Download Free Anticonventional Thinking Book in PDF and EPUB Free Download. You can read online Anticonventional Thinking and write the review.

Over the last 14 years of advising leading global companies, author Philip Weiss developed a unique approach designed for the modern executive to adapt and thrive in this age of vast networks, digital communications and perpetual change. The Hyperthinking model is predicated on the assumption that the most important skill required to help you and your organization grow is the mind-set of individuals. Using the techniques in this book, practitioners will be able to continuously alter their perceptions and discover how to adapt to this new business world.
The business environment is changing more rapidly than ever before, and new business ideas are emerging. This book discusses applying insights from design thinking to craft novel strategies that satisfy customer needs, make use of the available capabilities, integrate requirements for financial success and provide competitive advantage. It guides readers through the jungle encountered when developing a strategy for sustained growth and profitability. It addresses strategy design in a holistic way by applying abductive reasoning, iteratively observing customers and focusing on empathy, as well as prototyping ideas and using customers to validate them. Uniquely applying insights from design thinking to strategy, this book is a must-read for graduates, MBAs and executives interested in innovation and strategy, as well as corporate strategists, innovation managers, business analysts and consultants.
An insightful and inspiring book on using "both/and" thinking to make more creative, flexible, and impactful decisions in a world of competing demands. Life is full of paradoxes. How can we each express our individuality while also being a team player? How do we balance work and life? How can we improve diversity while promoting opportunities for all? How can we manage the core business while innovating for the future? For many of us, these competing and interwoven demands are a source of conflict. Since our brains love to make either-or choices, we choose one option over the other. We deal with the uncertainty by asserting certainty. There's a better way. In Both/And Thinking, Wendy Smith and Marianne Lewis help readers cope with multiple, knotted tensions at the same time. Drawing from more than twenty years of pioneering research, they provide tools and lessons for transforming these tensions into opportunities for innovation and personal growth. Filled with practical advice and fascinating stories—including firsthand tales from IBM, LEGO, and Unilever, as well as from startups, nonprofits, and even an inn at one of the four corners of the world—Both/And Thinking will change the way you approach your most vexing problems.
The latest book by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of a dazzling inquiry into the realms of radical politics, philosophy, film (Hitchcock, Fight Club ), and psychoanalysis. Of Organs without Bodies Joan Copjec (Imagine There's No Woman ) has written: With all his ususal humor and invention, Zizek -- the acknowledged master of the 180 degree turn -- here takes a trip into enemy territory to deliver Deleuze of a marvelously rebellious child, one that seriously challenges Deleuze's other progeny with a surprising but convincing bid for succession. Those who thought Deleuze's forward march into the future would follow a straight path are forced to rethink their stance. From now on all readings of Deleuze will have to take a detour through this important -- even necessary -- book. Eric Santner (On the Psychopathology of Everyday Life ) describes Organs without Bodies as offering an entirely new degree of conceptual clarity and political urgency. Through his deep engagement with the logic of Deleuze's project, Zizek opens up new possibilities of thought beyond the terms of the current political debates on globalization, democratization, war on terror. Once again, Zizek has produced an utterly timely and radically untimely meditation. Recently profiled in The New Yorker , and hailed by the Village Voice as the giant of Ljubljana, Zizek is one of the most provocative and entertaining thinkers at work today.
This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937–2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is "live"—a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself.
In Approximate Gestures, Anthony Stewart argues that the writing of Percival Everett, the acclaimed author of Erasure and more than twenty other works of fiction, compels readers to retrain their thinking habits and to value uncertainty. Stewart maintains that Everett’s fiction challenges its interpreters to question their assumptions, consider the spaces in between categories, and embrace the potential of a larger, more uncertain world in an effort to confront bigotry and similarly limiting patterns of thought. Drawing on the work of Gilles Deleuze and Félix Guattari, Stewart proposes that their notion of the schizorevolutionary figure captures the in-between status of many of Everett’s characters as they refuse the constraints of the binary, categorical structures that govern so much of human life. Approximate Gestures engages specifically with the vexed question of discussing race in Everett’s fiction. Stewart frames the stakes of analyzing such subject matter in the writing of an African American novelist whose work rigorously questions critical approaches to race. Requiring readers to engage with black males who are hydrologists, ranchers, college professors, romance novelists, and in one case, a toddler, means entering a world released from habitual frames of reference. Through an examination of a broad selection of novels, Stewart demonstrates the extent to which Everett’s characters inhabit “infinite spaces in between conventional categories” and understand themselves as subjects attempting to navigate social and psychological worlds. Approximate Gestures: Infinite Spaces in the Fiction of Percival Everett encourages readers and critics to think more deeply about how they position themselves in and engage with the world around them. As one of the first books of literary criticism devoted to Everett’s fiction, Stewart’s pathbreaking study models a method for reading the formidable body of work being produced by a major contemporary writer.
Winner of the BAAL Book Prize 2016 The field of "World Englishes" takes on ever more importance in the modern era. Mario Saraceni's World Englishes: A Critical Analysis looks at the developments in the field from a critical perspective. It examines the historical, linguistic, ideological and pedagogical aspects in the study of the ever-evolving forms, roles and statuses of English around the world. The principal aim is to offer a critical overview of the field in order both to inform readers about the main issues at stake and to challenge established positions and descriptive/analytical paradigms. The book has four sections, each of which reviews established accounts and offers alternative perspectives on those. “History” considers representations of the evolution of 'old English' and 'new Englishes' and begins to unveil the strong link between conventional accounts and ideological motivations. “Language” critically examines the traditional notion of 'difference' in the description of varieties of English, and discusses more recent orientations which aim to describe English as a lingua franca and the phenomenon of language hybridity. “Ideology” examines ideological debates around the presence and status of English in the world, such as linguistic imperialism, language ownership and language ecology. The final section, “Pedagogy” discusses pedagogical implications, such as the choice of appropriate 'models' of English and considers the possibility of teaching English as a fully de-anglicised language.
Examines the change in memory regime in postwar France, from one centered on the concentration camps to one centered on the Holocaust.
In Approximate Gestures, Anthony Stewart argues that the writing of Percival Everett, the acclaimed author of Erasure and more than twenty other works of fiction, compels readers to retrain their thinking habits and to value uncertainty. Stewart maintains that Everett’s fiction challenges its interpreters to question their assumptions, consider the spaces in between categories, and embrace the potential of a larger, more uncertain world in an effort to confront bigotry and similarly limiting patterns of thought. Drawing on the work of Gilles Deleuze and Félix Guattari, Stewart proposes that their notion of the schizorevolutionary figure captures the in-between status of many of Everett’s characters as they refuse the constraints of the binary, categorical structures that govern so much of human life. Approximate Gestures engages specifically with the vexed question of discussing race in Everett’s fiction. Stewart frames the stakes of analyzing such subject matter in the writing of an African American novelist whose work rigorously questions critical approaches to race. Requiring readers to engage with black males who are hydrologists, ranchers, college professors, romance novelists, and in one case, a toddler, means entering a world released from habitual frames of reference. Through an examination of a broad selection of novels, Stewart demonstrates the extent to which Everett’s characters inhabit “infinite spaces in between conventional categories” and understand themselves as subjects attempting to navigate social and psychological worlds. Approximate Gestures: Infinite Spaces in the Fiction of Percival Everett encourages readers and critics to think more deeply about how they position themselves in and engage with the world around them. As one of the first books of literary criticism devoted to Everett’s fiction, Stewart’s pathbreaking study models a method for reading the formidable body of work being produced by a major contemporary writer.
This book examines the roots of hatred, genocide, and mass murder in psychology, history, politics, and economics, including the funding of destructive political campaigns. It provides solutions grounded in moral philosophy as well as possible legal measures.