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The Arab community in Australia is one of the oldest and most established of its immigrant ethnic communities. Together, the various works brought together here cover most aspects of Arab–Australian lives that are of importance today: the history of settlement, attitudes about citizenship, Arab women’s activism, Arab antiracism activism, the position of Arab youth between two cultures, nostalgia and homesickness, everyday life in an Arab “ethnic” suburb, and questions of identity.
Charts the history of South Asian diaspora, weaving together stories of various peoples colonized by the British Empire.
A no-holds-barred memoir and outspoken manifesto from Senator, role model, and modern Australian hero Mehreen Faruqi. Too Migrant, Too Muslim, Too Loud is a no-holds-barred memoir and manifesto from outspoken senator, trouble¬maker and multicultural icon Mehreen Faruqi. As the first Muslim woman in any Australian parliament, Mehreen has a unique and crucial perspective on our politics and democracy. It is a tale of a political outsider fighting for her right and the rights of others like her to be let inside on their terms. From her beginnings in Pakistan and remaking in Australia, Mehreen recounts her struggle to navigate two vastly differ¬ent, changing worlds without losing herself. This moving and inspiring memoir shares shattering insights learned as a migrant, an engineer, an activist, a feminist and a politician. 'Compelling . . . If only all political memoirs were this honest.' BRI LEE, author of Eggshell Skull and Who Gets to be Smart 'Faruqi is a shining light' OMAR SAKR, author of The Lost Arabs 'An authentic and powerful voice for human rights, social justice and multiculturalism.' TIM SOUTPHOMMASANE, former Race Discrimination Commissioner 'intelligent and electrifying' BRIDIE JABOUR, journalist and author of The Way Things Should Be 'This is the impassioned insider's account of the state of Australian politics by one of our most trail-blazing politicians.' SUSAN CARLAND, author of Fighting Hislam 'An inspiring and powerful memoir by one of the most fiercely principled, courageous and compassionate leaders in this country.' RANDA ABDEL-FATTAH, author of Does My Head Look Big in This?
In light of cultural crises such as the Danish cartoon controversy and the terrorist attack on the Charlie Hebdo newspaper in Paris, Christopher Caldwell’s incisive perspective has never been more timely or indispensible. Reflections on the Revolution in Europe is destined to become the classic work on how Muslim immigration permanently reshaped the West. This provocative and unflinching analysis of Europe’s unexpected influx of immigrants investigates the increasingly prominent Muslim populations actively shaping the future of the continent. Muslims dominate or nearly dominate many important European cities, including Amsterdam and Rotterdam, Strasbourg and Marseille, the Paris suburbs and East London, and in those cities Islam has challenged the European way of life at every turn, becoming, in effect, an “adversary culture.” In Reflections on the Revolution in Europe, Caldwell examines the anger of natives and newcomers alike. He exposes the strange ways in which welfare states interact with Third World customs, the anti-Americanism that brings European natives and Muslim newcomers together, and the arguments over women and sex that drive them apart. He considers the appeal of sharia, “resistance,” and jihad to a second generation that is more alienated from Europe than the first, and addresses a crisis of faith among native Europeans that leaves them with a weak hand as they confront the claims of newcomers.
FINALIST FOR THE MILES FRANKLIN LITERARY AWARDS 2019 WINNER OF THE NSW PREMIERS LITERARY AWARDS MULTICULTURAL NSW AWARD 2019 'Bani Adam thinks he's better than us!' they say over and over until finally I shout back, 'Shut up, I have something to say!' They all go quiet and wait for me to explain myself, redeem myself, pull my shirt out, rejoin the pack. I hold their anticipation for three seconds, and then, while they're all ablaze, I say out loud, 'I do think I'm better.' As far as Bani Adam is concerned Punchbowl Boys is the arse end of the earth. Though he's a Leb and they control the school, Bani feels at odds with the other students, who just don't seem to care. He is a romantic in a sea of hypermasculinity. Bani must come to terms with his place in this hostile, hopeless world, while dreaming of so much more. Praise for The Lebs: 'an open-eyed and highly charismatic novel broiling with fight, tenderness and ambition.' - Big Issue 'The Lebs is a strong and resonant novel that deserves to be widely read.' - Weekend Australian 'The author never lets his superb command of idiom or his eye for the absurd overwhelm a deeply felt exploration of the hurt and damage that can come from encounters with the Australian Other. No one who reads The Lebs deserves to come out unscathed.' - The Saturday Paper 'Ahmad's piercing storytelling cuts away at the lace and trimmings of race relations in Australia today.' - The Lifted Brow
"Muslim women in Australia are at the forefront of a culture war, and not necessarily by choice. As visible representatives of Islam, veiled women face discrimination and abuse, and carry the stigma of a culture frequently deemed unacceptable and inferior. Despite these adverse conditions, Muslim women have demonstrated a remarkable resilience by maintaining their presence in the public domain and by continuing to make a positive contribution to Australia. The experiences of Muslim women in Australia cannot be typecast as a sisterhood of oppressed females. Challenging Identities questions the assumption of incompatible 'Australian values' and 'Islamic values', and provides valuable first-person accounts from the lives of Muslim women in Australia."--Publisher description.
Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same ‘hybrid’, ‘exilic’, and ‘diasporic’ questions that have dogged their fellow postcolonialists. Issues of belonging, loyalty, and affinity are recognized and dealt with in the various essays, as are the various concerns involved in cultural and relational identification. The contributors to this volume come from different national backgrounds and share in examining the nuances of this emerging literature. Authors discussed include Elmaz Abinader, Diana Abu-Jaber, Leila Aboulela, Leila Ahmed, Rabih Alameddine, Edward Atiyah, Shaw Dallal, Ibrahim Fawal, Fadia Faqir, Khalil Gibran, Suheir Hammad, Loubna Haikal, Nada Awar Jarrar, Jad El Hage, Lawrence Joseph, Mohja Kahf, Jamal Mahjoub, Hisham Matar, Dunya Mikhail, Samia Serageldine, Naomi Shihab Nye, Ameen Rihani, Mona Simpson, Ahdaf Soueif, and Cecile Yazbak. Contributors: Victoria M. Abboud, Diya M. Abdo, Samaa Abdurraqib, Marta Cariello, Carol Fadda–Conrey, Cristina Garrigós, Lamia Hammad, Yasmeen Hanoosh, Waïl S. Hassan, Richard E. Hishmeh, Syrine Hout, Layla Al Maleh, Brinda J. Mehta, Dawn Mirapuri, Geoffrey P. Nash, Boulus Sarru, Fadia Fayez Suyoufie