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Despite its enormous extent and impact, the Swedish scholarship produced in the context of Olof Rudbeck's monumental 'Atlantica' (4 vols, 1679-1702) has hitherto escaped attention outside Scandinavia. The present volume explores the numerous disciplines that comprised this, one of the last, but grandest appropriations of the classical heritage in early modern times. In the decades around 1700, dozens of scholars all around the Baltic Sea embarked on studies of classical and Norse mythology, material remains and antiquities, of languages, botany and zoology as well as biblical scholarship, in order to reveal the primordial status of ancient Sweden. Fusing together numerous disciplines within Rudbeck's elaborate and all-encompassing epistemological framework, they gave to a nation that had advanced to the rank of a European superpower a narrative of a glorious past that matched its contemporary pretentions. Presenting case studies stretching from the 17th to the 19th century and across a wide number of fields, this volume traces the extent and longue durée of one of the most fascinating and underestimated episodes in European intellectual history.
Here Gananath Obeyesekere debunks one of the most enduring myths of imperialism, civilization, and conquest: the notion that the Western civilizer is a god to savages. Using shipboard journals and logs kept by Captain James Cook and his officers, Obeyesekere reveals the captain as both the self-conscious civilizer and as the person who, his mission gone awry, becomes a "savage" himself. In this new edition of The Apotheosis of Captain Cook, the author addresses, in a lengthy afterword, Marshall Sahlins's 1994 book, How "Natives" Think, which was a direct response to this work.
In a world where magic and technology have merged, those who control Runes control everything.
An exploration of how "north" has been represented in art and literature.
This volume brings together a diverse selection of the latest academic research in the field of naval history. No longer confined to analyses of ships and battles, it is the first publication to capture a new form naval history that engages with race, sexuality, gender, material culture, popular culture and fine art. Edited by two leading historians of the Royal Navy, it will become a defining book in the field.
Recent years have witnessed an explosion of academic and popular interest in the issue of social identity. Yet the subject areas of regional and sub-regional identities, and historical engagements between ’the regional’, ’the local’ and ’the national’, remain very neglected. Seeking to make a contribution towards redressing these areas of neglect and to further advancing our knowledge and understanding of the general issue of social identity, this volume of essays offers the reader an exploration of some of the rich and varied, historical interpretations of ’the North’ and ’Northernness’. The focus rests mainly, but not exclusively, upon the North of England. Taken as a whole, the essays highlight the contingent, fluid, and ambiguous nature of ’Northenness’, its complex and shifting interplay with feelings of localism and nationalism, and the profound, if varying, influences of class, race, gender, sport, tourism, music and political and economic structures and concerns upon ’northern’ identities. This book will hold a general appeal to readers interested in the issue of social identity, especially in its regional and local manifestations and engagements. It will find a wide readership across the humanities and social sciences. It should be compulsory reading for those in New Labour addressing the issue of the ’North-South divide’.
A "close-up look at the cloistered country" (USA Today), See You Again in Pyongyang is American writer Travis Jeppesen's "probing" and "artful" (New York Times Book Review) chronicle of his travels in North Korea--an eye-opening portrait that goes behind the headlines about Trump and Kim, revealing North Koreans' "entrepreneurial spirit, and hidden love of foreign media, as well as their dreams and fears" (Los Angeles Times). In See You Again in Pyongyang, Travis Jeppesen, the first American to complete a university program in North Korea, culls from his experiences living, traveling, and studying in the country to create a multifaceted portrait of the country and its idiosyncratic capital city in the Kim Jong Un Era. Anchored by the experience of his five trips to North Korea and his interactions with citizens from all walks of life, Jeppesen takes readers behind the propaganda, showing how the North Korean system actually works in daily life. He challenges the notion that Pyongyang is merely a "showcase capital" where everything is staged for the benefit of foreigners, as well as the idea that Pyongyangites are brainwashed robots. Jeppesen introduces readers to an array of fascinating North Koreans, from government ministers with a side hustle in black market Western products to young people enamored with American pop culture. With unique personal insight and a rigorous historical grounding, Jeppesen goes beyond the media cliches, showing North Koreans in their full complexity. See You Again in Pyongyang is an essential addition to the literature about one of the world's most fascinating and mysterious places.
The combination of portrait statue, monumental support, and public lettering was considered emblematic of Roman public space even in antiquity. This book examines ancient Roman statues and their bases, tombs, dedicatory altars, and panels commemorating gifts of civic beneficence made by the Augustales, civic groups composed primarily of wealthy ex-slaves. Margaret L. Laird examines how these monuments functioned as protagonists in their built and social environments by focusing on archaeologically attested commissions made by the Augustales in Roman Italian towns. Integrating methodologies from art history, architectural history, social history, and epigraphy with archaeological and sociological theories of community, she considers how dedications and their accompanying inscriptions created webs of association and transformed places of display into sites of local history. Understanding how these objects functioned in ancient cities, the book argues, illuminates how ordinary Romans combined public lettering, honorific portraits, emperor worship, and civic philanthropy to express their communal identities.
Terrorism's roots in Western Europe and the USA This book examines key cases of terrorist violence to show that the invention of terrorism was linked to the birth of modernity in Europe, Russia and the United States, rather than to Tsarist despotism in 19th century Russia or to Islam sects in Medieval Persia. Combining a highly readable historical narrative with analysis of larger issues in social and political history, the author argues that the dissemination of news about terrorist violence was at the core of a strategy that aimed for political impact on rulers as well as the general public. Dietze's lucid account also reveals how the spread of knowledge about terrorist acts was, from the outset, a transatlantic process. Two incidents form the book's centerpiece. The first is the failed attempt to assassinate French Emperor Napoléon III by Felice Orsini in 1858, in an act intended to achieve Italian unity and democracy. The second case study offers a new reading of John Brown's raid on the arsenal at Harpers Ferry in 1859, as a decisive moment in the abolitionist struggle and occurrences leading to the American Civil War. Three further examples from Germany, Russia, and the US are scrutinized to trace the development of the tactic by first imitators. With their acts of violence, the "invention" of terrorism was completed. Terrorism has existed as a tactic since then and has essentially only been adapted through the use of new technologies and methods.