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When the Civil War began, Northern soldiers and civilians alike sought a framework to help make sense of the chaos that confronted them. Many turned first to the classic European military texts from the Napoleonic era, especially Antoine Henri Jomini's Summary of the Art of War. As Carol Reardon shows, Jomini's work was only one voice in what ultimately became a lively and contentious national discourse about how the North should conduct war at a time when warfare itself was rapidly changing. She argues that the absence of a strong intellectual foundation for the conduct of war at its start--or, indeed, any consensus on the need for such a foundation--ultimately contributed to the length and cost of the conflict. Reardon examines the great profusion of new or newly translated military texts of the Civil War years intended to fill that intellectual void and draws as well on the views of the soldiers and civilians who turned to them in the search for a winning strategy. In examining how debates over principles of military thought entered into the question of qualifications of officers entrusted to command the armies of Northern citizen soldiers, she explores the limitations of nineteenth-century military thought in dealing with the human elements of combat.
*Includes pictures *Includes excerpts of Jomini's work *Includes a bibliography for further reading "War in its ensemble is NOT a science, but an art. Strategy, particularly, may indeed be regulated by fixed laws resembling those of the positive sciences, but this is not true of war viewed as a whole. Among other things, combats may be mentioned as often being quite independent of scientific combinations..." - Jomini With the exception of Napoleon Bonaparte, few men were more influential on the military tactics and strategy of 19th century warfare than Antoine-Henri Jomini, and yet the introduction for a 1947 English translation of Jomini's Art of War noted, "The military world that today burns gun-powder at the altar of Clausewitzian doctrine has all but forgotten Antoine-Henri Jomini." The author of that introduction, Lt. Col. J.D. Little of the US Marine Corps, was right then, and he remains correct today. While Carl von Clausewitz's aphorisms are still used to support everything from military action to business management, the work of his contemporary writer Jomini has been all but forgotten. During the Napoleonic Era and throughout the 19th century, however, the situation was very different. Jomini was regarded as the preeminent strategist and writer of his generation, while Clausewitz was virtually unknown outside the General Staff of the Prussian Army. In the intervening period, Clausewitz has come to be regarded as the most important writer and strategic analyst of the period, whereas the writings of Jomini have been discarded and largely ignored. As a result, many military historians and strategists have only recently begun to understand how important Jomini was and how relevant his writings remain today. In lamenting what had happened to Jomini's reputation, Little asserted, "No man in the history of war has exerted a greater influence on the development of modern warfare than Napoleon Bonaparte. No man has been more responsible for Napoleon's influence as Antoine-Henri Jomini." Again, Little had a point, because unlike Clausewitz, the writings of Jomini had a direct influence on the conduct of wars during the 19th century. While Clausewitz was not widely read outside Prussia (and later Germany) until the final years of the 19th century, few generals in Europe and America were unfamiliar with Jomini's works, and many used his Summary of the Art of War as their main guide to strategy and tactics. Why is it that Jomini has been forgotten while Clausewitz's name is now far more famous than it ever was during his lifetime? One of the reasons is that Clausewitz attempted to develop a philosophy of war that went well beyond the mechanics of combat. Such a philosophy is timeless precisely because it is not linked to the tactics or weapons of a particular period. This is made evident by the fact that as recently as the First Gulf War (1990-1991), senior military leaders in the coalition against Iraq were quoting Clausewitz in support of their strategy. Jomini, however, viewed warfare not as a philosophical excursive but as a science, with principles that could be derived from a study of the past masters of war and applied to any situation. This lacked the grand overview presented by Clausewitz, but it provided military men with a set of easily comprehensible rules of warfare. If Clausewitz was the master of strategy, Jomini was an early exponent of a tactical view of warfare, and as many military leaders came to understand in the chaos of battle, a simple set of rules is more easily applied than a grand philosophy. Antoine-Henri Jomini: The Life and Legacy of the Swiss General and His Famous Military Treatises about the Napoleonic Wars looks at the life and career of the military officer and highlights the most important parts of his timeless works. Along with pictures of important people, places, and events, you will learn about Jomini like never before.
Field Marshal Helmuth Graf von Moltke is best known for his direction of the German/Prussian campaigns against Austria in 1866 and France in 1870-71, yet it was during his service as chief of the General Staff that he laid the foundation for the German way of war which would continue through 1945. Professor Daniel Hughes of the Air War College, in addition to editing and assisting with the translation of this selection of Moltke’s thoughts and theories on the art of war, has written an insightful commentary on “Moltke the Elder” that places him in the broader context of Prussian military theorist Carl von Clausewitz’s sometimes abstract philosophical ideas. The book also contains an extensive bibliographic and historiographic commentary that includes references to Moltke and his theories in the current literature in Germany, England, and the United States—a valuable aid to anyone doing research on the subject. This volume, in addition to its appeal to scholars, serves as an introduction to the theory of the German army, as well as a summary of Moltke’s enduring theoretical legacy. Praise for Moltke on the Art of War “Moltke molded the Prussian and ultimately the German army at a time of technological and economic change. For that reason . . . this book deserves a much wider audience than those interested in nineteenth-century military history. Readers will be particularly grateful for the editor’s careful explanation of terms that are easily mistranslated in English, and for concise and useful footnotes and bibliography. A model of fine editing.”—Foreign Affairs Magazine “This valuable work ably compiles the selected writings on the art of war of one of military history’s greatest geniuses. [Moltke’s] impact on American military thinking persists, especially in various military staff college curricula. Strongly recommended.”—Armed Forces Journal “A thoughtfully edited, well-translated anthology that merits a place in any serious collection on the craft of war in the modern Western world."—Journal of Military History
Carl von Clausewitz's On War, his chef d'oeuvre of strategic and military theory, was first published in 1832, after his death. The book remains a touchstone, dissected and debated by scholars, students, and military personnel around the world who consider it the founding document of the field. Yet to Clausewitz himself, far more important than achieving recognition for his written works was glory on the field of battle. He dreamed of winning renown not with his pen, but with his sword, and wielded both with the same determination and zeal. In this new biographical study of Clausewitz, Donald Stoker moves skillfully between his career as a soldier and his work as a theoretician. Conventional wisdom holds that Clausewitz was "merely a staff officer" who didn't see much combat, but Stoker shows this to be far from true. As a soldier during the era of the French Revolution and Napoleonic Wars - perhaps the most intense period of continuous large-scale warfare in history - Clausewitz gained an enormous amount of battle experience. By reconstructing his role in various compaigns, from Jena-Auerstedt to Waterloo, this work offers new insights into Clausewitz as both a soldier in an a witness to the momentous fighting of his time. Taking readers through the heat of these battles, Stoker provides historical overview and strategic analysis, showing the connection between events and Clausewitz's own words, taken both from his works and the abundant letters written to his wife, Marie, and friends throughout his life. Clausewitz's contributions to military theory have solidified his reputation, which seems continually to rise, and Stoker assesses each of his significant works and their contribution to his legacy. Grounding Clausewitz's theoretical analyses on the field of battle, Stoker traces the road to On War, and provides an absorbing reassessment of both the warrior and the theorist. -- from dust jacket.
Two classic works of military strategy that shaped the way we think about warfare: The Art of War by Sun Tzu and On War by Karl von Clausewitz, together in one volume “Civilization might have been spared much of the damage suffered in the world wars . . . if the influence of Clausewitz’s On War had been blended with and balanced by a knowledge of Sun Tzu’s The Art of War.”—B. H. Liddel Hart For two thousand years, Sun Tzu’s The Art of War has been the indispensable volume of warcraft. Although his work is the first known analysis of war and warfare, Sun Tzu struck upon a thoroughly modern concept: “The supreme art of war is to subdue the enemy without fighting.” Karl von Clausewitz, the canny military theorist who famously declared that war is a continuation of politics by other means, also claims paternity of the notion “total war.” On War is the magnum opus of the era of the French Revolution and the Napoleonic wars. Now these two great minds come together in a single volume that also features an introduction by esteemed military writer Ralph Peters and the Modern Library War Series introduction by Caleb Carr, New York Times bestselling author of The Alienist. (The cover and text refer to The Art of War as The Art of Warfare, an alternate translation of the title.)
This analysis of the military policy and strategy adopted by Robert E. Lee and Jefferson Davis in the first two years of the Civil War, argues that their policies allowed the Confederacy to survive longer than it otherwise could have and were the policies best designed to win Southern independence.