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Raised in the rural Appalachian town of Erwin, Tennessee, John David Goodin was a tank commander in one of the most notorious and prestigious regiments in World War II, the 3rd Armored "Spearhead" Division, the 32nd Armored Regiment. From his basic training in 1941, to his experience with the horrific concentration camps in Dessau, Germany, through VE Day in 1945, Goodin wrote hundreds of letters to friends and family that chronicled his experiences leaving home and country for the first time, showing the personal cost of separation and service. This book presents Goodin's uncensored and emotional letters home, following his transformation from rookie to seasoned soldier. This is an unvarnished and honest portrait of the life of a young soldier, told in over 300 letters to home. Original photographs of Goodin's life and family illustrate how his Appalachian roots grounded him during a tumultuous time of war.
Beyond Appalachia is a collection of short stories, some written several decades ago and some written recently specifically for this collection. There are travel stories, romances (sort of), museum stories, and ironic stories. The most poignant story is titled "Dirty OB," a description of unsafe abortion practices prior to Roe v. Wade. 1
This volume brings together ideas about the material and social transformation of cities by asking, “what is the relationship between history, memory, and the contemporary city?” The urgency of this question grows in the contexts of rapid urbanization in the Global South and urban decline in the deindustrializing areas of the Global North. Within these spaces, multiple disciplines shape our capacity to know the contemporary city. The work presented here invites the reader to undertake critical and creative approaches regarding how these disciplines might shape this process, ultimately making it more equitable and just. Using various methods, the contributors engage in critical readings of specific built and discursive legacies in numerous global contexts. Differing forms of a social agenda permeate each piece, but none is utopian or totalizing. Rather, the emphasis is on various forms of close reading. The authors begin with the city as found and address each context in specific and precise terms. The contributions here bring together histories in critical and creative ways, while also catalyzing future possibilities. In this way, these writings frame urban history and morphology discourse not only as arenas for theoretical posturing, but also as calls for action.
Populism and nationalism in classical music held a significant place between the world wars with composers such as George Gershwin, Aaron Copland, and Leonard Bernstein creating a soundtrack to the lives of everyday Americans. While biographies of these individual composers exist, no single book has taken on this period as a direct contradiction to the modernist dichotomy between the music of Stravinsky and Schoenberg. In Nationalist and Populist Composers: Voices of the American People, Steve Schwartz offers an overdue correction to this distortion of the American classical music tradition by showing that not all composers of this era fall into either the Stravinsky or Schoenberg camps. Exploring the rise and decline of musical populism in the United States, Schwartz examines the major works of George Gershwin, Randall Thompson, Virgil Thomson, Aaron Copland, Roy Harris, Kurt Weill, Morton Gould, and Leonard Bernstein. Organized chronologically, chapters cover each composer’s life and career and then reveal how key works participated in populist and nationalist themes. Written for the both the scholar and amateur enthusiast interested in modern classical music and American social history, Nationalist and Populist Composers creates a contextual frame through which all audiences can better understand such works as Rhapsody in Blue, Appalachian Spring, and West Side Story.
Manuscripts by 269 composers, with accompanying texts determined by I-Ching chance operations.