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'Frost in May is the unsurpassed novel of convent school life. This story of a clash between a determined young girl and an authoritarian regime is both perceptive and painfully emotional, convincing in every detail' - Hermione Lee, Observer With a new introduction by Tessa Hadley Nanda Gray, the daughter of a Catholic convert, is nine when she is sent to the Convent of Five Wounds. Quick-witted, resilient and eager to please, she accepts this closed world where, with all the enthusiasm of the outsider, her desires and passions become only those the school permits. Her only deviation from total obedience is the passionate friendships she makes. Convent life is perfectly captured - the smell of beeswax and incense; the petty cruelties of the nuns; the eccentricities of Nanda's school friends. Books in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor and Faces in the Water by Janet Frame
When Clara returns home from the convent of her childhood to begin life at a local girls' school, she is at a loss: although she has comparative freedom, she misses the discipline the nuns imposed and worries about keeping her faith in a secular world. Against the background of the First World War, Clara experiences the confusions of adolescence - its promise, its threat of change. She longs for love, yet fears it, and wonders what the future will hold. Then tragedy strikes and her childhood haltingly comes to an end as she realises that neither parents nor her faith can help her. The Lost Traveller is the first in the trilogy sequel to Frost in May, which continues with The Sugar House and Beyond the Glass. Although each is a complete novel in itself, together they form a brilliant portrait of a young girl's journey to adulthood.
Oh I DID want to be happy as a woman. But I'm a monster and must accept being one. Not all writers are monsters. But my kind is. Antonia White is best known for Frost in May, for having come back from Bedlam hospital and madness, and for the public feud between her daughters over the editing of her diaries. This biography aims to tell the complete story of a life courageously lived against the most difficult odds. This is the story of a woman who - two generations too soon - attempted to live the modern female life of single parent and working mother, but longed for the artistic and intellectual stage.
Clara Batchelor is twenty-two. Her brief, doomed marriage to Archie over, she returns to live with her parents in the home of her childhood. She hopes for comfort but the devoutly Catholic household confines her and forms a dangerous glass wall of guilt and repression between Clara and the outside world. Clara both longs for and fears what lies beyond, and when she escapes into an exhilarating and passionate love affair her fragile identity cracks. Beyond the Glass completes the trilogy sequel to Frost in May, which began with The Lost Traveller and The Sugar House. Although each is a complete novel in itself, together they form a brilliant portrait of a young girl's journey to adulthood.
My Antonia is a novel by an American writer Willa Cather. It is the final book of the "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark. The novel tells the stories of an orphaned boy from Virginia, Jim Burden, and Antonia Shimerda, the daughter of Bohemian immigrants. They are both became pioneers and settled in Nebraska in the end of the 19th century. The first year in the very new place leaves strong impressions in both children, affecting them lifelong. The narrator and the main character of the novel My Antonia, Jim grows up in Black Hawk, Nebraska from age 10 Eventually, he becomes a successful lawyer and moves to New York City.
Having given up her music-hall career to sort out the strands of her life, Renee Nere enters into an affair with a younger man which both satisfies and constrains
By contextualising White's life-writing and fiction within the contexts of manic-depression and narrative identity, Antonia White and Manic-Depressive Illness proposes a new model for reading White.
Puffin Easy-to-Read Level 3.
THE STORIES THAT INSPIRED THE FILM COLETTE, out Jan 2019. In this final novel in Colette's famous series it is Claudine's friend Annie who tells the story in the form of a private diary. Claudine is happily settled with her adored husband Renaud, spending her time giving wide and worldly advice to despairing Annie, whose life with the boring and dominating Alain is set to dramatically change. With the help of Claudine, Annie takes steps to empower her own life, a life away from her husband. Though Colette's intoxicating series of novels emerges a portrait of Claudine an intelligent, modern woman whose life is always honest, passionate and inspiring.
Throughout her life, Antonia White struggled with a formidable writer's block: the FROST IN MAY quartet was thought to be her final achievement. Yet on her death, this extraordinary work - her autobiography up to the age of six - was discovered among her papers. The freshness and vitality with which Antonia White recorded her much younger self is breathtaking. A writer with the phenomenal power of almost total recall, she recreates her capricious and extravagant mother and the indomitable father she both feared and adored, who taught Antonia the first line of the Iliad when she was three. Here, too, are perfect vignettes: the glorious bridesmaid's hat which her mother later appropriated; love at first sight in Kensington Gardens and games of Mr and Mrs John Barker in the nursery. Much more than an evocation of childhood, AS ONCE IN MAY illuminates the woman and writer Antonia White was to become. It is an essential and enthralling companion to her fiction.