Download Free Antiphon And Andocides Speeches Antiphontis Et Andocidis Orationes Book in PDF and EPUB Free Download. You can read online Antiphon And Andocides Speeches Antiphontis Et Andocidis Orationes and write the review.

This is the first Oxford Classical Text of the speeches of Antiphon and Andocides, two Athenian orators of the fifth century BCE. An influential statesman, Antiphon of Rhamnus also wrote speeches for clients in court cases, of which three are extant, and three tetralogies consisting of speeches for hypothetical murder trials arguing for both prosecution and defence. The first oration of Andocides is our principal source about two scandals from the eve of the Athenian expedition against Syracuse in 415, while his second and third speeches shed light on his later exile and diplomatic efforts between Athens and Sparta. The volume also includes a fourth speech, falsely attributed to Andocides, which vigorously pillories the early career of Alcibiades up to a point just before he, like Andocides, was accused of mutilating herms and profaning the Eleusinian Mysteries in 415. Based on a comprehensive study of the manuscript tradition, this critical edition aims to set the standard for a definitive text of the speeches that will serve for the next century. Taking into account all the significant manuscript evidence as well as the most compelling corrections proposed by scholars, it also incorporates testimony from other ancient authors to establish the text of these earliest representatives of Attic oratory.
It is perhaps a truism to note that ancient religion and rhetoric were closely intertwined in Greek and Roman antiquity. Religion is embedded in socio-political, legal and cultural institutions and structures, while also being influenced, or even determined, by them. Rhetoric is used to address the divine, to invoke the gods, to talk about the sacred, to express piety and to articulate, refer to, recite or explain the meaning of hymns, oaths, prayers, oracles and other religious matters and processes. The 13 contributions to this volume explore themes and topics that most succinctly describe the firm interrelation between religion and rhetoric mostly in, but not exclusively focused on, Greek and Roman antiquity, offering new, interdisciplinary insights into a great variety of aspects, from identity construction and performance to legal/political practices and a broad analytical approach to transcultural ritualistic customs. The volume also offers perceptive insights into oriental (i.e. Egyptian magic) texts and Christian literature.
Twenty-eight contributions pay tribute to one of the most remarkable historians of ancient Greece, Professor P. J. Rhodes, to celebrate his life and work which has been and will continue to be a major reference for scholars around the world. The volume is organised in four sections: History and Biography, Law, Politics, and Epigraphy.
Despite the crucial roles they often play, no study yet compares the off-stage assemblies, armies, and populations found in surviving Athenian dramatic works. Covering fifth- and early fourth-century tragedy and comedy, Off-Stage Groups in Athenian Drama analyses how off-stage groups influence and respond to events on stage, and how characters interact with these groups. Drama exploits these groups' off-stage nature by depicting them through different characters' viewpoints: characters often struggle to define, predict, or control off-stage groups, which obscures and challenges the audience's ability to interpret them. The interaction between multivalent and sometimes contradictory narratives of off-stage groups demands a new interpretive framework. Off-Stage Groups in Athenian Drama provides this framework, offering new readings of several prominent comedies and tragedies. However, the importance of this framework extends beyond drama. The first chapter surveys depictions of group decision-making in fifth-century prose, in order to demonstrate how Athenian drama responds to prose depictions of group psychology. Athenian drama engages with the early ideas of group psychology circulating in fifth- and early fourth-century Athens; it creates fictive worlds where stereotypical depictions of collective emotion can be probed, explored and taken to their logical extremes. Studying off-stage groups therefore allows us to rethink our understanding of narrative, politics, and social psychology in drama, and the ways in which these fields intersect.
Reprint of the original, first published in 1883.