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The stage was set. Harry Mullin had hit town first. But he had just made the FBI's Ten Most Wanted list, and he was a little nervous about being seen. With him at the rented house where they planned to case the job was a girl named Sal. Then the Ace turned up. He'd been good in his day but had lost something in the guts department. But the last one in town was Ronnie. Ronnie had killed 12 men and two women in seven years and had gotten to like his job - maybe a little too much ...
April Evil, one of many classic novels from crime writer John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook. Springtime in Florida. The vacation season is over. It’s a hot day . . . too hot for April. The sun beats relentlessly down on the sidewalks. Most of the tourists have gone back north, and the residents of Flamingo have the town pretty much to themselves. They can play golf on empty courses, relax on pristine beaches. Kids can play hide-and-seek in the tall grass around the vacant winter houses. The real estate men, the car salesmen, and the police can all relax. But at 11:30 this morning, a man and a woman in a dusty gray Buick with Illinois plates drive into town. And they’re about to hit like a hurricane. The evil days have begun. Features a new Introduction by Dean Koontz Praise for John D. MacDonald “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King “My favorite novelist of all time.”—Dean Koontz “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
"First published in Great Britain by Titan Books"--T.p. verso.
In late 19th century England, Oscar Wilde popularized aestheticism, also known as art-for-art’s-sake – the idea that art, that beauty, should not be a vehicle for morality or truth, but an end in-and-of-itself. Rothko and Jackson Pollock enthroned the idea, creating paintings that are barely graded panels of color or wild splashes. Today, pop culture is aestheticism’s true heir, from the perfect charismatic emptiness of Ocean’s Eleven to the hyper-choreographed essentially balletic movements in the best martial arts movies. But aestheticism has a dark core, one that Social Justice Activists are now gathering to combat, revealing the damaging ideology reflected in or concealed by our most beloved pop culture icons. Taking Bryan Fuller’s television version of Hannibal “The Cannibal” Lecter as its main text – and taking Žižek-style illustrative detours into Malcolm in the Middle, Dark Knight Rises, Harry Potter, Interview with a Vampire, Dexter and more – this book marshals Walter Pater, Camille Paglia, Nietzsche, the Marquis de Sade, Kant and Plato, as well as Dante, Shakespeare, Milton, Blake, Baudelaire, Beckett, Wallace Stevens and David Mamet to argue that Fuller’s show is a deceptively brilliant advance of aestheticism, both in form and content – one that investigates how deeply art-for-art’s-sake, and those of us who consciously or unconsciously worship at its teat, are necessarily entwined with evil.
In Kentucky, the slavery debate raged for thirty years before the Civil War began. While whites in the lower South argued that slavery was good for master and slave, many white Kentuckians maintained that because of racial prejudice, public safety, and property rights, slavery was necessary but undeniably evil. Harold D. Tallant shows how this view bespoke a real ambivalence about the desirability of continuing slavery in Kentucky and permitted an active abolitionist movement in the state to exist alongside contented slaveholders. Though many Kentuckians were increasingly willing to defend slavery against northern opposition, they did not always see this defense as their first political priority. Tallant explores the way in which the disparity between Kentuckians' ideals and their actions helped make Kentucky a quintessential border state.
The dark fantasy saga which began with Death’s Good Intentions continues in The Greater Evil, an action-packed thriller about supernatural powers twisting our world into a dystopian empire… The Antichrist sits in a position of power with most the world believing that he’s a hero of the people. Those who know the truth -- rebels led by young April Frausini and the rogue Horsemen of the Apocalypse, Death and War -- are labeled terrorists as they strike out at the Antichrist from the shadows. And though most civilians blindly trust their new leader, the voice of the opposition is growing louder. In response, the governments of the world create the Unity initiative, stripping citizens of their basic freedoms under the guise of tighter security in an increasingly dangerous world. Meanwhile, Trey Decarr, the man also known as Death, bides his time in a Unity island prison. Unity has far grander plans than simply caging insurgents on the island, though. The prison camp will also be the testing grounds for Unity’s new biological weapons program, and Decarr is at the front of the line for ‘volunteer’ test subjects. In a time when evil reigns triumphant, it will be up to Decarr and April to bring the truth to the world in an effort to make things right. The End of the World and Some Other Things series The Man with the Devil’s Tongue (Prequel novella) Death’s Good Intentions (Book 1) The Greater Evil (Book 2) Behold Star Wormwood (Book 3, forthcoming)
I hugged my sisters and they fit against my sides like two jigsaw pieces that would never fit anywhere else. I couldn?t imagine ever letting them go again, like releasing them would be to surrender the best parts of myself. Three sisters share a magical, unshakeable bond in this witty high-concept novel from the critically acclaimed author of Audrey, Wait! Around the time of their parents? divorce, sisters April, May, and June recover special powers from childhood?powers that come in handy navigating the hell that is high school. Powers that help them cope with the hardest year of their lives. But could they have a greater purpose? April, the oldest and a bit of a worrier, can see the future. Middle-child May can literally disappear. And baby June reads minds?everyone?s but her own. When April gets a vision of disaster, the girls come together to save the day and reconcile their strained family. They realize that no matter what happens, powers or no powers, they?ll always have each other. Because there?s one thing stronger than magic: sisterhood.