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With her signature absurdism and lyrical language, acclaimed American playwright Tina Howe contemplates love, marriage, family, death, art and, ultimately, the very wonder of life. Including one of her first plays, Birth and After Birth, her most recent play, One Shoe Off, and the surrealistic masterpiece Approaching Zanzibar, this anthology encompasses a career of innovation and irreverence that spans three decades.
The story of a family's travels from West Virginia to New Mexico.
“[Birth and After Birth is] as appalling as it is perceptive…one of the more primal works by this woman who describes herself as a ‘well-mannered anarchist.’”—Newsday A revised edition of Howe’s early farce Birth and After Birth, about overweening parents and their four-year-old child. Also included are Approaching Zanzibar, a comedy about mortality, and the “rich, gorgeous and compelling” (New York Post) domestic drama One Shoe Off. Tina Howe was born and lives in New York City. Major honors include an Outer Critics Circle Award, an OBIE Award for Distinguished Playwriting, and a Tony Award nomination for her play Coastal Disturbances.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
Comic drama Characters: 1 male, 2 female Interior Set Gardner and Fanny Church are preparing to move out of their Beacon Hill house to their summer cottage on Cape Cod. Gardner, once a famous poet, now is retired. He slips in and out of senility as his wife Fanny valiantly tries to keep them both afloat. They have asked their daughter, Mags, to come home and help them move. Mags agrees, for she hopes as well to finally paint their portrait. She is now on the verge of
This comedy about marriage, fidelity, adulterous longings, existential panic and the theatre takes place in Leonard and Dinah's up state New York Greek revival farmhouse where slow moving disintegration is at work. Rooms are drifting into each other and trees and saplings have taken root indoors. Leonard is an actor who hasn't worked in eleven years; Dinah is an overworked costume designer who can't dress herself. They have invited their new neighbors, an overworked editor who delights in reciting nursery rhymes and his beautiful movie starlet wife, for dinner. Things explode when a friend who is a successful movie director, drops in. Old memories stir and new passions kindle as vegetables and Dinah's costumes fly.
A leading writer on American theatre explores the works and influences of ten contemporary American playwrights.
(Applause Books). What was the play that changed your life? What was the play that inspired you; that showed you something entirely new; that was so thrilling or surprising, breathtaking or poignant, that you were never the same? Nineteen of today's most gifted playwrights respond in this most revealing and personal book, published by Applause Books and presented by the American Theatre Wing, founder of The Tony Awards. From Edward Albee's 1935 visit to New York's Hippodrome Theatre to see Jimmy Durante (and an elephant) in Rodgers and Hart's Jumbo, to Diana Son's twelfth-grade field trip in 1983 to see Diane Venora play Hamlet at The Public Theater, from David Henry Hwang's seminal San Francisco encounter with Equus to a young Beth Henley's epiphany after seeing her mother in a "Green Bean Man costume," The Play That Changed My Life offers readers a unique peek into the theatrical influences of some of the nation's most important dramatists. The book is filled with tributes, memories, anecdotes and other insights that connect past to present and make this volume an instant "must have" for anyone who adores the theatre. Also in the book are pieces by David Auburn, Jon Robin Baitz, Nilo Cruz, Christopher Durang, Charles Fuller, A. R. Gurney, Tina Howe, David Ives, Donald Margulies, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, John Patrick Shanley, Regina Taylor, and Doug Wright, as well as an introduction by Paula Vogel. All together, the playwrights featured here have won more than 40 Tony Awards, Pulitzer Prizes, Obies, and MacArthur genius grants.
This groundbreaking work in gender and performance, with a new introduction and updated bibliography