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Antoinette is a concert violinist and opera singer. She travels and advocates for causes that aim to make the world a better place. She has a friend, Lilith, who does that as a lawyer, politician...and witch. A few months into the year, they receive a surprise visit from an alien botanist, Ileandra. Follow them throughout an entire year on their adventures! The dolls are each unique personalities built using mouline floss embroidery threads for their faces, ears, and manicures, after which wigs were attached and styled with ribbons. All of their outfits and dress designs were created and recreated, in miniature, from observing what the author loves from human fashions. There is a story that follows calendar events, with photographs by the author accompanying each part of it. To get the images, she photographed the dolls in each of their outfits, then used Photoshop to place them in other photographs from her own collection of images from places that she has traveled to, so that it is as if the doll is there. There are a few images of the author holding each doll at the end in matching outfits, just for fun.
Antoinette is a concert violinist and opera singer. She travels and advocates for causes that aim to make the world a better place. She has a friend, Lilith, who does that as a lawyer, politician...and witch. A few months into the year, they receive a surprise visit from an alien botanist, Ileandra. Follow them throughout an entire year on their adventures!
Contributions by Jennifer Atkins, Vashni Balleste, Mora J. Beauchamp-Byrd, Ron Bechet, Melanie Bratcher, Jerry Brock, Ann Bruce, Violet Harrington Bryan, Rachel Carrico, Sarah Anita Clunis, Phillip Colwart, Keith Duncan, Rob Florence, Pamela R. Franco, Daniele Gair, Meryt Harding, Megan Holt, DeriAnne Meilleur Honora, Marielle Jeanpierre, Ulrick Jean-Pierre, Jessica Marie Johnson, Karen La Beau, D. Lammie-Hanson, Karen Trahan Leathem, Charles Lovell, Annie Odell, Ruth Owens, Steve Prince, Nathan "Nu'Awlons Natescott" Haynes Scott, LaKisha Michelle Simmons, Tia L. Smith, Gailene McGhee St.Amand, and Kim Vaz-Deville Since 2004, the Baby Doll Mardi Gras tradition in New Orleans has gone from an obscure, almost forgotten practice to a flourishing cultural force. The original Baby Dolls were groups of black women, and some men, in the early Jim Crow era who adopted New Orleans street masking tradition as a unique form of fun and self-expression against a backdrop of racial discrimination. Wearing short dresses, bloomers, bonnets, and garters with money tucked tight, they strutted, sang ribald songs, chanted, and danced on Mardi Gras Day and on St. Joseph feast night. Today's Baby Dolls continue the tradition of one of the first street women's masking and marching groups in the United States. They joyfully and unabashedly defy gender roles, claiming public space and proclaiming through their performance their right to social citizenship. Essayists draw on interviews, theoretical perspectives, archival material, and historical assessments to describe women's cultural performances that take place on the streets of New Orleans. They recount the history and contemporary resurgence of the Baby Dolls while delving into the larger cultural meaning of the phenomenon. Over 140 color photographs and personal narratives of immersive experiences provide passionate testimony of the impact of the Baby Dolls on their audiences. Fifteen artists offer statements regarding their work documenting and inspired by the tradition as it stimulates their imagination to present a practice that revitalizes the spirit.
Written with an insider's keen understanding of court life and filled with delicious details born of impeccable research, Cupid and the King explores a little-known chapter of the history of women's roles in the royal bedrooms of Europe.
With a style the Los Angeles Times calls as "vivid and fast-moving as the music he loves," Ned Sublette's powerful new book drives the reader through the potholed, sinking streets of the United States's least-typical city. In this eagerly awaited follow-up to The World That Made New Orleans, Sublette's award-winning history of the Crescent City's colonial years, he traces an arc of his own experience, from the white supremacy of segregated 1950s Louisiana through the funky year of 2004–2005--the last year New Orleans was whole. By turns irreverent, joyous, darkly comic, passionate, and polemical, The Year Before the Flood juxtaposes the city's crowded calendar of parties, festivals, and parades with the murderousness of its poverty and its legacy of racism. Along the way, Sublette opens up windows of American history that illuminate the present: the trajectory of Mardi Gras from pre–Civil War days, the falsification of Southern history in movies, the city's importance to early rock and roll, the complicated story of its housing projects, the uniqueness of its hip-hop scene, and the celebratory magnificence of the participatory parades known as second lines. With a grand, unforgettable cast of musicians and barkeeps, scholars and thugs, vibrating with the sheer excitement of New Orleans, The Year Before the Flood is an affirmation of the power of the city's culture and a heartbreaking tale of loss that definitively establishes Ned Sublette as a great American writer for the 21st century.
A powerful journey into the author's life experiences and her desire to share with others that there is hope no matter what we've been through because God loves each one of us. Memories of my life and travels is a compelling drama!
The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s.
Trixie Matkowski is warming up to running her family’s diner in the small town of Sandy Harbor in upstate New York. But the only thing more demanding than serving up piping-hot comfort food twenty-four hours a day is getting to the bottom of a double homicide.... Trixie fondly remembers summers as a child spent visiting the shores of Lake Ontario. Not much has changed—there are still vinyl booths at the Silver Bullet Diner, families eating home-cooked comfort food, and days of swimming in the lake. But before Trixie can say “Order’s up,” someone’s summer is abruptly cut short. One of the cottage residents is found dead, and Trixie suspects the crime might be linked to an unsolved disappearance in the picturesque town’s past. As Trixie works with Deputy Ty Brisco to solve both mysteries, their shocking discoveries will shake up the small town. And when word gets out that she’s on the case, Trixie’s in trouble—after all, the murderer won’t spare her life just because she makes a killer corned beef sandwich.... Includes Delicious Home-Style Recipes!
In this beautifully crafted novel, Eduardo Manet, a Cubanborn French novelist and playwright, tells the story of a woman’s passion for a famous artist. The artist is his grandfather, the painter Édouard Manet, and the woman his grandmother, Eva Gonzalès, Manet’s only pupil and an extraordinary painter in her own right, whose profound understanding of the human soul shines through all her work. The relationship between Manet and Eva is seen through the eyes and the words of Jeanne, Eva’s younger sister. In her journals, she chronicles the vicissitudes of love in a time of war and exile, of social and cultural upheaval. From the Franco-Prussian War through the Paris Commune, the fall of the Second Empire and the birth of Impressionism, this story celebrates love as a blind, blinding, yet quintessentially life-giving force, embodied by the extraordinary Eva. She is surrounded by memorable and larger-than-life characters: her beloved sister Jeanne, her charismatic Aunt Dolorès, (the voice of French-born Eva’s Spanish family), Suzanne Leenhoff, the somewhat enigmatic wife of her lover Manet, and Berthe Morisot, her rival in art and in love, all presented against the backdrop of the dizzying art world of nineteenth-century Paris.