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Transcriptions of documents relating to the civil rights struggle of Indians in South Africa from 1860-1982.
Through the long 20th century, Indian South Africans lived under the whip of settler colonialism and white minority rule, which saw the passing of a slew of legislation that circumscribed their freedom of movement, threatened repatriation, and denied them citizenship, all the while herding them into racially segregated townships. This volume chronicles the broad outlines of this history. Taking the story into the present, it provides an analysis of how Indian South Africans have responded to changes wrought by the remarkable collapse of apartheid and the holding of the first democratic elections in 1994. Drawing upon archival records, in-depth interviews, and ethnography, this study examines the ways in which Indian South Africans define themselves and the world around them, and how they are defined by others. It tells of the incredible journey of Indian South Africans, many of whom are fourth and fifth generation, towards being recognized as citizens in the land of their birth and how, while often attracted by and seeking to explore their roots in India, they continue to dig deeper roots in African soil.
This study seeks to examine the perceptions of and responses to transformation among the people of Indian origin, in the context of the debates around race, class, ethnicity and civil society in post-apartheid South africa.
From the vantage point of her own personal history--a fourth-generation Indian South African of mixed lineage--indentured as well as trader class, part Hindu, part Muslim--Dala explores the nuts and bolts of being Indian in South Africa today. From 1684 till the present, the Indian diaspora in South Africa has had a long history. But in the country of their origin, they remain synonymous with three points of identity: indenture, apartheid and Mahatma Gandhi. In this series of essays, Zainab Priya Dala deftly lifts the veil on some of the many other facets of South African Indians, starting with the question: How relevant is Gandhi to them today? It is a question Dala answers with searing honesty, just as she tackles the questions of the 'new racism'--between Black Africans and Indians--and the 'new apartheid'--money; the tussle between the 'canefields' where she grew up, and the 'Casbah', or the glittering town of Durban; and what the changing patterns in the names the Indian community chooses to adopt reflect. In writing that is fluid, incisive and sensitive, she explores the new democratic South Africa that took birth long after Gandhi returned to the subcontinent, and the fight against apartheid was fought and won. In this new 'Rainbow Nation', the people of Indian origin are striving to keep their ties to Indian culture whilst building a stronger South African identity. Zainab Priya Dala describes some of the scenarios that result from this dichotomy.
Writers of Indian origin seldom appear in the South African literary landscape, although the participation of Indian South Africans in the anti-apartheid struggle was anything but insignificant. The collective experiences of violence and the plea for reconciliation that punctuate the rhythms of post-apartheid South Africa delineate a national script in which ethnic, class, and gender affiliations coalesce and patterns of connectedness between diverse communities are forged. Relations and Networks in South African Indian Writing brings the experience of South African Indians to the fore, demonstrating how their search for identity is an integral part of the national scene’s project of connectedness. By exploring how ‘Indianness’ is articulated in the South African national script through the works of contemporary South African Indian writers, such as Aziz Hassim, Ahmed Essop, Farida Karodia, Achmat Dangor, Shamim Sarif, Ronnie Govender, Rubendra Govender, Neelan Govender, Tholsi Mudly, Ashwin Singh, and Imraan Coovadia, along with the prison memoirists Dr Goonam and Fatima Meer, the book offers a theoretical model of South–South subjectivities that is deeply rooted in the Indian Ocean world and its cosmopolitanisms. Relations and Networks demonstrates convincingly the permeability of identity that is the marker of the Indian Ocean space, a space defined by ‘relations and networks’ established within and beyond ethnic, class, and gender categories. CONTRIBUTORS Isabel Alonso–Breto, M.J. Daymond, Felicity Hand, Salvador Faura, Farhad Khoyratty, Esther Pujolràs–Noguer, J. Coplen Rose, Modhumita Roy, Lindy Stiebel, Juan Miguel Zarandona
South Africa and India constitute two key nodes in the global south and have inspired new modes of non-Western transnational history. Themes include anti-imperial movements; Gandhian ideas; comparisons of race and caste; Afro-Asian ideals; Indian Ocean public spheres. This volume extends these debates into the cultural and linguistic terrain. The book combines the methods of Indian Ocean studies and Comparative Cultural Studies, both committed to moving beyond the nation state. Case studies explore classics and concomitant ideas of civilisation, colonial linguistics and the history of languages, and theatre. Topics include the use of classics by colonisers and the colonised in British India and South Africa differences between South African Indian English and Indian English how the Linguistic Survey of India conflicted with colonial and nationalist mappings of India and its references to African languages the rise of ‘Hinglish’ in contemporary India a South African play dealing with African-Indian interactions. This bookw as published as a special issue of African Studies.
The way in which Indian South Africans see themselves has undergone a long process of development since the first indentured workers were set ashore in Port Natal in 1860. As the 21st century arrived, many have come to see themselves simply and primarily as South Africans with a proud Indian heritage. In a very special way, this book gives an overview of and insight into the complexity and variety of what can be broadly termed Indian South African identity, history and experience. The authoritative text - supported by visual material from public and private sources - steers clear of easy simplifications as it celebrates a dynamic culture alive with diversity.