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Las emociones que experimentamos al iniciar un viaje el placer ante el descubrimiento conocidos para el novelista frances Julio Verne. Desdu su biblioteca atestada de periodicos, revistas cientificas, mapas, almanaques y libros de viajes, Verne nos propone un reto: una aventura en la que participar observando los preparativos de la expedicion, admirando lugares remotos, no hallados, aun por el hombre, asombrandonos ante paisajes paradisiacos o animales salvajes, pueblos de otras razas y culturas. Asi el autor nos invita a un periplo imaginario donde el placer de conocer no cede a las fuertes imprisiones de una arriesgada travesia cargada de peligros y sorpresas. En la Inglaterra de finales del siglo XIX los circulos cientificos solohablan de un suceso: un explorador tozudo y voluntarioso, un experto cazador y un criado oficioso y dicharachero pretenden Ilevar a cabo la mas osada aventura que pudiera imaginarse, a bordo de un ingenio volador extrano y peligroso. Y aqui comienza tambien nuestro apasionante viaje de la mano de Julio Verne.
Consists of English translations of articles in the Spanish American press.
NO TODO LO QUE SE ESCRIBE ES PORQUE SE SIENTE, NI TODO LO QUE SE SIENTE SE PUEDE ESCRIBIR. TODO LO VIVIDO NO PUEDE SER PLASMADO EN LETRAS, NI TODO LO ESCRITO ES PORQUE SE HA VIVIDO. LAS PALABRAS SON DE QUIEN LAS LEE, NO DE QUIEN LAS ESCRIBE, NO JUZGUES AL QUE ESCRIBIO POR SUS PALABRAS, JUZGATE A TI MISMO POR LO QUE INTERPRETAS"
A masterful collection of poems rooted in K’iche’ Maya culture illustrating all the ways meaning manifests within our world, and how best to behold it. “My language was born among trees, / it holds the taste of earth; / my ancestors’ tongue is my home.” So writes Humberto Ak’abal, a K’iche’ Maya poet born in Momostenango, in the western highlands of Guatemala. A legacy of land and language courses through the pages of this spirited collection, offering an expansive take on this internationally renowned poet’s work. Written originally in the Indigenous K’iche’ language and translated from the Spanish by acclaimed poet Michael Bazzett, these poems blossom from the landscape that raised Ak’abal—mountains covered in cloud forest, deep ravines, terraced fields of maize. His unpretentious verse models a contraconquista—counter-conquest—perspective, one that resists the impulse to impose meaning on the world and encourages us to receive it instead. “In church,” he writes, “the only prayer you hear / comes from the trees / they turned into pews.” Every living thing has its song, these poems suggest. We need only listen for it. Attuned, uncompromising, Ak’abal teaches readers to recognize grace in every earthly observation—in the wind, carrying a forgotten name. In the roots, whose floral messengers “tell us / what earth is like / on the inside.” Even in the birds, who “sing in mid-flight / and shit while flying.” At turns playful and pointed, this prescient entry in the Seedbank series is a transcendent celebration of both K’iche’ indigeneity and Ak’abal’s lifetime of work.