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An accessible resource, covering the fundamentals of carbonate reservoir engineering Includes discussions on how, where and why carbonate are formed, plus reviews of basic sedimentological and stratigraphic principles to explain carbonate platform characteristics and stratigraphic relationships Offers a new, genetic classification of carbonate porosity that is especially useful in predicting spatial distribution of pore networks.
Introduction to Petroleum Seismology, second edition (SEG Investigations in Geophysics Series No. 12) provides the theoretical and practical foundation for tackling present and future challenges of petroleum seismology especially those related to seismic survey designs, seismic data acquisition, seismic and EM modeling, seismic imaging, microseismicity, and reservoir characterization and monitoring. All of the chapters from the first edition have been improved and/or expanded. In addition, twelve new chapters have been added. These new chapters expand topics which were only alluded to in the first edition: sparsity representation, sparsity and nonlinear optimization, near-simultaneous multiple-shooting acquisition and processing, nonuniform wavefield sampling, automated modeling, elastic-electromagnetic mathematical equivalences, and microseismicity in the context of hydraulic fracturing. Another major modification in this edition is that each chapter contains analytical problems as well as computational problems. These problems include MatLab codes, which may help readers improve their understanding of and intuition about these materials. The comprehensiveness of this book makes it a suitable text for undergraduate and graduate courses that target geophysicists and engineers as well as a guide and reference work for researchers and professionals in academia and in the petroleum industry.
A refreshing, up-to-date exploration of the latest developments in near-surface techniques, for advanced-undergraduate and graduate students, and professionals.
During the past decade, work on cool-water carbonates has expanded to become a mainstream research area. Studies on modern and Quaternary deposits will continue to be important; however, there is increasing momentum towards unravelling sediment processes, biota-sediment interactions and diagenetic products in Cenozoic and older cool-water carbonates. Many contributions in this book document Cenozoic and Quaternary carbonates from landlocked (microtidal) water-bodies. These carbonates display important differences in biota and fabric distributions when compared with world ocean examples. Consequently, the scientific community is now better placed to reinterpret pre-Tertiary carbonates where there is a suspicion that they have developed under microtidal conditions. Some papers in the book provide new approaches to interpreting environmental change within macrotidal regimes and others lay firm foundations for future cool-water carbonate diagenetic research. The aim of the book is to illustrate recent international contributions to cool-water carbonates research, with an emphasis on Neogene and Recent case studies. Contributions are divided into three sections: microtidal carbonates from the Mediterranean realm; macrotidal examples from New Zealand, Australia and Mexico; and early diagenetic fabrics.
‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.