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His analysis reveals the extent to which problems of allegiance, anxiety, and identity were inextricably involved in the colonial and national projects, an involvement which the poetry, despite its intentions, could neither mask nor resolve.
We are saved by faith when we trust that Jesus died for our sins. This is the gospel, or so we are taught. But what is faith? And does this accurately summarize the gospel? Because faith is frequently misunderstood and the climax of the gospel misidentified, the gospel's full power remains untapped. While offering a fresh proposal for what faith means within a biblical theology of salvation, Matthew Bates presses the church toward a new precision: we are saved solely by allegiance to Jesus the king. Instead of faith alone, Christians must speak about salvation by allegiance alone. The book includes discussion questions for students, pastors, and church groups and a foreword by Scot McKnight.
The Enlightenment Atlantic was awash in deep feelings. People expressed the ardour of patriots, the homesickness of migrants, the fear of slave revolts, the ecstasy of revivals, the anger of mobs, the grief of wartime, the disorientation of refugees, and the joys of victory. Yet passions and affections were not merely private responses to the events of the period – emotions were also central to the era’s most consequential public events, and even defined them. In Enthusiasms and Loyalties Keith Grant shows that British North Americans participated in a transatlantic swirl of debates over emotions as they attempted to cultivate and make sense of their own feelings in turbulent times. Examining the emotional communities that overlapped in Cornwallis Township, Nova Scotia, between 1770 and 1850, Grant explores the diversity of public feelings, from disaffected loyalists to passionate patriots and ecstatic revivalists. He shows how certain emotions – especially enthusiasm and loyalty – could be embraced or weaponized by political and religious factions, and how their use and meaning changed over time. Feelings could be the glue that made loyalties stick, or a solvent that weakened community bonds. Taking a history of emotions approach, Enthusiasms and Loyalties aims to recover and understand the wide range of political and religious emotions that were possible – feelable – in the Enlightenment Atlantic.
Clan leader Imhara Kaal tries to recruit warrior Arek Barial to present a petition to the Blade council that advocates for a caste-free society, an action that would reveal her status as a rebel if she were to do it herself.
Written especially for students and assuming no prior knowledge of the subject, this book aims to provide a comprehensive introduction to early 20th-century fiction.
Introduction -- Treason in colonial Pennsylvania -- Resistance and treason, 1765-1775 -- Treason against America, 1775-1776 -- From independence to invasion, 1776-1778 -- The winding path to the courthouse, 1778 -- The Philadelphia treason trials, 1778-1779 : forming the jury -- The Philadelphia treason trials, 1778-1779 : trial and deliberation -- Resentment and betrayal, 1779-1781 -- Peace, the constitution, and rebellion, 1781-1800 -- Conclusion.
A feminist analysis of the "cinema of uncertainty" through an examination of the crime serials of Louis Feuillade and the work of actress Musidora. The crime serials by French filmmaker Louis Feuillade provide a unique point of departure for film studies, presenting modes rarely examined within early cinematic paradigms. Made during 1913 to 1920, the series of six films share not only a consistency of narrative structure and style but also a progressive revelation of the criminal threat—a dislocation of both cinematic and ideological subjectivity—as it shifts realms of social, cultural, and aesthetic disturbance. Feuillade’s work raises significant questions of cinema authorship, film history, and film aesthetics, all of which are examined in Vicki Callahan’s groundbreaking work Zones of Anxiety, the first study to address the crime serials of Louis Feuillade from a feminist perspective. Zones of Anxiety merges cultural history and feminist film theory, arguing for a different kind of film history, a "poetic history" that is shaped by the little-examined cinematic mode of "uncertainty." Often obscured by film technique and film historians, this quality of uncertainty endemic to the cinema comes in part from the formal structures of repetition and recursion found in Feuillade’s serials. However, Callahan argues that uncertainty is also found in the "poetic body" of the actress Musidora who is featured in two of the serials. It is the mobility of the Musidora figure—socially, culturally, sexually, and textually—that makes her a powerful image and also a place to view the historical blind spots of film studies and feminist studies with regard to questions of race, class, and sexuality. Callahan’s substantial focus on archival research builds a foundation for a host of compelling arguments for a new feminist history of film. Other studies have touched on the issue of gender in early cinema, though until now neither Feuillade’s work nor French silent film have been examined in light of feminist film theory and history. Zones of Anxiety opens up the possibility of alternate readings in film studies, illuminating our understanding of subjectivity and situating a spectatorship that acknowledges social and cultural differences.
Rochelle Addams receives an intriguing offer to consider a marriage of convenience, but can she bind herself to a man whose beliefs are at odds with a world at war? Conscientious objector Irwin Terrell is looking forward to his assignment at Shady Hills Mental hospital to minister to the less fortunate in lieu of bearing arms. At the arrival of the potential bride his father has selected for him, Irwin’s well-ordered life is turned upside down. And after being left at the altar two years ago, he has no interest in risking romance again. Inspired by the biblical love story of Rebekkah and Isaac, Love’s Allegiance explores God's individual call to His children.
Christine Thomas rushes to Lincoln Memorial Hospital, where her husband is suffering from a mysterious illness. Aware that his life can't be saved by traditional medicine, she consents to giving him an experimental drug, one that is guaranteed to make him well. But something is terribly wrong at Lincoln Memorial Hospital. First, she notices subtle changes in the doctors. Then she stumbles upon the unconscious patients in Ward C. And finally, Christine discovers a secret laboratory, where people are being experimented on. Armed with nothing more than her own courage, Christine must find a way to stop them. But she is running out of time. Once their evil plan is unleashed, the trail of terror will be unlike anything the world has ever seen ...
The fourth novel in the action-packed Marc Edwards mystery series, set during the rebellions of 1830s Upper Canada. Autumn 1837: the provinces of Upper and Lower Canada are on the eve of open revolt. Lieutenant Marc Edwards has been sent with a force of British soldiers to subdue the increasingly hostile French rebels. But as the smoke from the battle clears and political pressures build, Marc begins to question whether the sacrifices he has made in the name of Crown and country have been worth the cost. On his return trip to Toronto, Marc is accompanied by a group of seemingly innocent civilians. But as tensions in the provinces escalate and personal grievances within the group arise, it becomes clear that not everyone Marc is traveling with is who he appears to be. Soon, mysterious death threats are issued and Marc finds himself the target of an unknown assassin. And when a member of the group is found murdered in the woods, Marc realizes that he may have more than one killer to worry about.