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p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} On July 20, 1969, half a billion viewers around the world watched as the first television footage of American astronauts on the moon was beamed back to earth—a thrilling turning point in the history of images, satisfying an age-old curiosity about our planet’s only natural satellite. To celebrate the fiftieth anniversary of the Apollo 11 moon landing, this captivating volume surveys the role photography has played in the scientific study and artistic interpretation of the moon from the dawn of the medium to the present, highlighting not only stunning photographic works but also related prints, drawings, paintings, and astronomical instruments. Apollo’s Muse traces the history of lunar photography, from newly discovered daguerreotypes of the 1840s to contemporary film and video works. Along the way, it explores nineteenth century efforts to map the lunar surface, whimsical fantasies of life on the moon, the visual language of the Cold War space race, and work created in response to the moon landing by artists such as Robert Rauschenberg, Nancy Graves, and Aleksandra Mir. A delightful introduction by Tom Hanks, star of the award winning 1995 film Apollo 13, delves into the universal fascination with representations of the cosmos and the ways in which space travel has radically expanded the limits of human vision.
Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
In this timely and moving collection of poems, Sarah P. Strong explores what it means to live in a world undergoing an irrevocable transformation, the magnitude of which we barely comprehend. A broad range of perspectives shows us different times and places on Earth while unfolding the cyclical nature of human denial and response. A series of linked persona poems about the Dust Bowl recounts the destruction of the Great Plains and how human dreams of plenty destroyed the ancient fertility and stability of the land, how heartbreak and denial contended with bureaucratic insolence. In an imagined view of our planet as it might appear millennia from now, the Earth is "a worry stone / in the pocket of space, or a mood ring / on the finger of a newly minted / god." The Mouth of Earth serves as both a survival guide for those seeking connection with our planet and one another as well as a compassionate tribute to what we have lost or are losing—the human consequences of such destruction in a time of climate crisis and lost connectivity. Strong’s powerful poems offer us, if not consolation, at least a way toward comprehension in an age of loss, revealing both our ongoing denial of our planet’s fragility and the compelling urgency of our hunger for connection with all life.
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
One of the most powerful forces in the twenty-first century is the increasing phenomenon of globalization. In nearly every realm of human activity, traditional boundaries are disappearing and people worldwide are more interconnected than ever. Christianity has also become more aware of global realities and the important role of the church in non-Western countries. Church leaders must grapple with the implications for theology and ministry in an ever-shrinking world. Globalizing Theology is a groundbreaking book that addresses these issues of vital importance to the church. It contains articles from leading scholars, including Tite Tiénou, Kevin Vanhoozer, Charles Van Engen, M. Daniel Carroll R., Andrew Walls, Vinoth Ramachandra, and Paul Hiebert. Topics covered include the challenges that globalization brings to theology, how we can incorporate global perspectives into our thinking, and the effect a more global theology has on a variety of important issues.
The book of Revelation offers us an interesting theological dilemma. It states Rev 22:16. I Jesus have sent mine angel to testify unto you these things in the churches. Revelation also states it is “the true sayings” of Jesus and that it is “the testimony of Christ”. If this is not “the gospel of Jesus Christ” then what is it and should we consider it accursed testimony of an angel? If it is not to be considered accursed, then it cannot be some other gospel message then what was already given previously. However, this is the conundrum, for if this is the gospel message, then why do so few understand it? There is a possibility which few consider but is the overall thesis of this apology. The reason people don’t understand revelation is because they never understood what the gospel message was in the first place! In that case, where does that put those who claim it is not essential for salvation? Do you not find it quite curious that the most "Personally" given NT book By Jesus himself, is the least understood and given the least importance for Salvation in Christendom?....There are numerous preachers and bible exegetes but as Paul said “... I bear them record that they have a zeal of God, but not according to knowledge” . Most who profess the name of Christ are feeding on doctrines of devils and the ignorant.. There are, without question, many “qualified” teachers and scholars with many years of “dedication” and “solid education”. However, teachers, no matter how well lettered or numbered in degrees; if obtained from others; who are just as equally ignorant in such matters, are just “ blind leaders of the blind. And if the blind lead the blind, both shall fall into the ditch.”
"THRILLING. ... Up-end[s] the Apollo narrative entirely." —The Times (London) A "brilliantly observed" (Newsweek) and "endlessly fascinating" (WSJ) rediscovery of the final Apollo moon landings, revealing why these extraordinary yet overshadowed missions—distinguished by the use of the revolutionary lunar roving vehicle—deserve to be celebrated as the pinnacle of human adventure and exploration. One of The Wall Street Journal's 10 Best Books of the Month 8:36 P.M. EST, December 12, 1972: Apollo 17 astronauts Gene Cernan and Jack Schmitt braked to a stop alongside Nansen Crater, keenly aware that they were far, far from home. They had flown nearly a quarter-million miles to the man in the moon’s left eye, landed at its edge, and then driven five miles in to this desolate, boulder-strewn landscape. As they gathered samples, they strode at the outermost edge of mankind’s travels. This place, this moment, marked the extreme of exploration for a species born to wander. A few feet away sat the machine that made the achievement possible: an electric go-cart that folded like a business letter, weighed less than eighty pounds in the moon’s reduced gravity, and muscled its way up mountains, around craters, and over undulating plains on America’s last three ventures to the lunar surface. In the decades since, the exploits of the astronauts on those final expeditions have dimmed in the shadow cast by the first moon landing. But Apollo 11 was but a prelude to what came later: while Neil Armstrong and Buzz Aldrin trod a sliver of flat lunar desert smaller than a football field, Apollos 15, 16, and 17 each commanded a mountainous area the size of Manhattan. All told, their crews traveled fifty-six miles, and brought deep science and a far more swashbuckling style of exploration to the moon. And they triumphed for one very American reason: they drove. In this fast-moving history of the rover and the adventures it ignited, Earl Swift puts the reader alongside the men who dreamed of driving on the moon and designed and built the vehicle, troubleshot its flaws, and drove it on the moon’s surface. Finally shining a deserved spotlight on these overlooked characters and the missions they created, Across the Airless Wilds is a celebration of human genius, perseverance, and daring.