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The thirty-four stories in this volume span Chekhov s creative career."
Stories (54) List A STORY WITHOUT A TITLE SLEEPY THE STEPPE LIGHTS THE BEAUTIES THE PARTY A NERVOUS BREAKDOWN THE SHOEMAKER AND THE DEVIL THE BET THE PRINCESS THE HORSE-STEALERS GUSEV PEASANT WIVES THE WIFE THE GRASSHOPPER AFTER THE THEATRE IN EXILE NEIGHBOURS WARD NO. 6 TERROR AN ANONYMOUS STORY THE TWO VOLODYAS THE BLACK MONK A WOMAN'S KINGDOM ROTHSCHILD'S FIDDLE THE STUDENT THE TEACHER OF LITERATURE AT A COUNTRY HOUSE THE HEAD-GARDENER'S STORY THREE YEARS THE HELPMATE WHITEBROW "ANNA ON THE NECK" THE MURDER ARIADNE AN ARTIST'S STORY MY LIFE PEASANTS THE PETCHENYEG AT HOME THE SCHOOLMISTRESS THE MAN IN A CASE GOOSEBERRIES ABOUT LOVE IONITCH A DOCTOR'S VISIT THE DARLING THE NEW VILLA ON OFFICIAL DUTY THE LADY WITH THE DOG AT CHRISTMAS TIME IN THE RAVINE THE BISHOP BETROTHED
Considered by many as the greatest short story writer the world has seen, Anton Chekhov changed the genre itself with his spare, impressionistic depictions of Russian life and the human condition. From characteristically brief, evocative early pieces such as The Huntsman and his masterpiece A Bet to his best-known stories such as The Lady with the Little Toy Dog and The Requiem, this collection of Chekhov’s remarkable short fiction possesses the unmatched power of art to awe and change the reader. This endlessly pleasing edition, expertly translated, is especially faithful to the meaning of Chekhov’s prose and the unique rhythms of his writing, giving readers an authentic sense of his style and a true understanding of his greatness.
(Book Jacket Status: Jacketed) Aanton Chekhov, widely hailed as the supreme master of the short story, also wrote five works long enough to be called short novels–here brought together in one volume for the first time, in a masterly new translation by the award-winning translators Richard Pevear and Larissa Volokhonsky. The Steppe–the most lyrical of the five–is an account of a nine-year-old boy’s frightening journey by wagon train across the steppe of southern Russia. The Duel sets two decadent figures–a fanatical rationalist and a man of literary sensibility–on a collision course that ends in a series of surprising reversals. In The Story of an Unknown Man, a political radical spying on an important official by serving as valet to his son gradually discovers that his own terminal illness has changed his long-held priorities in startling ways. Three Years recounts a complex series of ironies in the personal life of a rich but passive Moscow merchant. In My Life, a man renounces wealth and social position for a life of manual labor. The resulting conflict between the moral simplicity of his ideals and the complex realities of human nature culminates in a brief apocalyptic vision that is unique in Chekhov’s work.
If any writer can be said to have invented the modern short story, it is Anton Chekhov. It is not just that Chekhov democratized this art form; more than that, he changed the thrust of short fiction from relating to revealing. And what marvelous and unbearable things are revealed in these Forty Stories. The abashed happiness of a woman in the presence of the husband who abandoned her years before. The obsequious terror of the official who accidentally sneezes on a general. The poignant astonishment of an aging Don Juan overtaken by love. Spanning the entirety of Chekhov's career and including such masterpieces as "Surgery," "The Huntsman," "Anyuta," "Sleepyhead," "The Lady With the Pet Dog," and "The Bishop," this collection manages to be amusing, dazzling, and supremely moving—often within a single page.
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'The Murder' is a short story written by Anton Chekhov. It begins at the evening service celebrated at Progonnaya Station. Before the great ikon, painted in glaring colors on a background of gold, stood the crowd of railway servants with their wives and children, and also of the timbermen and sawyers who worked close to the railway line. All stood in silence, fascinated by the glare of the lights and the howling of the snow-storm which was aimlessly disporting itself outside, regardless of the fact that it was the Eve of the Annunciation. The old priest from Vedenyapino conducted the service; the sacristan and Matvey Terehov were singing.
The Undiscovered Chekhov gives us, in rich abundance, a new Chekhov. Peter Constantine's historic collection presents 38 new stories and with them a fresh interpretation of the Russian master. In contrast to the brooding representative of a dying century we have seen over and over, here is Chekhov's work from the 1880s, when Chekhov was in his twenties and his writing was sharp, witty and innovative. Many of the stories in The Undiscovered Chekhov reveal Chekhov as a keen modernist. Emphasizing impressions and the juxtaposition of incongruent elements, instead of the straight narrative his readers were used to, these stories upturned many of the assumptions of storytelling of the period. Here is "Sarah Bernhardt Comes to Town," written as a series of telegrams, beginning with "Have been drinking to Sarah's health all week! Enchanting! She actually dies standing up!..." In "Confession...," a thirty-nine year old bachelor recounts some of the fifteen times chance foiled his marriage plans. In "How I Came to be Lawfully Wed," a couple reminisces about the day they vowed to resist their parents' plans that they should marry. And in the more familiarly Chekhovian "Autumn," an alcoholic landowner fallen low and a peasant from his village meet far from home in a sad and haunting reunion in which the action of the story is far less important than the powerful impression it leaves with the reader that each man must live his life and has his reasons.