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Poetry. Asian & Asian American. Women's Studies. "The apsara is the mythical deity that decorates most Khmer temples, and it represents the ideal woman in Cambodia. In fact, even the classical dancers are modeled after them. My APSARA IN NEW YORK image meant a meeting of my heritage/culture being dropped into the madness, urban temples (not necessarily religious, but sacred spaces personal and whatnot). I feel like my work and who I am embodies the jarring combination of old world Cambodian tradition and culture with the adjustment of US, the Bronx, NYC in general."--Sokunthary Svay
"In trans illustrator Bishakh Som's debut work of fiction, questions of gender, the body, and existential conformity are explored over the course of eight speculative and graphic short stories"--
In 1975, Alison Knowles (born 1933), founding member of Fluxus, and experimental composer Annea Lockwood (born 1939) co-edited and self-published Womens Work, a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This superb facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues, by artists Beth Anderson, Ruth Anderson, Jackie Apple, Barbara Benary, Sari Dienes, Bici Forbes, Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Christina Kubisch, Carol Law, Mary Lucier, Lisa Mikulchik, Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Ann Williams, Julie Winter and Marilyn Wood. This is an important reissue, collecting as it does works in a field whose "classics" are typically confined to male-dominated publications.
The art world is no longer defined by the activity of traditional art centres such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. This book explores the hybrid nature of today's international artistic landscape by introducing readers to the art scenes in six featured cities.
Apsara Jet, is an erotic, politically incurred story of love, lust, betrayal, death, and revenge...inside the world of narco trafficking, in South East Asia. John Jackson Jr., an employed former Eastern Airlines Captain, had fallen to the bottom of his alcoholic depression. Convicted of felony drunk driving in Miami, divorced, homeless, and finally living in his car... he is given one last chance for redemption, returning to Indochina for Alexander Chen. Unknowing at first, he involves two of his old friends, then feeling that there was no way out, he and his pals sink into the dark world of Burmese Drug Lords and The Russian Mafi. Betrayed, they survive a fiery mid-air collision, only to nurse their crippled jet home to Cambodian airspace, where they deliberately crash land in theSan River, near the remote village of Phum Krom, in Northeastern Cambodia. There Jackson and his only surviving partner, ex-CIA pilot, and mercenary, A. P. Scott, recuperate, to later train a small guerrilla force. of mostly sex crazed young native women. Then returning to Phnom Penh, as an irregular strike force, they seek an apocalyptic revenge on Chen, their former employer, for millions for dollars in cash.
After surviving the Khmer Rouge genocide, followed by years of confinement to international refugee camps, as many as 10,000 Southeast Asian refugees arrived in the Bronx during the 1980s and ‘90s. Unsettled chronicles the unfinished odyssey of Bronx Cambodians, closely following one woman and her family for several years as they survive yet resist their literal insertion into concentrated Bronx poverty. Eric Tang tells the harrowing and inspiring stories of these refugees to make sense of how and why the displaced migrants have been resettled in the “hyperghetto.” He argues that refuge is never found, that rescue discourses mask a more profound urban reality characterized by racialized geographic enclosure, economic displacement and unrelenting poverty, and the criminalization of daily life. Unsettled views the hyperghetto as a site of extreme isolation, punishment, and confinement. The refugees remain captives in late-capitalist urban America. Tang ultimately asks: What does it mean for these Cambodians to resettle into this distinct time and space of slavery’s afterlife?
Poetry collection by devorah major, third San Francisco Poet Laureate.
Poetry collection by Lupe Mendez, poet, teacher and activist. Why I Am Like Tequila is a collection of poetry spanning a decade of writing and performance. This collection exists in 4 parts - each a layered perspective, a look through a Mexican/ Mexican-American voice living in the Texas Gulf Coast. Set within spaces such as Galveston Island, Houston, the Rio Grande Valley and Jalisco, Mexico, these poems peel away at all parts, like the maguey, drawing to craft spirits, quenching a thirst between land and sea.
Poetry collection by Naoko Fujimoto. Editor's Choice, Willow Books. Born and raised in Nagoya, Japan, Fujimoto is currently a Chicago-area graphic poetry artist. A RHINO associate editor, Fujimoto's Poetry & Art site introduces readers to graphic poetry and showcases book projects.