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This comprehensive collection features over 100 note-for-note skillfully-crafted clawhammer banjo arrangements of “old-time” Southern fiddle tunes, in clear tablature - with suggested guitar chords at a wide variety of skill levels. It contains most of the tunes played in concert or recorded by author Ken Perlman and renowned Appalachian-style fiddler Alan Jabbour, plus over 50 more classic tunes from Ed Haley, Edden Hammons, John Salyer and many other iconic roots fiddlers. Also included: • Instruction on basic and advanced techniques • Tips on improving your musicianship • How to play syncopated rhythms and melodies in clawhammer style • Frameworks for dealing with crooked tunes and modal tunes • Historical notes and picturesque backstories • Ken Perlman demonstrates all tunes and most musical illustrations on 124 online audio tracks *Online Audio Includes: 24 tracks featuring excerpts from recordings of the author performing with the virtuosic fiddler Alan Jabbour, to whom the book is dedicated.
Fifty-eight grand old tunes from the mountains of Virginia, West Virginia, and Kentucky. Jigs, reels, hornpipes, and breakdowns, transcribed from the playing of traditional fiddlers, with authoritative notes, ideas for embellishments, bowing techniques, and double stops chart.
(Banjo). Ken Perlman, today's foremost player of the style, brings you this comprehensive guide to the melodic clawhammer. Over 50 tunes in clear tablature. Learn to play authentic versions of Appalachian fiddle tunes, string band tunes, New England hornpipes, Irish jigs, Scottish reels, and more. Includes arrangements by many important contemporary players, and chapters on basic and advanced techniques. Also features over 70 musical illustrations, plus historical notes, and period photos.
(Banjo). A complete guide for beginning and advanced banjo players! From Ken Perlman, here is a brilliant teaching guide that is destined to become the handbook on how to play the banjo. The style is easy to learn, and covers the instruction itself, basic right and left-hand positions, simple chords, and fundamental clawhammer techniques; the brush, the 'bumm-titty' strum, pull-offs, and slides. For the advanced player, there is instruction on more complicated picking, double thumbing, quick slides, fretted pull-offs, harmonics, improvisation, and more. The book includes more than 40 fun-to-play banjo tunes.
A compilation of favorite solos on Irish, Scottish and New England fiddle tunes arranged for banjo by one of America's foremost clawhammer banjoists, Ken Perlman. Formerly published under the name "Basic Clawhammer Banjo." In notation and tablature.
Wayne's newest clawhammer book has something for everyone: beginners, intermediate and advanced players. Includes tabs and lyrics to 40 old-time banjotunes, plus tips on learning tunes on the fly, how to jam, the art of faking it, and improvising. You WILL learn to play: Barlow Knife, Big-Eyed Rabbit, Black-Eyed Susie, Blackest Crow, Boll Weevil, Chilly Winds, Cumberland Gap, Dance All Night, Danville Girl, East Virginia, Fall on My Knees, Free Little Bird, Georgia Railroad, Greasy Coat, Gum Tree Canoe, Hangman's Reel, Hang Me, I've Endured, Lazy John, Leather Britches, Let Me Fall, Log Cabin Blues, Lonesome John, Mole in the Ground, Needlecase, Oh My Little Darling, Old Plank Road, Puncheon Floor, Rabbit in a Log, Raleigh & Spencer, Rock That Cradle Lucy, Rock That CradleJoe, Sandy Boys, Sad-Eyed Sadie, Senica Square Dance, Shady Grove, Shortenin' Bread, Soldier's Joy, Stay All Night, Sugar in the Gourd, Tater Patch, Texas Gals, Warfare, Whiskey Before Breakfast. Includes an instruction MP3 CD.
Ken Kolodner's book presents transcriptions with detailed bowings in tandem withthree recorded versions of 35 Appalachian fiddle tunes ranging from some very common and easy tunes (for more beginning players) but also quite a few less typically played tunes. All transcriptions are based on festival versions of the tunes, meaning the versions are those most commonly encountered at jams andfestivals. The book includes a clearly written description of old time style focusingon default bowing systems designed to develop rhythmic bowing. Ideaspresented include Nashville shuffle, 3-1 bowing, bow rocking, ghost bows, anticipations, left-hand ornamentation, drones, chording, dissonances, altered tunings, the concept of swing, tips on learning by ear and more. The tunes are played three times each for nearly 150 minutes of recording: (1.) very slowly and simply; (2.) at a modest tempo and but with double-stops, dronesand other ornaments; and (3.) up-to-tempo. While this effort was designed for fiddlers, the recordings should serve as an excellent source for non-fiddlers at all levels who desire to build their repertoire and practice learning tunes by ear. The book and accompanying MP3 disc are appropriate for any level of player. Thedifficulty of the tunes ranges from simple to relatively complex. Similarly, thebowing techniques include the simplest ideas to relatively difficult. The three recorded speeds make the learning and processing of the tunes appropriate for all levels of players wishing to improve their ear training. and bull; Simple and highly accessible transcriptions with detailed bowings of 35 estival versions of Appalachian fiddle tunes and bull; All tunes are recorded three times to accommodate players at all levels of experience and bull; Includes comprehensive and practical discussion of old-time bowings and style and how to learn by ear and bull; Strong focus on developing default bowings to get the characteristic groove of old-time and bull; Designed for all levels of players and non-fiddlers who desire to improve their learning by ear and/or increase their repertoire
The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablature Over 40 musical examples & exercises Instruction on basic and advanced techniques Fingering diagrams & detailed fingering suggestions A systematic approach to playing up-the-neck A thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammer Guides on how to approach playing various kinds of fiddle tunes A framework for understanding the modes encountered in fiddle music Historical notes on the tunes and musical traditions Biographical information on source fiddlers 169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
A compilation of favorite solos on Irish, Scottish and New England fiddle tunes arranged for banjo by one of America's foremost clawhammer banjoists, Ken Perlman. Formerly published under the name Basic Clawhammer Banjo. In notation and tablature.