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Zimmerman presents a new edition of Apuleius' Metamorphoses, which was written in the second century AD and is the only ancient Latin novel to survive in its entirety. In establishing her new text edition, Zimmerman has built on important recent research on the language and style of the literary artist Apuleius.
This collection of essays, dedicated to A.H.M. Kessels, provides an overview of modern Dutch scholarship in Greek and Latin studies with special emphasis on dreams in classical literature, classical drama and the reception of Homer.
This sixth AN Supplementum, Lectiones Scrupulosae ('Scrupulous Rea¡dings'), is a Festschrift in honour of Maaike Zimmerman offered to her by a group of Apuleian scholars on the occasion of her sixty-fifth birthday. It is a volume focused on the text of Apuleius' Metamorphoses that offers Maaike and all other lectores scrupulosi ('scrupulous readers') of Apuleius' novel a collection of studies that shed new light on certain aspects of text and interpretation. Moreover, since Maaike Zimmerman is currently working on a new critical edition of Apuleius' Metamorphoses for the Oxford Classical Texts series, an additional motivation for this volume was the presentation of a collection of original papers providing material on a number of passages for Maaike to ponder and take into consideration as she reviews the text.Everything proceeds from the text: a textual issue can open the door to a broader approach, including, for example, discussions of literary interpretation, linguistics, or style. Hence, one of the themes of the volume is to show connections between problems of textual criticism and larger interpretative issues (e.g. Bitel, Finkelpearl, McCreight, Keulen). Maaike herself is expert at this kind of 'explication du texte'. Within the broad spectrum between 'text' and 'interpretation', the contributions to this volume present different approaches and choices, varying from a traditional, purely 'textual' approach to one that is largely interpretative and seeks to explain the multi-layered texture of Apuleius' narrative in the light of certain metaphors, images, or expressions. Some articles offer new conjectures and readings of vexed passages (Harrison, Plaza), support unjustly neglected conjectures (McCreight, Schmeling and Montiglio), or propose to banish certain passages or phrases once and for all from the center of the text to a peripheral exile in the apparatus criticus, as a footnote in the history of the text's reception (Bitel, Hunink). Other contributions focus on the 'authorship' of the Metamorphoses (Tatum) or the vicissitudes of the Apuleian text in the hands of Medieval and Renaissance readers (Hunink, May). Through their contributions to Lectiones Scrupulosae, the authors of this AN Supplementum not only honour Maaike as a text-editor or commentator, but also pay tribute to her other scholarly output, such as her work on Cupid and Psyche (Hij¡mans), on Apuleius and Roman Satire or the Greek Ass Tale (e.g. Dowden, Graverini, Plaza, Panayotakis), on the reader's role in the Prologue and on Apuleian ecphrasis (Keulen, van Mal-Maeder), or on space symbolism in the Metamorphoses (James and O'Brien). But all contributors in this volume also send Maaike the same message of friendship and gratitude that can be summarized as follows: Lector, intende: laetaberis.
This is the first in-depth study of Apuleius' Metamorphoses to look at the different attitudes characters adopt towards magic as a key to deciphering the complex dynamics of the entire work. The variety of responses to magic is unveiled in the narrative as the protagonist Lucius encounters an assortment of characters, either in embedded tales or in the main plot. A contextualized approach illuminates Lucius' relatively good fortune when compared to other characters in the novel ‒ this results from his involvement with the magic of a sorcerer's apprentice, rather than that of a real witch, and signals the possibility of eventual salvation. A careful investigation of Lucius' attitude towards Isis in book 11 and his relationship with the witch-slave girl Photis earlier on suggests that the novel's final book may be read as a second "Metamorphoses", consciously rewritten from a positive perspective. Last but not least, the book also breaks new ground by examining the narrative structure of the Metamorphoses against the background of the typical plotline found in the ideal romance. The comparison shows how Apuleius both follows and alters this plot, exploiting the genre to his own specific ends, in keeping with his central theme of metamorphosis.
This volume is the first comprehensive commentary on the fourth book of Martial's epigrams. The introduction discusses its date of publication, major themes (Domitian, literature, death), the arrangement and form of the epigrams, and some issues concerning the transmission of the text. Of special note is the author’s study of the structure of the book. The commentary, preceded by the Latin critical text and an English translation, aims to provide readers with as much pertinent information as possible to enable them to fully comprehend the epigrams. Attention is paid to style and literary tradition, as well as to realia. Both each individual epigram and the book as a whole are studied as finely accomplished works of art.