Download Free Apology Against Rufinus Book in PDF and EPUB Free Download. You can read online Apology Against Rufinus and write the review.

The exposition is well written and clear; but it is not in itself of much value. The text on which he comments is very faulty: for instance, in the Blessing of Reuben, instead of the words “the excellency of dignity and the excellency of power,” it has “durus conversatione, et durus, temerarius.” When Rufinus adheres to the plain interpretation of the passage his comments are sensible and clear; but he soon passes to the mystic sense: Reuben is God’s first-born people, the Jews, and the couch which he defiles is the law of the Old Testament; and the moral interpretation is grounded on the supposed meaning of Reuben, “the Son who is seen,” that is the visible, carnal man, who breaks through the law. So, in Judah’s “binding his foal to the vine,” the explanation given as he says, by the Jews, that the vines will be so plentiful that they are used even for tying up the young colts, is dismissed.
*A new translation of two ancient works defending Origens writings*
St. Jerome's reputation rests primarily on his achievements as a translator and as a scriptural exegete. The important service that he rendered to the Church in his doctrinal works is often overlooked or minimized by those who look for originality and independence of thought
Amidon offers the first English translation of Books 10 and 11 of Rufinus' Church History. Books 1-9 comprise a Latin translation of Eusebius' history. Books 10 and 11 are Rufinus' own continuation, covering the period 325-395. As the first Latin church history, this work exerted great influence over the subsequent scholarship of the Western Church.
St. Jerome’s importance lies in the facts: (1) That he was the author of the Vulgate Translation of the Bible into Latin, (2) That he bore the chief part in introducing the ascetic life into Western Europe, (3) That his writings more than those of any of the Fathers bring before us the general as well as the ecclesiastical life of his time. It was a time of special interest, the last age of the old Greco-Roman civilization, the beginning of an altered world. It included the reigns of Julian (361–63), Valens (364–78), Valentinian (364–75), Gratian (375–83), Theodosius (379–95) and his sons, the definitive establishment of orthodox Christianity in the Empire, and the sack of Rome by Alaric (410). It was the age of the great Fathers, of Ambrose and Augustine in the West, of Basil, the Gregories, and Chrysostom in the East.
No description available
Hans Urs von Balthasar places Origen of Alexandria “in rank . . . beside Augustine and Thomas” in “importance for the history of Christian thought,” explaining that his “brilliance” has captivated theologians throughout history (Spirit and Fire, 1984, 1). This brilliance shines forth in his nine extant homilies on Isaiah, in which he employs his theology of the Trinity and Christ to exhort his audience to play their crucial role in salvation history. Origen reads Isaiah’s vision of the Lord and two seraphim in Isaiah 6 allegorically as representing the Trinity, and this theme runs throughout the nine homilies. His representation of the seraphim as the Son and Holy Spirit around the throne of the Father brought early accusations that Origen was a proto-Arian subordinationist, followed by a pointed condemnation by Emperor Justinian in 553. These homilies, originally delivered between 245 and 248, are extant only in a fourth-century Latin translation. Though St. Jerome, likely because of these controversies, does not identify himself as the Latin translator, the evidence overwhelmingly points to his pen, and his reliability in conveying Origen’s authentic meaning is well documented. If one sets aside the questionable charges of subordinationism, these homilies, expounding on passages from Judges 6-10, come alive with Origen’s legacy of presenting Christ as the central figure of the soul’s ascent to God. Reading allegorically the two seraphim to be Jesus and the Holy Spirit around the Father’s throne, Origen draws a picture of the Trinity as a tightly knit whole in which the Son and the Holy Spirit eternally sing the Trisagion (“Holy, holy, holy”) to each other and the Father about the divine truths of God’s nature, allowing the part of their song that conveys the “middle things” of salvation history to be heard by creation. The “second seraph” is the Son, or Jesus, who descends holding a hot coal, or Scripture, from the altar of the throne, with which he cleanses Isaiah’s lips, or the believer’s soul. Origen employs his signature exegetical method of allegory and typology through the lens of the threefold meaning of Scripture to emphasize to his hearers that Christ is the deliverer, the content, and the reward of the healing Word. He repeatedly assures them that those who submit to Scripture will enter into salvation history’s cycle of cleansing from sin, growth in virtue, and ever-deepening knowledge of God. As a result, they will become like Christ and thus will be prepared to join the Trinity for all eternity at the heavenly wedding feast.