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Contains a complete and illustrated catalogue of antique barbed wire.
How could an ordinary fence shape a nation's history? Before the 1870s, much of the American West was an uninterrupted expanse of plains, where native tribes followed buffalo herds for hundreds of miles and cowboys ran cattle wherever water and grass led them. After the Homestead Act of 1862, settlers pouring into the West to stake their claims found that farming was not easy in cattle country, where the Law of the Open Range dictated that the needs of the herds-and their owners-came first. Then, seemingly overnight, everything changed. The invention and mass production of barbed wire made it possible for homesteaders to fence off millions of acres, creating a violent clash of cultures. In this engaging history, the struggles of cattlemen, farmers, Indians, inventors, and outlaws are brought to life for history buffs and curious readers alike. Enhanced by historic photos, maps, and a handy chronology, Barbed Wire: The Fence That Changed the West reveals the fascinating account of how a simple twist of wire transformed a country's landscape and ushered in a new way of life.
An encyclopaedia of nineteenth and twentieth barbed wire as used in the United States.
The history of animals and humans as seen through barbed wire. In this original and controversial book, historian and philosopher Reviel Netz explores the development of a controlling and pain-inducing technology—barbed wire. Surveying its development from 1874 to 1954, Netz describes its use to control cattle during the colonization of the American West and to control people in Nazi concentration camps and the Russian Gulag. Physical control over space was no longer symbolic after 1874. This is a history told from the perspective of its victims. With vivid examples of the interconnectedness of humans, animals, and the environment, this dramatic account of barbed wire presents modern history through the lens of motion being prevented. Drawing together the history of humans and animals, Netz delivers a compelling new perspective on the issues of colonialism, capitalism, warfare, globalization, violence, and suffering. Theoretically sophisticated but written with a broad readership in mind, Barbed Wire calls for nothing less than a reconsideration of modernity.
Rush County, at the south end of Post Rock Country, was organized on December 5, 1874, and named in honor of Capt. Alexander Rush, Company H, of the 2nd Kansas Colored Infantry. The first settlers arrived in 1869 and established homesteads along Walnut Creek near the Fort HaysFort Dodge Trail. With few trees on the vast, dry prairie, settlers searched for alternative building materials. Post Rock, a unique limestone bed that sat within inches of the surface, was so well used and became such a curiosity that it gave rise to the Post Rock Museum in 1963.
This book presents an evolutionary theory of technological change based upon recent scholarship in the history of technology and upon relevant material drawn from economic history and anthropology. It challenges the popular notion that technology advances by the efforts of a few heroic individuals who produce a series of revolutionary inventions owing little or nothing to the technological past. Therefore, the book's argument is shaped by analogies taken selectively from the theory of organic evolution, and not from the theory and practice of political revolution. Three themes appear, and reappear with variations, throughout the study. The first is diversity: an acknowledgment of the vast numbers of different kinds of made things (artifacts) that have long been available to humanity; the second is necessity: the belief that humans are driven to invent new artifacts in order to meet basic biological requirements such as food, shelter, and defense; and the third is technological evolution: an organic analogy that explains both the emergence of novel artifacts and their subsequent selection by society for incorporation into its material life without invoking either biological necessity or technological progress. Although the book is not intended to provide a strict chronological account of the development of technology, historical examples - including many of the major achievements of Western technology: the waterwheel, the printing press, the steam engine, automobiles and trucks, and the transistor - are used extensively to support its theoretical framework. The Evolution of Techology will be of interest to all readers seeking to learn how and why technology changes, including both students and specialists in the history of technology and science.
A billionaire sets out to teach his grandchildren some life lessons in this sharply funny novel by “a brilliant, original writer” (Ann Beattie, author of The Accomplished Guest). Bewildered by the odious liberal tendencies of his son-in-law, Chip, Leon Tuggs, self-made arch-capitalist billionaire, inventor of the ubiquitous and environmentally hazardous Thingie, and author of the influential General Theory of Industrial Sex, decides to rescue his grandchildren from a life of guilt, indecision, and existential anxiety, by educating them in the way the world actually works and telling them, for their own good, the things no teacher or parent in our politically correct and morally relative world could ever venture to say . . . Petroleum Man is a hilariously scathing satire that takes on both sides of some of the raging debates of our times between Democrats and Republicans, haves and have-nots, trickle-down conservatives and bleeding-heart liberals, environmentalists and industrialists—a comic classic from the author of Gascoyne and Some Instructions.
Lost in the New West investigates a group of writers – John Williams, Cormac McCarthy, Annie Proulx and Thomas McGuane – who have sought to explore the tensions inherent to the Western, where the distinctions between old and new, myth and reality, authenticity and sentimentality are frequently blurred. Collectively these authors demonstrate a deep-seated attachment to the landscape, people and values of the West and offer a critical appraisal of the dialogue between the contemporary West and its legacy. Mark Asquith draws attention to the idealistic young men at the center of such works as Williams's Butcher's Crossing (1960), McCarthy's Blood Meridian (1985) and Border Trilogy, Proulx's Wyoming stories and McGuane's Deadrock novels. For each writer, these characters struggle to come to terms with the difference between the suspect mythology of the West that shapes their identity and the reality that surrounds them. They are, in short, lost in the new West.
The business to business trade publication for information and physical Security professionals.