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This report, the outcome of a series of meetings of the Arab Foresight Group, an initiative undertaken by the EUISS, presents three alternative scenarios for the Arab world in 2025. These take into account those 'megatrends' which are unlikely to change, and outline three different ways in which policymakers can respond to the crises that currently beset the Middle East and North Africa.
VOLUME 1 IN THE UNFORGETTABLE STORY OF AN EXTRAORDINARY CHILDHOOD The Arab of the Future tells the unforgettable story of Riad Sattouf's childhood, spent in the shadows of three dictators - Muammar Gaddafi, Hafez al-Assad, and his father. A GUARDIAN BOOK OF THE YEAR | AN OBSERVER GRAPHIC BOOK OF THE YEAR | A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR 'I tore through it... The most enjoyable graphic novel I've read in a while' Zadie Smith 'I joyously recommend this book to you' Mark Haddon 'Riad Sattouf is one of the great creators of our time' Alain De Botton 'Beautifully-written and drawn, witty, sad, fascinating... Brilliant' Simon Sebag Montefiore In a striking, virtuoso graphic style that captures both the immediacy of childhood and the fervour of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria - but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation. Riad, delicate and wide-eyed, follows in the trail of his mismatched parents: his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult... Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace. Brimming with life and dark humour, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis. Translated by Sam Taylor. 'ENGROSSING' New York Times 'A PAGE TURNER' Guardian 'MARVELLOUS... BEGS TO BE READ IN ONE LONG SITTING' Herald 'AN OBJECT OF CONSENSUAL RAPTURE' New Yorker 'ONE OF THE GREATEST CARTOONISTS OF HIS GENERATION' Le Monde
The penultimate installment in the bestselling French graphic memoir series—hailed as “exquisitely illustrated” and “irresistible”—covering the years of Riad Sattouf’s adolescence, from 1987-1992. In the fourth volume of The Arab of the Future, little Riad has grown into a teenager. In the previous books, his childhood was complicated by the pull of his two cultures—French and Syrian—and his parents’ deteriorating relationship. Now his father, Adbel-Razak, has left to take a job in Saudi Arabia, and after making a pilgrimage to Mecca, turns increasingly towards religion. But after following him from place to place and living for years under the harsh conditions of his impoverished village, Riad’s mother Clementine has had enough. Refusing to live in a country where women have no rights, she returns with her children to live in France with her own mother... until Abdel-Razak shows up unexpectedly to drag the family on yet another journey. As the series builds to a climax, we see Riad struggle with problems both universal (bullies at school) and specific (his mother’s sudden illness, the judgment of his religious relatives). And as Abdel-Razak returns again to the same fantastical dreams he pursued in previous books, we see him become more and more unhinged, until ultimately he crosses the line from idealism to fanaticism, leading to a dramatic breaking point. Full of the same gripping storytelling and lush visual style for which Sattouf’s previous works have won numerous awards, The Arab of the Future 4 continues the saga of the Sattouf family and their peripatetic life in France and the Middle East.
The highly anticipated continuation of Riad Sattouf’s internationally acclaimed, #1 French bestseller, which was hailed by The New York Times as “a disquieting yet essential read” In The Arab of the Future: Volume 1, cartoonist Riad Sattouf tells of the first years of his childhood as his family shuttles back and forth between France and the Middle East. In Libya and Syria, young Riad is exposed to the dismal reality of a life where food is scarce, children kill dogs for sport, and his cousins, virulently anti-Semitic and convinced he is Jewish because of his blond hair, lurk around every corner waiting to beat him up. In Volume 2, Riad, now settled in his father’s hometown of Homs, gets to go to school, where he dedicates himself to becoming a true Syrian in the country of the dictator Hafez Al-Assad. Told simply yet with devastating effect, Riad’s story takes in the sweep of politics, religion, and poverty, but is steered by acutely observed small moments: the daily sadism of his schoolteacher, the lure of the black market, with its menu of shame and subsistence, and the obsequiousness of his father in the company of those close to the regime. As his family strains to fit in, one chilling, barbaric act drives the Sattoufs to make the most dramatic of changes. Darkly funny and piercingly direct, The Arab of the Future, Volume 2 once again reveals the inner workings of a tormented country and a tormented family, delivered through Riad Sattouf’s dazzlingly original talent.
In the third installment of the acclaimed series, the Sattouf family begins to implode under the pressure of Hafez al-Assad's regime and the suffocation of their rural Syrian village. The Arab of the Future is the widely acclaimed, internationally bestselling graphic memoir that tells the story of Riad Sattouf’s peripatetic childhood in the Middle East. In the first volume, which covers the years 1978–1984, his family moves between rural France, Libya, and Syria, where they eventually settle in his father’s native village of Ter Maaleh, near Homs. The second volume recounts young Riad’s first year attending school in Syria (1984–1985), where he dedicates himself to becoming a true Syrian in the country of Hafez al-Assad. In this third volume, (1985–1987), Riad’s mother, fed up with the grinding reality of daily life in the village, decides she cannot take it any longer. When she resolves to move back to France, young Riad sees his father torn between his wife’s aspirations and the weight of family traditions.
This fast-paced and timely book from Vijay Prashad is the best critical primer to the Middle East conflicts today, from Syria and Saudi Arabia to the chaos in Turkey. Mixing thrilling anecdotes from street-level reporting that give readers a sense of what is at stake with a bird's-eye view of the geopolitics of the region and the globe, Prashad guides us through the dramatic changes in players, politics, and economics in the Middle East over the last five years. “The Arab Spring was defeated neither in the byways of Tahrir Square nor in the souk of Aleppo,” he explains. “It was defeated roundly in the palaces of Riyadh and Ankara as well as in Washington, DC and Paris.” The heart of this book explores the turmoil in Iraq, Syria, and Lebanon—countries where ISIS emerged and is thriving. It is here that the story of the region rests. What would a post-ISIS Middle East look like? Who will listen to the grievances of the people? Can there be another future for the region that is not the return of the security state or the continuation of monarchies? Placing developments in the Middle East in the broader context of revolutionary history, The Death of the Nation tackles these critical questions.
In the third installment of the acclaimed series, the Sattouf family begins to implode under the pressure of Hafez al-Assad's regime and the suffocation of their rural Syrian village. The Arab of the Future is the widely acclaimed, internationally bestselling graphic memoir that tells the story of Riad Sattouf’s peripatetic childhood in the Middle East. In the first volume, which covers the years 1978–1984, his family moves between rural France, Libya, and Syria, where they eventually settle in his father’s native village of Ter Maaleh, near Homs. The second volume recounts young Riad’s first year attending school in Syria (1984–1985), where he dedicates himself to becoming a true Syrian in the country of Hafez al-Assad. In this third volume, (1985–1987), Riad’s mother, fed up with the grinding reality of daily life in the village, decides she cannot take it any longer. When she resolves to move back to France, young Riad sees his father torn between his wife’s aspirations and the weight of family traditions.
This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, the authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship. Written for students without prior knowledge of the topic, Arab Media will be essential reading for all interested in the contemporary global media industries.
This book provides an in-depth analysis of public opinion patterns among Muslims, particularly in the Arab world. On the basis of data from the World Values Survey, the Arab Barometer Project and the Arab Opinion Index, it compares the dynamics of Muslim opinion structures with global publics and arrives at social scientific predictions of value changes in the region. Using country factor scores from a variety of surveys, it also develops composite indices of support for democracy and a liberal society on a global level and in the Muslim world, and analyzes a multivariate model of opinion structures in the Arab world, based on over 40 variables from 12 countries in the Arab League and covering 67% of the total population of the Arab countries. While being optimistic about the general, long-term trend towards democracy and the resilience of Arab and Muslim civil society to Islamism, the book also highlights anti-Semitic trends in the region and discusses them in the larger context of xenophobia in traditional societies. In light of the current global confrontation with radical Islamism, this book provides vital material for policy planners, academics and think tanks alike.
In the postwar years, an eruption of urbanization took place across Japan, from its historical central cities to the outer reaches of the archipelago. During the 1960s and 1970s, Japanese literary and visual media took a deep interest in cities and their problems, and what this rapid change meant for the country. In Residual Futures, Franz Prichard offers a pathbreaking analysis of the works wrought from this intensive urbanization, mapping the ways in which Japanese filmmakers, writers, photographers, and other artists came to grips with the entwined ecologies of a drastic transformation. Residual Futures examines crucial works of documentary film, fiction, and photography that interrogated Japan’s urbanization and integration into the U.S.-dominated geopolitical system. Prichard discusses documentary filmmaker Tsuchimoto Noriaki’s portrait of the urban “traffic war” and the remaking of Tokyo for the 1964 Olympics, novelist Abe Kōbō’s depictions of infrastructure and urban sociality, and the radical notions of landscape that emerge from the critical and photographic work of Nakahira Takuma. His careful readings reveal the shifting relationships among urban materialities and subjectivities and the ecological, political, and aesthetic vocabularies of urban change. A novel cultural history of critical urban discourse in Japan, Residual Futures brings an interdisciplinary approach to Japanese literary and visual media studies. It provides a vital new perspective on the infrastructural aesthetics and entangled urban and media conditions of the global Cold War.