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Arabic printing began in Eastern Europe and the Ottoman Levant through the association of the scholar and printer Antim the Iberian, later a metropolitan of Wallachia, and Athanasios III Dabbās, twice patriarch of Antioch, when the latter, as metropolitan of Aleppo, was sojourning in Bucharest. This partnership resulted in the first Greek and Arabic editions of the Book of the Divine Liturgies (Snagov, 1701) and the Horologion (Bucharest, 1702). With the tools and expertise that he acquired in Wallachia, Dabbās established in Aleppo in 1705 the first Arabic-type press in the Ottoman Empire. After the Church of Antioch divided into separate Greek Orthodox and Greek Catholic Patriarchates in 1724, a new press was opened for Arabic-speaking Greek Catholics by ʻAbdallāh Zāḫir in Ḫinšāra (Ḍūr al-Šuwayr), Lebanon. Likewise, in 1752-1753, a press active at the Church of Saint George in Beirut printed Orthodox books that preserved elements of the Aleppo editions and were reprinted for decades. This book tells the story of the first Arabic-type presses in the Ottoman Empire which provided church books to the Arabic-speaking Christians, irrespective of their confession, through the efforts of ecclesiastical leaders such as the patriarchs Silvester of Antioch and Sofronios II of Constantinople and financial support from East European rulers like prince Constantin Brâncoveanu and hetman Ivan Mazepa.
This first volume of Collected Works of the ERC Project TYPARABIC focuses on the history of printing during the 18th century in the Ottoman Empire and the Romanian Principalities among diverse linguistic and confessional communities. Although "most roads lead to Istanbul," the many pathways of early modern Ottoman printing also connected authors, readers and printers from Central and South-Eastern Europe, Western Europe and the Levant. The papers included in this volume are grouped in three sections. The first focuses on the first Turkish-language press in the Ottoman capital, examining the personality and background of its founder, İbrahim Müteferrika, the legal issues it faced, and its context within the multilingual Istanbul printing world. The second section brings together studies of printing and readership in Central and South-East Europe in Romanian, Greek and Arabic. The final section is made up of studies of the Arabic liturgical and biblical texts that were the main focus of Patriarch Athanasios III Dabbās' efforts in the Romanian Principalities and Aleppo. This volume will be of interest to scholars of the history of printing, Ottoman social history, Christian Arabic literature and Eastern Orthodox liturgy.
This first volume of Collected Works of the ERC Project TYPARABIC focuses on the history of printing during the 18th century in the Ottoman Empire and the Romanian Principalities among diverse linguistic and confessional communities. Although "most roads lead to Istanbul," the many pathways of early modern Ottoman printing also connected authors, readers and printers from Central and South-Eastern Europe, Western Europe and the Levant. The papers included in this volume are grouped in three sections. The first focuses on the first Turkish-language press in the Ottoman capital, examining the personality and background of its founder, İbrahim Müteferrika, the legal issues it faced, and its context within the multilingual Istanbul printing world. The second section brings together studies of printing and readership in Central and South-East Europe in Romanian, Greek and Arabic. The final section is made up of studies of the Arabic liturgical and biblical texts that were the main focus of Patriarch Athanasios III Dabbās' efforts in the Romanian Principalities and Aleppo. This volume will be of interest to scholars of the history of printing, Ottoman social history, Christian Arabic literature and Eastern Orthodox liturgy.
This selection of papers by scholarly specialists offers an introduction to the history of the book and book culture in West Asia and North Africa from antiquity to the 20th century. The flourishing and long-lived manuscript tradition is discussed in its various aspects - social and economic as well as technical and aesthetic. The very early but abortive introduction of printing - long before Gutenberg - and the eventual, belated acceptance of the printed book and the development of print culture are explored in further groups of papers. Cultural, aesthetic, technological, religious, social, political and economic factors are all considered throughout the volume. Although the articles reflect the predominance in the area of Muslim books - Arabic, Persian and Turkish - the Hebrew, Syriac and Armenian contributions are also discussed. The editor’s introduction provides a survey of the field from the origins of writing to the modern literary and intellectual revivals.
Sabev investigates the first Ottoman/Muslim printer Ibrahim Müteferrika and his printing activity in the first half of the 18th century. By focusing on Müteferrika's western-formed mind-set, the book analyzes the influence of his printing enterprise on the transition from scribal tradition to print culture in the Ottoman Turkish/Muslim milieu.
The rich and varied traditions of Islamic book art
This volume focuses on the connections of Arabic-speaking Christians with Eastern-European Christians in Ottoman times, it discusses the circulation of literature, models, iconography, and knowhow between the Middle East and Eastern Europe, and presents new research devoted to them.
Do you believe that God is the self-giving Love that moves the sun and other stars as well as the Love that is closer to you than your very breath? If not, please stop reading altogether. If so, then proceed... As Daniel London's concise introduction explains, The Cloud of Unknowing teaches us that God is not a thought or an idea, but a loving presence to be encountered in the simplicity of silence. Whether you have treasured this classic text for years or are coming to it for the first time, you will find something here that speaks to your soul and invites you more deeply into the life of prayer. -Arthur Holder, PhD, Professor of Christian Spirituality, Graduate Theological Union, editor of Christian Spirituality: The Classics and The Blackwell Companion to Christian Spirituality Like meeting an old friend after an absence and immediately being on intimate terms again, I met the essence of the beloved author of "the Cloud." This devotional brought me to tears and to belly laughs with that familiar wisdom and wink of slyness I have loved throughout my life. Daniel DeForest London has indeed distilled the author's authentic voice. -Suzanne Guthrie, author of Praying the Hours and Grace's Window: Entering the Seasons of Prayer
France's Le FabShop has extensive experience testing 3D printers and creating digital models for them. From an articulated Makey Robot to a posable elephant model, Samuel N. Bernier and the rest of Le FabShop's team have created some of the most-printed designs in the 3D printing world. This book uses their work to teach you how to get professional results out of a desktop 3D printer without needing to be trained in design. Through a series of tutorials and case studies, this book gives you the techniques to turn a product idea into a 3D model and a prototype. Focusing on free design software and affordable technologies, the exercises in this book are the perfect boost to any beginner looking to start designing for 3D printing. Designing for the tool and finding a good tool to fit the design--these are at the core of the product designer's job, and these are the tools this book will help you master. Foreword by Carl Bass, Autodesk's CEO, a passionate and prolific Maker. In Design For 3D Printing, you'll: Learn the different 3D printing technologies Choose the best desktop 3D printer Discover free 3D modeling software Become familiar with 3D scanning solutions Find out how to go from a bad to a good 3D source file, one that's ready-to-print