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In Approximate Gestures, Anthony Stewart argues that the writing of Percival Everett, the acclaimed author of Erasure and more than twenty other works of fiction, compels readers to retrain their thinking habits and to value uncertainty. Stewart maintains that Everett’s fiction challenges its interpreters to question their assumptions, consider the spaces in between categories, and embrace the potential of a larger, more uncertain world in an effort to confront bigotry and similarly limiting patterns of thought. Drawing on the work of Gilles Deleuze and Félix Guattari, Stewart proposes that their notion of the schizorevolutionary figure captures the in-between status of many of Everett’s characters as they refuse the constraints of the binary, categorical structures that govern so much of human life. Approximate Gestures engages specifically with the vexed question of discussing race in Everett’s fiction. Stewart frames the stakes of analyzing such subject matter in the writing of an African American novelist whose work rigorously questions critical approaches to race. Requiring readers to engage with black males who are hydrologists, ranchers, college professors, romance novelists, and in one case, a toddler, means entering a world released from habitual frames of reference. Through an examination of a broad selection of novels, Stewart demonstrates the extent to which Everett’s characters inhabit “infinite spaces in between conventional categories” and understand themselves as subjects attempting to navigate social and psychological worlds. Approximate Gestures: Infinite Spaces in the Fiction of Percival Everett encourages readers and critics to think more deeply about how they position themselves in and engage with the world around them. As one of the first books of literary criticism devoted to Everett’s fiction, Stewart’s pathbreaking study models a method for reading the formidable body of work being produced by a major contemporary writer.
'Musical Gestures' is a collection of essays that explore the relationship between sound and movement. The book takes an interdisciplinary approach to the fundamental issues of this subject, drawing on ideas, theories and methods from disciplines such as musicology, music perception, and human movement science.
Summarizing her pioneering work on the semiotic analysis of gestures in conversational settings, Geneviève Calbris offers a comprehensive account of her unique perspective on the relationship between gesture, speech, and thought. She highlights the various functions of gesture and especially shows how various gestural signs can be created in the same gesture by analogical links between physical and semantic elements. Originating in our world experience via mimetic and metonymic processes, these analogical links are activated by contexts of use and thus lead to a diverse range of semantic constructions rather as, from the components of a Meccano kit, many different objects can be assembled. By (re)presenting perceptual schemata that mediate between the concrete and the abstract, gesture may frequently anticipate verbal formulation. Arguing for gesture as a symbolic system in its own right that interfaces with thought and speech production, Calbris’ book brings a challenging new perspective to gesture studies and will be seminal for generations of gesture researchers.
In Approximate Gestures, Anthony Stewart argues that the writing of Percival Everett, the acclaimed author of Erasure and more than twenty other works of fiction, compels readers to retrain their thinking habits and to value uncertainty. Stewart maintains that Everett’s fiction challenges its interpreters to question their assumptions, consider the spaces in between categories, and embrace the potential of a larger, more uncertain world in an effort to confront bigotry and similarly limiting patterns of thought. Drawing on the work of Gilles Deleuze and Félix Guattari, Stewart proposes that their notion of the schizorevolutionary figure captures the in-between status of many of Everett’s characters as they refuse the constraints of the binary, categorical structures that govern so much of human life. Approximate Gestures engages specifically with the vexed question of discussing race in Everett’s fiction. Stewart frames the stakes of analyzing such subject matter in the writing of an African American novelist whose work rigorously questions critical approaches to race. Requiring readers to engage with black males who are hydrologists, ranchers, college professors, romance novelists, and in one case, a toddler, means entering a world released from habitual frames of reference. Through an examination of a broad selection of novels, Stewart demonstrates the extent to which Everett’s characters inhabit “infinite spaces in between conventional categories” and understand themselves as subjects attempting to navigate social and psychological worlds. Approximate Gestures: Infinite Spaces in the Fiction of Percival Everett encourages readers and critics to think more deeply about how they position themselves in and engage with the world around them. As one of the first books of literary criticism devoted to Everett’s fiction, Stewart’s pathbreaking study models a method for reading the formidable body of work being produced by a major contemporary writer.
This book constitutes the thoroughly refereed post-proceedings of the 6th International Workshop on Gesture in Human-Computer Interaction and Simulation, GW 2005, held in May 2005. The 22 revised long papers and 14 revised short papers presented together with 2 invited lectures were carefully selected from numerous submissions during two rounds of reviewing and improvement. The papers are organized in topical sections on human perception and production of gesture, sign language representation, sign language recognition, vision-based gesture recognition, gesture analysis, gesture synthesis, gesture and music, and gesture interaction in multimodal systems.
This book constitutes the refereed proceedings of the 5th International Conference on Articulated Motion and Deformable Objects, AMDO 2008, held in Port d'Andratx, Mallorca, Spain, in July 2008. The 36 revised full papers and 7 poster papers presented were carefully reviewed and selected from 64 submissions. The papers are organized in topical section on computer graphics: human modelling and animation, human motion: analysis, tracking, 3D reconstruction and recognition, multimodal user interaction: VR and ar, speech, biometrics, and advanced multimedia systems: standards, indexed video contents.
Saying “I love you” can be hard, even for best friends… It’s been years since Kate and Sara called themselves best friends. Life has happened and they’ve drifted away from each other. Sara’s become an adult, discovered new things about herself, experienced love. She’s decided she’s going to make her own happiness and build herself the perfect love story, except she’s as shy as ever, hopelessly stuck in the daily routine, and not quite confident enough to put herself out there. During one fateful winter, Sara reunites with Kate, and their bond is reborn as if the time apart never happened. Sara’s happy once again, and her affection quickly grows beyond simple friendship, so much so that she starts decisively involving herself in Kate’s life. However, dealing with Kate might be more complicated than Sara imagined. The Maze of your mind is a book series about women and their love stories. It is a work of fiction, a contemporary romance with queer characters, who aims at being wholesome and hopeful while also discussing serious topics such as love, sexuality and mental health. The books feature adult themes and mental health issues, as well as some level of explicit sexual content. adult themes and mental health issues, as well as some level of explicit sexual content.
War after Death considers forms of violence that regularly occur in actual wars but do not often factor into the stories we tell about war, which revolve invariably around killing and death. Recent history demonstrates that body counts are more necessary than ever, but the fact remains that war and death is only part of the story—an essential but ultimately subordinate part. Beyond killing, there is no war without attacks upon the built environment, ecosystems, personal property, artworks, archives, and intangible traditions. Destructive as it may be, such violence is difficult to classify because it does not pose a grave threat to human lives. Nonetheless, the book argues that destruction of the nonhuman or nonliving is a constitutive dimension of all violence—especially forms of extreme violence against the living such as torture and rape; and it examines how the language and practice of war are transformed when this dimension is taken into account. Finally, War after Death offers a rethinking of psychoanalytic approaches to war and the theory of the death drive that underlies them.
WINNER OF THE PEN/HEMINGWAY AWARD • “An astonishingly good first novel . . . fully engaging from the first paragraph. What a gift: to be able to live alongside these people for a while.”—Ann Patchett, Chicago Tribune Mary and O’Neil: They are like any other couple. They have survived loss and found love and managed the occasional hard-earned laugh as they move toward the future, hearts thick with hope. Each human life is ever changing, born of moments large and small—births and deaths and weddings, grave mistakes and chance encounters and acts of surprising courage—and in this unforgettable book, Justin Cronin makes vivid how those moments connect us all, making us more than we could ever be on our own. Alight with nuance, sly humor, and startling wisdom, Mary and O’Neil celebrates the uncommon grace to be found in common lives Praise for Mary and O’Neil “Admirably fearless.”—The New York Times Book Review “The kind of storytelling that goes down easy, and sticks to your ribs.”—The Philadelphia Inquirer “Cronin succeeds, touchingly and tenderly, in portraying life itself as a triumph of hope over experience.”—The Boston Globe
This volume aims to merge theoretical models with methodological approaches on ceramic technology and artisanal networks in the Classical world. This convergence of analytical frameworks allowed scholars to explore some traditional archaeological topics that usually have a very low-level of visibility, such as the skillful gestures of the craftspeople involved, the organization of the ceramic production, the dynamics of apprenticeship and knowledge transfer as well as intra and inter-regional artisanal mobility, in the Graeco-Roman ‘communities of practice’. The papers promote interdisciplinary dialogues among various fields of study, such as archaeology, archaeometry, anthropology, ethnoarchaeology, experimental archaeology, and digital humanities - such as Social Network Analysis, computational imaging, and big data analysis.