and maintain a collection. The wide variation of themes of card issues is explored, with many of the stories behind the cards revealed. It will appeal to novice and established card collectors, and those with an interest in twentieth century social and cultural history.
"A collection of essays examining the history of nineteenth-century commercial lithography in Philadelphia. Analyzes the social, economic, and technological changes in the local trade from 1828 to 1878"--Provided by publisher.
Miss Minerva and William Green Hill by Frances Calhoun Boyd, first published in 1909, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Spend 12 Victorian era summers with historical women who experience many memorable summertime adventures, including mysteries, festivals, trials, weddings, storms, fairs--and romances.
Spanning three centuries of Brooklyn history from the colonial period to the present, A Covenant with Color exposes the intricate relations of dominance and subordination that have long characterized the relative social positions of white and black Brooklynites. Craig Steven Wilder -- examining both quantitative and qualitative evidence and utilizing cutting-edge literature on race theory -- demonstrates how ideas of race were born, how they evolved, and how they were carried forth into contemporary society. In charting the social history of one of the nation's oldest urban locales, Wilder contends that power relations -- in all their complexity -- are the starting point for understanding Brooklyn's turbulent racial dynamics. He spells out the workings of power -- its manipulation of resources, whether in the form of unfree labor, privileges of citizenship, better jobs, housing, government aid, or access to skilled trades. Wilder deploys an extraordinary spectrum of evidence to illustrate the mechanics of power that have kept African American Brooklynites in subordinate positions: from letters and diaries to family papers of Kings County's slaveholders, from tax records to the public archives of the Home Owners Loan Corporation. Wilder illustrates his points through a variety of cases, including banking interests, the rise of Kings County's colonial elite, industrialization and slavery, race-based distribution of federal money in jobs, and mortgage loans during and after the Depression. He delves into the evolution of the Brooklyn ghetto, tracing how housing segregation corralled African Americans in Bedford-Stuyvesant. The book explores colonial enslavement, the rise of Jim Crow, labor discrimination and union exclusion, and educational inequality. Throughout, Wilder uses Brooklyn as a lens through which to view larger issues of race and power on a national level. One of the few recent attempts to provide a comprehensive history of race relations in an American city, A Covenant with Color is a major contribution to urban history and the history of race and class in America.