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Appalachia's distinctive brand of Christianity has always been something of a puzzle to mainline American congregations. Often treated as pagan and unchurched, native Appalachian sects are labeled as ultraconservative, primitive, and fatalistic, and the actions of minority sub-groups such as "snake handlers" are associated with all worshippers in the region. Yet these churches that many regard as being outside the mainstream are living examples of America's own religious heritage. The emotional and experience-based religion that still thrives in Appalachia is very much at the heart of American worship. The lack of a recognizable "father figure" like Martin Luther, John Calvin, and John Knox compounds the mystery of Appalachia's religious origins. Ordained minister John Sparks determined that such a person must have existed, and his search turned up a man less literate, urbane, and well-known than Luther, Calvin, and Knox—but no less charismatic and influential. Shubal Stearns, a New England Baptist minister, led a group of sixteen Baptists—now dubbed "The Old Brethren" by Old School Baptists churches in Appalachia—from New England to North Carolina in the mid-eighteenth century. His musical "barking" preaching is still popular, and the association of churches that he established gave birth to many of the disparate denominations prospering in the region today. A man lacking in the scholarship of his peers but endowed with the eccentricities that would make their mark on Appalachian faith, Stearns has long been an object of shame among most Baptist historians. In The Roots of Appalachian Christianity, Sparks depicts an important religious figure in a new light. Poring over pages of out-of-print and little-used histories, Sparks discovered the complexity of Stearns's character and his impact on Appalachian Christianity. The result is a history not just of this leader but of the roots of a religious movement.
Winner of the Kniffen Award and an Honorable Mention from the Professional and Scholarly Publishing Awards in Sociology and Anthropology Appalachia may be the most mythologized and misunderstood place in America, its way of life and inhabitants both caricatured and celebrated in the mainstream media. Over generations, though, the families living in the mountainous region stretching from West Virginia to northeastern Alabama have forged one of the country's richest and most distinctive cultures, encompassing music, food, architecture, customs, and language. In Appalachian Folkways, geographer John Rehder offers an engaging and enlightening account of southern Appalachia and its cultural milieu that is at once sweeping and intimate. From architecture and traditional livelihoods to beliefs and art, Rehder, who has spent thirty years studying the region, offers a nuanced depiction of southern Appalachia's social and cultural identity. The book opens with an expert consideration of the southern Appalachian landscape, defined by mountains, rocky soil, thick forests, and plentiful streams. While these features have shaped the inhabitants of the region, Rehder notes, Appalachians have also shaped their environment, and he goes on to explore the human influence on the landscape. From physical geography, the book moves to settlement patterns, describing the Indian tribes that flourished before European settlement and the successive waves of migration that brought Melungeon, Scotch-Irish, English, and German settlers to the region, along with the cultural contributions each made to what became a distinct Appalachian culture. Next focusing on the folk culture of Appalachia, Rehder details such cultural expressions as architecture and landscape design; traditional and more recent ways of making a living, both legal and illegal; foodstuffs and cooking techniques; folk remedies and belief systems; music, art, and the folk festivals that today attract visitors from around the world; and the region's dialect. With its broad scope and deep research, Appalachian Folkways accurately and evocatively chronicles a way of life that is fast disappearing.
Every Sunday, thousands of Christians lift their voices in song and their spirits in worship using the acclaimed Chalice Hymnal-join them and sing from a brilliant blend of 620 easy-to-sing traditional and contemporary hymns.
Wonderful, simply wonderful. A story of love, healing, and forgiveness sure to grip the heart of every reader. --Debbie Macomber, New York Times #1 bestselling author In a Drought, It's the Darkest Cloud That Brings Hope It's 1954 and Perla Long's arrival in the sleepy town of Wise, West Virginia, was supposed to go unnoticed. She just wants a quiet, safe place for her and her daughter, Sadie, where the mistakes of her past can stay hidden. But then drought comes to Wise, and Perla is pulled into the turmoil of a town desperately in need of a miracle. Casewell Phillips has resigned himself to life as a bachelor...until he meets Perla. She's everything he's sought in a woman, but he can't get past the sense that she's hiding something. As the drought worsens, Perla's unique gift divides the town in two, bringing both gratitude and condemnation, and placing the pair in the middle of a storm of anger and forgiveness, fear and faith. -- This debut novel is splendid. The story is genuine and heartfelt, with just a touch of the Divine. A story of forgiveness and reckoning, and realizing love does cover a multitude of sins. Thomas will be a go-to author after you read Miracle in a Dry Season. --Rachel Hauck, bestselling author of The Wedding Dress and Once Upon a Prince Charming, whimsical, and intelligently written, Miracle in a Dry Season is a beautiful debut novel! --Ann Tatlock, Christy-award winning author of Promises to Keep
Every Sunday, thousands of Christians lift their voices in song and their spirits in worship using the acclaimed Chalice Hymnal-join them and sing from a brilliant blend of 620 easy-to-sing traditional and contemporary hymns.
The Teaching Hymnal: Ecumenical and Evangelical is a teaching resource that provides a new generation of worshipers the opportunity to draw upon the rich history of the use of hymns and hymnody in the church. It contains a body of hymns and worship songs, worship services and templates, material that explains the sources of hymns and songs, hymnal usage, the sources of historic prayers and worship texts, and it provides essays on worship planning and leading. It also contains a thorough glossary of worship terms. This is a complete guide to hymn usage and worship planning designed especially for use in seminaries and Christian colleges.
Award-winning author Kenneth W. Osbeck tells the dramatic stories behind twenty-five gospel songs, including "The Old Rugged Cross"; "His Eye Is on the Sparrow"; and "Precious Lord, Take My Hand."
This is the first of two collections from the Standing Commission on Liturgy and Music of additional service music for the church with eleven settings for the eucharist and two settings each of Canticles A-K from Enriching Our Worship 1.
In Giving Glory to God in Appalachia, Howard Dorgan explores the worship practices of Primitive, Regular, Old Regular, Union, Missionary, and Free Will Baptists. The worship practices of the denominations under consideration are varied and often exuberant, and Dorgan''s writing is highly evocative, conveying in rich detail the joy and pathos of worship in these mountain churches. As Dorgan states in the introduction, he is less concerned with academic theorizing and more concerned with presenting a vivid, first-hand account of all that he has seen and heard. And in the nearly fifteen years he spent researching his book, Dorgan saw quite a lot: spirited, vociferous sermons, creek baptisms, foot washings, home comings, dinners on the ground, and evangelistic radio broadcasts. Dorgan''s prose is at its most enchaining when he presents tableaus of these phenomena: a foot washing precipitates the erasure of interpersonal turmoil between two women; a preacher uses his lively mode of sermonic delivery to orchestrate the rapturous shouts and "hollers" of a group of women; a radio evangelist exhorts a recent widower to except salvation. The wonderful pictures interspersed throughout the book and the transcription of sermons help to further reify the worship scenes that Dorgan describes. At times, Dorgan''s prose is intensely personal. Dorgan is always aware that he is writing about sets of shared values and worship practices that mean a great deal to the congregations he is studying, and Dorgan treats his subjects and their beliefs with tremendous sensitivity and respect. Ultimately, Dorgan is writing about people and the ways in which they invest their lives with meaning and purpose. This gives Giving Glory to God in Appalachia a universal appeal: even readers who find the religious settings in the book completely alien will be able to sympathize with the congregations'' search for meaning. To sum up: Dorgan has written a beautiful, enthralling book. Don''t think--just buy. And while you''re at it, you might want to consider Airwaves Of Zion: Radio Religion In Appalachia (ISBN-10: 0870497979), also by Dorgan.
This handy songbook is filled with the words, music, history, and chords of your favourite old-time camp meeting hymns, spirituals, and gospel songs.