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Alexandria Antiqua aims to catalogue the archaeological sites of Alexandria, from the records of the French Expedition (1798-99) to the present day, and to infer the urban layout and cityscape at the time of its foundation (4th century BC), and then through the successive changes which took place up to the Arab conquest (7th century AD).
Francis Schmidt's works in various fields of religious studies (mainly ancient Judaism), can be characterized by three words: historiography, anthropological history, and comparatism. In that respect he placed himself in the continuation of previous French scholars, such as Maurice Halbwachs or Pierre Vidal-Naquet. Francis Schmidt also played an essential role in transmitting to a new generation of scholars the complex issues and debates concerning the Dead Sea scrolls and Qumranic research. The papers offered in this volume share all the same interest in ancient religions and the methodological devices previously mentioned. They offer a rare example of a large comparatism between Assyrian, Greek, Roman, Jewish, and Christian approaches of some essential social or intellectual issues, by some of the most competent specialists in each field.
'In Context: the Reade Festschrift' is a collection of invited and peer-reviewed essays by friends and colleagues of Julian Edgeworth Reade, sometime Mesopotamia curator at the British Museum from 1975 to 2000. Here is fresh work from which any reader can gain a new appreciation of the importance of the ancient Near East.
This collection of essays on late Roman Hispania describes the relationships between the peninsula and the rest of the late antique world. Its contributors – archaeologists, historians, and historians of art – address both the historical evidence and the complex historiography of late antique Hispania.
This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America and Europe: Metropolitan Museum of Art, The Louvre, the British Museum, Victoria & Albert Museum, the Getty, the Groeningemuseum, The Morgan Library, Vienna’s Kunsthistorisches Museum, and, of course, the CMA, offering perspectives on the histories of collecting and display, artistic identity, and patronage, with special foci on Burgundian art, acquisition histories, and objects in the CMA.