Download Free Antiquites Egyptiennes Grecques Romaines Et Syriennes Manuscrits Miniatures Et Tapis Dorient Book in PDF and EPUB Free Download. You can read online Antiquites Egyptiennes Grecques Romaines Et Syriennes Manuscrits Miniatures Et Tapis Dorient and write the review.

Intentions By Oscar Wilde was published in 1891 when Wilde was at the height of his form, these brilliant essays on art, literature, criticism, and society display the flamboyant poseur's famous wit and wide learning. A leading spokesman for the English Aesthetic movement, Wilde promoted art for art's sake against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power, but also that criticism itself can be raised to an art form possessing these very qualities. In the opening essay, Wilde laments the decay of Lying as an art, a science, and a social pleasure. He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is absolutely indifferent to fact, invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment.
Studies the distinctive culture of the Mycenaeans, examining the architectural, engineering and artistic achievements of this civilization which dominated the pre-Classical era of Greek history.
The familiar image of Nero (37-68 A.D.) is that of a tyrannical, lustful, and inept emperor. This collection of thirteen original essays provides a fresh interpretation of Nero and his era, assessing the full spectrum of the period's culture and politics--aspects that until now have rarely been taken seriously. The introduction sets the myth of Nero in a modern context and explores its enduring fascination. The next section of the book examines how the myth of Nero has developed both in Roman historiography and in modern popular culture, including films. The remaining essays address the culture of Neroian Rome, including its history, literature, art, and architecture. The result is a dramatic reevaluation of the era, recapturing the richness and vitality of the age of Nero. The contributors are Susan E. Alcock, Tamsyn Barton, Catherine Connors, Catharine Edwards, Jas Elsner, Justin Goddard, Emily Gowers, Jamie Masters, Joan Pau-Rubies, Alessandro Schiesaro, Yun Lee Too, Gareth Williams, and Maria Wyke.
Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism. This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.
This interdisciplinary volume re-evaluates the interconnectedness of the Merovingian world with its Mediterranean surroundings.
Reinterpretation of the Danube frontier in Late Antiquity, drawing on literary, archaeological, and numismatic sources.
In this book, Georgios Kardaras offers a global view of the contacts between the Byzantine Empire and the Avar Khaganate, emphasizing the reconstruction of these contacts after 626 (when, in contrast to archaeological evidence, written sources are very few) and the definition of the possible channels of communication between the two powers. The author scrutinizes the political and diplomatic framework, and critically examines issues such as mutual influence on material culture and on warfare, reaching the conclusion that significant contact between Byzantium and the Avars can be proved up until 775.