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This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
Our object in producing this book is to supply information about Chinese art that is at once authoritative and introductory. To many it may seem curious that no previous volume of the kind exists ; but to those who know the extreme difficulty of a detailed study of even one part of Chinese art, with its enormous periods and its close relationship to Eastern ideas, it may rather seem curious that anyone should attempt such a summary. We should not have given way to the desire to make such a book had we not known how valuable it would be if properly produced, and had we not felt that we had hit upon the right plan. -- Preface.