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Explores the integral role played by both Christian and Muslim Arab Americans in the growth of Chicago.
Sexual desire has long played a key role in Western judgments about the value of Arab civilization. In the past, Westerners viewed the Arab world as licentious, and Western intolerance of sex led them to brand Arabs as decadent; but as Western society became more sexually open, the supposedly prudish Arabs soon became viewed as backward. Rather than focusing exclusively on how these views developed in the West, in Desiring Arabs Joseph A. Massad reveals the history of how Arabs represented their own sexual desires. To this aim, he assembles a massive and diverse compendium of Arabic writing from the nineteenth century to the present in order to chart the changes in Arab sexual attitudes and their links to Arab notions of cultural heritage and civilization. A work of impressive scope and erudition, Massad’s chronicle of both the history and modern permutations of the debate over representations of sexual desires and practices in the Arab world is a crucial addition to our understanding of a frequently oversimplified and vilified culture. “A pioneering work on a very timely yet frustratingly neglected topic. . . . I know of no other study that can even begin to compare with the detail and scope of [this] work.”—Khaled El-Rouayheb, Middle East Report “In Desiring Arabs, [Edward] Said’s disciple Joseph A. Massad corroborates his mentor’s thesis that orientalist writing was racist and dehumanizing. . . . [Massad] brilliantly goes on to trace the legacy of this racist, internalized, orientalist discourse up to the present.”—Financial Times
The author of the highly acclaimed The Yacoubian Building returns with a story of love, sex, friendship, hatred, and ambition set in Chicago, with a cast of American and Arab characters achingly human in their desires and needs. Egyptian and American lives collide on a college campus in post-9/11 Chicago, and crises of identity abound in this extraordinary and eagerly anticipated new novel from Alaa Al Aswany. Among the players are a sixties-style anti-establishment professor whose relationship with a younger African-American woman becomes a moving target for intolerance; a veiled PhD candidate whose belief in the principles of her traditional upbringing is shaken by her exposure to American society; an émigré whose fervent desire to embrace his American identity is tested when he is faced with the issue of his daughter's "honor"; an Egyptian informant who spouts religious doctrines while hankering after money and power; and a dissident student poet who comes to America to finance his literary aspirations but whose experience in Chicago turns out to be more than he bargained for. Populated by a cast of intriguing, true-to-life characters, Chicago offers an illuminating portrait of America—a complex, often contradictory land in which triumph and failure, opportunity and oppression, licentiousness and tender love, small dramas and big dreams, coexist. Beautifully rendered, Chicago is a powerfully engrossing novel of culture and individuality from one of the most original voices in contemporary world literature.
Through his own life story, from childhood through is life as an adult, El Rassi illustrates the prejudices and discrimination Arabs and Muslims experience daily in American society. He contends with ignorant teachers, racist neighbours, bullying classmates and a growing sense of alienation. He also examines the roles that media and popular culture play and with examples from film and news media, he shows how difficult it is to have an Arab identity in a society saturated with anti-Arab messages.
"Drawn from Memory" is an important contribution to Moroccan studies, to the field of anthropology, and to academic approaches to biography. Rosen weaves the threads of his narrative together into a tapestry focused on the lives of four men: a raconteur, a teacher, an entrepreneur, and a cloth dealer, a Jew. Ordinary people have intellectual lives, Rosen tells us. They may never have written a book; they may never even have read one. But their lives are rich in ideas, constantly fashioned and revised, elaborated and rearranged. Rosen first encountered the four men he profiles in his book in the course of his academic research, and he then visited and revisited these men, and the towns in which they live, over several decades. He engaged them ina kind of continuous conversation. He spoke to members of their family, their neighbors, and the town people. Out of this wealth of material, he has constructed a narrative that takes the reader not only into four intensely observed individual lives but also, as it were, the history of Morocco s evolution across the span of many decades; he takes the reader not only into the outwardly lived lives of his subjects, but their innermost thoughts, their own perceptions of themselves and the evolving Moroccan world around them. At the same time, he manages to evoke the physical landscape, the towns in which these men live, marvelously well, so that the towns and their inhabitants come alive for the reader. Beautifully illustrated with archival and ethnographic photos, "Drawn from Memory" teaches us that that for Moroccans, and by extension Muslims in general, nothing in everyday social life is hard and fast, and the meaning and outcome of all interactions is the product of negotiation and relatedness."
"The Arabs is an interpretative essay based upon a great deal of reading and research, and like other writings of the author, brilliant and insightful. Rodinson's response to the question Who are the Arabs? traces the career of the Arab people from their first appearance about twenty-nine centuries ago up to the present day. The purpose of the book is to make the reader aware of an undeniable Arab being, of its historic performance and its contemporary situation, on the basis of a scientifically careful but sympathetic study and statement."--Back cover.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Chicago is home to one of the largest, most politically active Palestinian immigrant communities in the United States. For decades, secular nationalism held sway as the dominant political ideology, but since the 1990s its structures have weakened and Islamic institutions have gained strength. Drawing on extensive fieldwork and interview data, Palestinian Chicago charts the origins of these changes and the multiple effects they have had on identity across religious, political, class, gender, and generational lines. The perspectives that emerge through this rich ethnography challenge prevailing understandings of secularity and religion, offering critical insight into current debates about immigration and national belonging.
The spread of Islam eastward into South and Southeast Asia was one of the most significant cultural shifts in world history. As it expanded into these regions, Islam was received by cultures vastly different from those in the Middle East, incorporating them into a diverse global community that stretched from India to the Philippines. In Islam Translated, Ronit Ricci uses the Book of One Thousand Questions—from its Arabic original to its adaptations into the Javanese, Malay, and Tamil languages between the sixteenth and twentieth centuries—as a means to consider connections that linked Muslims across divides of distance and culture. Examining the circulation of this Islamic text and its varied literary forms, Ricci explores how processes of literary translation and religious conversion were historically interconnected forms of globalization, mutually dependent, and creatively reformulated within societies making the transition to Islam.
Winner of the 2021 Sheikh Zayed Book Award (category: Arab Culture in Other Languages) Browse a preview of Arabic Oration: Art and Fuction. In Arabic Oration: Art and Function, a narrative richly infused with illustrative texts and original translations, Tahera Qutbuddin presents a comprehensive theory of this preeminent genre in its foundational oral period, 7th-8th centuries AD. With speeches and sermons attributed to the Prophet Muḥammad, ʿAlī, other political and military leaders, and a number of prominent women, she assesses types of orations and themes, preservation and provenance, structure and style, orator-audience authority dynamics, and, with the shift from an oral to a highly literate culture, oration’s influence on the medieval chancery epistle. Probing the genre’s echoes in the contemporary Muslim world, she offers sensitive tools with which to decode speeches by mosque-imams and political leaders today.
Following 9/11, the securitization of state practices and policies has chipped away at the citizenship and personal rights of all Canadians, particularly those of Arab descent. This book argues that in a securitized global context and through racialized immigration and security policies, Arab Canadians have become "targeted transnationals." Media representations have further legitimized their homogenization and racialization. The contributors to this book examine state practices towards, and media representations of, Arab Canadians. They also present voices that counter the dominant discourse and trace forms of community resistance to the racialization of Arab Canadians.