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This graphic novel adaptation of the definitive history of the Apollo brings the legendary Harlem theater to life. Since its inception as an African-American theater in 1934, the Apollo, and the thousands of entertainers who performed there, have led the way in the presentation of swing, bebop, rhythm and blues, jazz, gospel, soul, funk and hip-hop—along with the latest in dance and comedy. The Apollo has nurtured and featured thousands of artists, many of whom have become legends. The beauty they have given the world—their art—transcends the hatred, ignorance, and intolerance that often made their lives difficult. Today, the Apollo enjoys an almost mythical status. With its breathtaking art, this graphic novel adaptation of Showtime at the Apollo brings to life the theater’s legendary significance in music history, African American history, and to the culture of New York City.
(Piano/Vocal/Guitar Songbook). Features 18 piano/vocal selections from this Broadway hit that won both Tony and Drama Desk awards. Includes a plot synopsis, sensational color photos, and these tunes: The Ballad of Farquaad * Big Bright Beautiful World * Build a Wall * Don't Let Me Go * Donkey Pot Pie * Finale (This Is Our Story) * Freak Flag * I Know It's Today * I Think I Got You Beat * Make a Move * More to the Story * Morning Person * Story of My Life * This Is How a Dream Comes True * Travel Song * What's Up, Duloc? * When Words Fail * Who I'd Be.
"In the gilded age of vaudeville, one theater stood out as the fountainhead of black entertainment in America--and it's still going strong. Almost every important black performer in the past four decades has appeared at the Apollo Theatre, and always with the knowledge that the acid test of his act will be the rowdy, hip crowd in the theater's 1,700 seats. The son of the Apollo's founder reveals, in this colorful and exciting narrative, the special magic and charisma that have kept this theatrical institution alive. He recalls soaring successes, crushing disasters, and hilarious snafus. ... Uptown is the story of the Apollo Theatre, from its beginnings in the 1930s ... through the jazz revolution ... into today's turned-on generation ...."--Dust jacket.
Ancient Greek music and music theory has fascinated scholars for centuries not only because of its intrinsic interest as a part of ancient Greek culture but also because the Greeks? grand concept of music has continued to stimulate musical imaginations to the present day. Unlike earlier treatments of the subject, Apollo?s Lyre is aimedøprincipally at the reader interested in the musical typologies, the musical instruments, and especially the historical development of music theory and its transmission through the Middle Ages. The basic method and scope of the study are set out in a preliminary chapter, followed by two chapters concentrating on the role of music in Greek society, musical typology, organology, and performance practice. The next chapters are devoted to the music theory itself, as it developed in three stages: in the treatises of Aristoxenus and the Sectio canonis; during the period of revival in the second century C.E.; and in late antiquity. Each theorist and treatise is considered separately but always within the context of the emerging traditions. The theory provides a remarkably complete and coherent system for explaining and analyzing musical phenomena, and a great deal of its conceptual framework, as well as much of its terminology, was borrowed and adapted by medieval Latin, Byzantine, and Arabic music theorists, a legacy reviewed in the final chapter. Transcriptions and analyses of some of the more complete pieces of Greek music preserved on papyrus or stone, or in manuscript, are integrated with a consideration of the musicopoetic types themselves. The book concludes with a comprehensive bibliography for the field, updating and expanding the author?s earlier Bibliography of Sources for the Study of Ancient Greek Music.
The re-issue of a remarkable first novel by a young, gay, black author who fashioned a deeply moving and compelling coming of age story out of the highly controversial issues of bisexuality and AIDS. Law school, girlfriends, and career choices were all part of Raymond Tyler's life, but there were other, more terrifying issues for him to confront. Being black was tough enough, but Raymond was becoming more and more conscious of sexual feelings that he knew weren't "right." He was completely committed to Sela, his longtime girlfriend, but his attraction to Kelvin, whom he had met during his last year in law school, had become more than just a friendship. Fleeing to New York to escape both Sela and Kelvin, Raymond finds himself more confused than ever before. New relationships--both male and female--give him enormous pleasure but keep him from finding the inner peace and lasting love he so desperately desires. The horrible illness and death of a friend eventually force Raymond, at last, to face the truth.
Public Radio personality Tom Schnabel spotlights giants of the global genre like the late Sufi singer Nusrat Feteh Ali Kahn and this year's Grammy winner Milton Nascimiento, making "Rhythm Planet" both an antidote to the latest flavor of pop and an affirmation of music's power. 125 illustrations, 25 in color.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”