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How do we function in a world which is both as randomly and intentionally cruel, as it is randomly and intentionally kind? Can we make sense of our lives when so much around us makes no sense? In this, the final book of the trilogy, we find out what it means to be a ""man who loves too much."" More importantly, we discover if Billy Green is such a man.
Presents thirty novel terms that do not yet exist in English to envision ways of responding to the environmental challenges of our generation As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, An Ecotopian Lexicon is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision and inspire responses and alternatives to fossil-fueled neoliberal capitalism. Each of the thirty suggested “loanwords” helps us imagine how to adapt and even flourish in the face of the socioecological adversity that characterizes the present moment and the future that awaits. From “Apocalypso” to “Qi,” “ ~*~ “ to “Total Liberation,” thirty authors from a range of disciplines and backgrounds assemble a grounded yet dizzying lexicon, expanding the limited European and North American conceptual lexicon that many activists, educators, scholars, students, and citizens have inherited. Fourteen artists from eleven countries respond to these chapters with original artwork that illustrates the contours of the possible better worlds and worldviews. Contributors: Sofia Ahlberg, Uppsala U; Randall Amster, Georgetown U; Cherice Bock, Antioch U; Charis Boke, Cornell U; Natasha Bowdoin, Rice U; Kira Bre Clingen, Harvard U; Caledonia Curry (SWOON); Lori Damiano, Pacific Northwest College of Art; Nicolás De Jesús; Jonathan Dyck; John Esposito, Chukyo U; Rebecca Evans, Winston-Salem State U; Allison Ford, U of Oregon; Carolyn Fornoff, U of Illinois at Urbana-Champaign; Michelle Kuen Suet Fung; Andrew Hageman, Luther College; Michael Horka, George Washington U; Yellena James; Andrew Alan Johnson, Princeton U; Jennifer Lee Johnson, Purdue U; Melody Jue, U of California, Santa Barbara; Jenny Kendler; Daehyun Kim (Moonassi); Yifei Li, NYU Shanghai; Nikki Lindt; Anthony Lioi, Juilliard School of New York; Maryanto; Janet Tamalik McGrath; Pierre-Héli Monot, Ludwig Maximilian U of Munich; Kari Marie Norgaard, U of Oregon; Karen O’Brien, U of Oslo, Norway; Evelyn O’Malley, U of Exeter; Robert Savino Oventile, Pasadena City College; Chris Pak; David N. Pellow, U of California, Santa Barbara; Andrew Pendakis, Brock U; Kimberly Skye Richards, U of California, Berkeley; Ann Kristin Schorre, U of Oslo, Norway; Malcolm Sen, U of Massachusetts Amherst; Kate Shaw; Sam Solnick, U of Liverpool; Rirkrit Tiravanija, Columbia U; Miriam Tola, Northeastern U; Sheena Wilson, U of Alberta; Daniel Worden, Rochester Institute of Technology.
Featuring Powder finger, Kylie, The Presets, The Drones, Silver chair, Jet, INXS, Sarah Blasko, Eskimo Joe, The Veronicas, The Living End, Australian Crawl, You Am I, Delta Goodrem and many more, Play listed takes the pulse of Australian rock-n-roll with a series of short, sharp chapters from leading music journalist Craig Mathieson. Smart, opin...
A must-have guide to the Halo universe Humanity teeters on the brink of extinction, as hostile forces and ancient mysteries threaten to snuff out our first fiery foray into the universe. Take a trip into the world of Halo and discover everything you ever wanted to know about the characters, weapons, vehicles, equipment and locations from Halo, Halo 2, Halo 3, Halo WARS and Halo 3 ODST. From the Colonial Administration Authority to the UNSC, you'll find an overview of Halo's human history and structure and gain insight into key organisations. Discover all about the Covenant - its history and religion - as well as the Forerunners, Flood and much more. It's what Halo fans have been waiting for.
It is 2030 and the world has been taken over by A.I. converting people into its Matrix via the chip as the mark of the beast. Through their collective pain and suffering a band of soul rebels known as “The Apocalypsos” go on a world tour spreading their Galactivating message calling for the Warriors of the Rainbow to unite for the end of the fourth world making ready to ascend into the fifth world, 5D and the 5th Age of Peace as was long prophecized by the Hopi Nation. With their ascension pod and the “Wise Ones,” who are their Spirit Guides they make the mighty morph to 5D. Now Sophia Star Water returns from 5D to share with you all about her journey of transformation so that you will know what is to come and can begin to prepare.
The Billy Green saga continues! Billy's challenging, sometimes humorous, sometimes tragic, always unpredictable journey. Billy came to know one thing for sure. Love is real. Billy knew the real score. Love is the light that never dims. Love is a wine that flows in our hearts. Love is a wonder that has no beginning or end. Love is a master key that opens the gates of perfection. Love is the language our souls use to speak to one another. Love is the trafficking of fantasies and transcending of mortality. Love is an energy that can neither be created or destroyed. Love is God Allah Yahweh Shiva Qat Aphrodite. Love is touch smell feel taste listen pray. Love is the poetry of the senses. Love is metaphysical gravity. Love is the gift of oneself. Love is sweet tyranny. All you need is love.
Traces a tradition of ironic and irreverent environmentalism, asking us to rethink the movement’s reputation for gloom and doom Activists today strive to educate the public about climate change, but sociologists have found that the more we know about alarming issues, the less likely we are to act. Meanwhile, environmentalists have acquired a reputation as gloom-and-doom killjoys. Bad Environmentalism identifies contemporary texts that respond to these absurdities and ironies through absurdity and irony—as well as camp, frivolity, irreverence, perversity, and playfulness. Nicole Seymour develops the concept of “bad environmentalism”: cultural thought that employs dissident affects and sensibilities to reflect critically on our current moment and on mainstream environmental activism. From the television show Wildboyz to the short film series Green Porno, Seymour shows that this tradition of thought is widespread—spanning animation, documentary, fiction film, performance art, poetry, prose fiction, social media, and stand-up comedy since at least 1975. Seymour argues that these texts reject self-righteousness and sentimentality, undercutting public negativity toward activism and questioning basic environmentalist assumptions: that love and reverence are required for ethical relationships with the nonhuman and that knowledge is key to addressing problems like climate change. Funny and original, Bad Environmentalism champions the practice of alternative green politics. From drag performance to Indigenous comedy, Seymour expands our understanding of how environmental art and activism can be pleasurable, even in a time of undeniable crisis.
The Ministry of Serendipity at Mornington Crescent runs everything. And that means everything. When the Ministry learns of a spacecraft that crashed four thousand years ago into the Pacific Ocean it sends an elite team of paranormal investigators to recover it. A mad alien thaws out, there is hell and horror all around and thousands flee in terror. Porrig has inherited a planet, or it might be a bookshop, or it might be a gateway into another world. And Porrig is worried, because he has learned a terrible secret. But if he told people, would they listen? No. But perhaps they should, because a mad alien has thawed out, there is hell and horror all around and thousands are fleeing in terror. And there is every likelihood of there being a bloody big explosion at the end. Will Porrig manage to do anything about it at all?
Mapping literature from Spanish-speaking sub-Saharan African and Afro-Latinx Caribbean diasporas, Decolonizing Diasporas argues that the works of diasporic writers and artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba offer new worldviews that unsettle and dismantle the logics of colonial modernity. With women of color feminisms and decolonial theory as frameworks, Yomaira C. Figueroa-Vásquez juxtaposes Afro-Latinx and Afro-Hispanic diasporic artists, analyzing work by Nelly Rosario, Juan Tomás Ávila Laurel, Trifonia Melibea Obono, Donato Ndongo, Junot Díaz, Aracelis Girmay, Loida Maritza Pérez, Ernesto Quiñonez, Christina Olivares, Joaquín Mbomio Bacheng, Ibeyi, Daniel José Older, and María Magdalena Campos-Pons. Figueroa-Vásquez’s study reveals the thematic, conceptual, and liberatory tools these artists offer when read in relation to one another. Decolonizing Diasporas examines how themes of intimacy, witnessing, dispossession, reparations, and futurities are remapped in these works by tracing interlocking structures of oppression, including public and intimate forms of domination, sexual and structural violence, sociopolitical and racial exclusion, and the haunting remnants of colonial intervention. Figueroa-Vásquez contends that these diasporic literatures reveal violence but also forms of resistance and the radical potential of Afro-futurities. This study centers the cultural productions of peoples of African descent as Afro-diasporic imaginaries that subvert coloniality and offer new ways to approach questions of home, location, belonging, and justice.
The Oxford Handbook of Postcolonial Biblical Criticism is a comprehensive treatment of a relatively new form of scholarship-one of the most compelling and contested theories to emerge in recent times, and a topic that actively seeks to expand the ways in which the Bible can be studied, interpreted, and applied. Generally speaking, postcolonialism aims to critique and dismantle hegemonic worldviews and power structures, while giving voice to previously marginalized peoples and systems of thought. This approach, often varied in form, has inevitably engaged with the text and reception of the Bible, a scripture that Western colonizers introduced to-and often imposed upon-their colonial subjects. With a globally diverse list of contributors, the Handbook aims to cover the perspective and context of the authors of the Bible, as well as the modern experiences of imperialism, resistance, decolonization, and nationalism. Moreover, the volume includes both a theoretical overview and an exploration of how the field intersects with related areas, such as gender studies, race, postmodernism, and liberation theology.