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More than a hundred years ago, anthropologists and other researchers collected and studied hundreds of examples of quillwork once created by Arapaho women. Since that time, however, other types of Plains Indian art, such as beadwork and male art forms, have received greater attention. In Arapaho Women’s Quillwork, Jeffrey D. Anderson brings this distinctly female art form out of the darkness and into its rightful spotlight within the realms of both art history and anthropology. Beautifully illustrated with more than 50 color and black-and-white images, this book is the first comprehensive examination of quillwork within Arapaho ritualized traditions. Until the early twentieth century and the disruption of removal, porcupine quillwork was practiced by many indigenous cultures throughout North America. For Arapahos, quillwork played a central role in religious life within their most ancient and sacred traditions. Quillwork was manifest in all life transitions and appeared on paraphernalia for almost all Arapaho ceremonies. Its designs and the meanings they carried were present on many objects used in everyday life, such as cradles, robes, leanback covers, moccasins, pillows, and tipi ornaments, liners, and doors. Anderson demonstrates how, through the action of creating quillwork, Arapaho women became central participants in ritual life, often studied as the exclusive domain of men. He also shows how quillwork challenges predominant Western concepts of art and creativity: adhering to sacred patterns passed down through generations of women, it emphasized not individual creativity, but meticulous repetition and social connectivity—an approach foreign to many outside observers. Drawing on the foundational writings of early-nineteenth-century ethnographers, extensive fieldwork conducted with Northern Arapahos, and careful analysis of museum collections, Arapaho Women’s Quillwork masterfully shows the importance of this unique art form to Arapaho life and honors the devotion of the artists who maintained this tradition for so many generations.
First published in three parts in 1902, 1904, and 1907, The Arapaho quickly established itself as a model of description of Indian culture. Its discussion of Arapaho dance andødesign provides one of the most thorough studies of Indian symbolism ever written. Alfred L. Kroeber was sent in 1899 to study the Southern Arapaho in western Indian Territory (present Oklahoma). In 1900 he lived in the camp of the Northern Arapaho in Wyoming, and in 1901 he visited the Gros Ventre, a related tribe, in Montana. He researched his subject at first hand, speaking with Arapaho men and women of all ages about their customs, beliefs, and ceremonies. The Arapaho touches upon nearly every imaginable facet of the Indians' culture. Careful attention is paid to ceremonies, games, religion and stories of the supernatural, tribal organization, kinship, decorative art and regalia, and the articles of everyday life: clothes, pottery, utensils, tens, and the all-important pipe.
A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR
This collection of essays represents an attempt to move beyond degradation and exploitation as the defining ecological narratives of the Great Plains by examining the region through the interrelated themes of water, grasses, animals, and energy.
For centuries indigenous communities of North America have used carriers to keep their babies safe. Among the Indians of the Great Plains, rigid cradles are both practical and symbolic, and many of these cradleboards—combining basketry and beadwork—represent some of the finest examples of North American Indian craftsmanship and decorative art. This lavishly illustrated volume is the first full-length reference book to describe baby carriers of the Lakota, Cheyenne, Arapaho, and many other Great Plains cultures. Author Deanna Tidwell Broughton, a member of the Oklahoma Cherokee Nation and a sculptor of miniature cradles, draws from a wealth of primary sources—including oral histories and interviews with Native artists—to explore the forms, functions, and symbolism of Great Plains cradleboards. As Broughton explains, the cradle was vital to a Native infant’s first months of life, providing warmth, security, and portability, as well as a platform for viewing and interacting with the outside world for the first time. Cradles and cradleboards were not only practical but also symbolic of infancy, and each tribe incorporated special colors, materials, and ornaments into their designs to imbue their baby carriers with sacred meaning. Hide, Wood, and Willow reveals the wide variety of cradles used by thirty-two Plains tribes, including communities often ignored or overlooked, such as the Wichita, Lipan Apache, Tonkawa, and Plains Métis. Each chapter offers information about the tribe’s background, preferred types of cradles, birth customs, and methods for distinguishing the sex of the baby through cradle ornamentation. Despite decades of political and social upheaval among Plains tribes, the significance of the cradle endures. Today, a baby can still be found wrapped up and wide-eyed, supported by a baby board. With its blend of stunning full-color images and detailed information, this book is a fitting tribute to an important and ongoing tradition among indigenous cultures.
Many of these narratives, gathered in the late nineteenth and early twentieth centuries, were obtained or published only in English translation. Although this is the case with many Arapaho stories, extensive Arapaho-language texts exist that have never before been published—until now. Arapaho Stories, Songs, and Prayers gives new life to these manuscripts, celebrating Arapaho oral narrative traditions in all the richness of their original language.
For more than a century, the Northern Arapaho people have lived on the Wind River Reservation in Wyoming—the fourth largest reservation in the country. In The Four Hills of Life, Jeffrey D. Anderson masterfully draws together aspects of the Northern Arapahos’ world—myth, language, art, ritual, identity, and history—to offer a vivid picture of a culture that has endured and changed over time. Anderson shows that Northern Arapaho unity and identity from the nineteenth century on derive primarily from a shared system of ritual practices that transmit vital cultural knowledge. He also provides an in-depth study of the problems that Euro-American society continues to impose on reservation life and of the responses of the Northern Arapahos.
Naming the World examines language shift among the Northern Arapaho of the Wind River Reservation, Wyoming, and the community’s diverse responses as it seeks social continuity. Andrew Cowell argues that, rather than a single “Arapaho culture,” we find five distinctive communities of practice on the reservation, each with differing perspectives on social and more-than-human power and the human relationships that enact power. As the Arapaho people resist Euro-American assimilation or domination, the Arapaho language and the idea that the language is sacred are key rallying points—but also key points of contestation. Cowell finds that while many at Wind River see the language as crucial for maintaining access to more-than-human power, others primarily view the language in terms of peer-oriented identities as Arapaho, Indian, or non-White. These different views lead to quite different language usage and attitudes in relation to place naming, personal naming, cultural metaphors, new word formation, and the understudied practice of folk etymology. Cowell presents data from conversations and other natural discourse to show the diversity of everyday speech and attitudes, and he links these data to broader debates at Wind River and globally about the future organization of indigenous societies and the nature of Arapaho and indigenous identity.
Easy-to-read text and colorful illustrations and photos teach readers about Arapaho history, traditions, and modern life. This book describes society and family structure, hunting and gathering methods, and ceremonies and rituals. Readers will learn about Arapaho clothing, as well as crafts such as quillwork and beadwork. A traditional myth is included, as is a description of famous Arapaho leader Niwot. Wars, weapons, and contact with Europeans are discussed. Topics including European influence, assimilation, reservations, and federal recognition are also addressed. In addition, modern Arapaho culture and still-celebrated traditions such as the sun dance ceremony are introduced. Arapaho homelands are illustrated with a detailed map of the United States, and a step-by-step illustration of tepee construction shows readers how the Arapaho built their homes. Bold glossary terms and an index accompany engaging text. This book is written and illustrated by Native Americans, providing authentic perspectives of the Arapaho.