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Is Cupid and Psyche a romance, a folktale, a Platonic allegory of the nature of the soul, a Jungian tale of individuation, or an archetypal dream? This volume provides Joel Relihan's lively translation of this best known section of Apuleius' Golden Ass, some useful and illustrative parallels, and an engaging discussion of what to make of this classic story.
Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. Hackett Publishing Company is the exclusive distributor of the Bryn Mawr Commentaries in North America, the United Kingdom, and Europe.
Zimmerman presents a new edition of Apuleius' Metamorphoses, which was written in the second century AD and is the only ancient Latin novel to survive in its entirety. In establishing her new text edition, Zimmerman has built on important recent research on the language and style of the literary artist Apuleius.
Noting previously unrecognised allusions to literary works and contemporary events, this book presents an original portrait of the miscellanist Aulus Gellius ("Attic Nights") as a satirical writer and a Roman intellectual working within the cultural milieu of Antonine Rome.
In recent years there has been growing interest in Apuleius' works. Notably his famous novel Metamorphoses and his speeches are increasingly appreciated as the special products of a Second Sophist writing in Latin. In the Florida, a collection of 23 excerpts of speeches, we have a unique example of Roman demonstrative rhetoric. In the text we see Apuleius performing before great audiences, and even in the theatre of Carthage. He delivers speeches on topics as diverse as the eye of the eagle, the inventions of Hippias, or the distinctive features of the parrot. The speaker's wide literary talents, his education and health, and his excellent relations with Carthage and the audience at large, are all put on display with manifest pride. This makes the Florida an indispensable text for anyone interested in second century Latin literature, Second Sophistic, culture and education in Roman Africa, or the author Apuleius. A modern commentary on this brilliant collection has been a desideratum in Apuleian scholarship for a long time. Vincent Hunink has now edited the Florida with an extensive English commentary, in which the literary and rhetorical features of the text are highlighted. Particular attention is paid to the strategies of the speaker and to his exquisite, extravagant style, full of rare or newly coined words and richly adorned with effects of sound and rhythm. Each of the 23 fragments is given a separate introduction, followed by a detailed commentary. The new edition enables readers to gain a better understanding of Apuleius as the great sophist and showman that he was. The volume contains an introduction, a Latin text (based on Helm's Teubner text, but with numerous returns to the text of the manuscripts), a commentary (150 pages), bibliography and indices.
Cupid and Psyche Apuleius - Cupid and Psyche is a story from the Latin novel Metamorphoses, also known as The Golden Ass, written in the 2nd century AD by Apuleius. It concerns the overcoming of obstacles to the love between Psyche (Soul or Breath of Life) and Cupid (Desire), and their ultimate union in a sacred marriage.
This collection, focusing on literary aspects of the Platonic dialogues, includes diverse essays by scholars from several different fields. Topics include friendship and desire in the Lysis, Socratic irony in Cratylus, and mystery imagery in Phaedrus.
This book provides the first general account of the works of the Latin writer Apuleius, most famous for his great novel the Metamorphoses or Golden Ass. Living in second-century North Africa, Apuleius was more than an author; he was an orator and professional intellectual, Platonist philosopher, extraordinary stylist, relentless self-promoter, as well as a versatile author of a remarkably diverse body of other work, much of which is lost to us.
The strix was a persistent feature of the folklore of the Roman world and subsequently that of the Latin West and the Greek East. She was a woman that flew by night, either in an owl-like form or in the form of a projected soul, in order to penetrate homes by surreptitious means and thereby devour, blight or steal the new-born babies within them. The motif-set of the ideal narrative of a strix attack - the 'strix-paradigm' - is reconstructed from Ovid, Petronius, John Damascene and other sources, and the paradigm's impact is traced upon the typically gruesome representation of witches in Latin literature. The concept of the strix is contextualised against the longue-durée notion of the child-killing demon, which is found already in the ancient Near East, and shown to retain a currency still as informing the projection of the vampire in Victorian fiction.