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Since 2004 Gavin Stamp, one of Britain’s most eminent and readable architectural historians, has written a monthly column for Apollo, the esteemed architecture and fine art magazine. The subject is simply whatever in design or architecture happens to take his fancy. It might be the splendid reopening of the magnificent Midland Grand Hotel at St Pancras Station, or the dilapidation of a little-known church in Eastbourne, the much-lamented demise of the original Routemaster bus, or the colossal majesty of the airship sheds that housed the R.101.
Since 2004 Gavin Stamp, one of Britain’s most eminent and readable architectural historians, has written a monthly column for Apollo, the esteemed architecture and fine art magazine. The subject is simply whatever in design or architecture happens to take his fancy. It might be the splendid reopening of the magnificent Midland Grand Hotel at St Pancras Station, or the dilapidation of a little-known church in Eastbourne; the much-lamented demise of the original Routemaster bus, or the colossal majesty of the airship sheds that housed the R.101. But while these pieces display a wonderful range and variety, they are unified by Stamp’s wider quest: to explore, define and champion the very Englishness of English architecture and design. When fine examples are preserved and restored, he celebrates; when they fall victim to philistine neglect – or, worse, demolition – he mourns. And when the elegant is overshadowed by the merely modish, he deplores. In Anti-Ugly, Stamp has selected the best of these ‘excursions’, producing a compulsively readable collection that builds into an eloquent, learned, trenchant and often indignant portrait of our national design heritage.
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics – alternately vilified and appropriated, used either to shock or to invert conventions of architecture. This book presents sixteen new scholarly essays which rethink ugliness in recent architecture – from Brutalism to eclectic postmodern architectural productions – and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century. The book attends to the diverse relations between the aesthetic register of ugliness and closely connected aesthetic concepts such as the monstrous, the ordinary, disgust, the excessive, the grotesque, the interesting, the impure and the sublime. This volume does not simply document the history of a postmodern anti-aesthetic through case studies. Instead, it aims to shed light on aesthetic problems that have been largely overlooked in the agenda of architectural theory. This book answers in detail the questions: How did postmodern architects appropriate troublesome contradictions bound to the raw ugliness of the real? How have the ugly and the antiaesthetic been a productive force in postmodern architecture? How can ugliness be of value to architecture? And how can architecture make good use of ugliness?
Activities of the Anti-defamation League of B'nai B'rith.
What does jazz mean 20 years into the 21st century? Has streaming culture rendered music literally meaningless, thanks to the removal of all context beyond the playlist? Are there any traditions left to explore? Has the destruction of the apprenticeship model (young musicians learning from their elders) changed the music irrevocably? Are any sounds off limits? How far out can you go and still call it jazz? Or should the term be retired? These questions, and many more, are answered in Ugly Beauty, as Phil Freeman digs through his own experiences and conversations with present-day players. Jazz has never seemed as vital as it does right now, and has a genuine role to play in 21st-century culture, particularly in the US and the UK.
The first biography of pioneering female Pop Artist Pauline Boty.
'Anti-Americanism' is an unusual expression; although stereotypes and hostility exist toward every nation, we do not hear of 'anti-Italianism' or 'anti-Brazilianism'. Only Americans have elevated such sentiment to the level of a world view, an explanatory factor so significant as to merit a name - an 'ism' - usually reserved for comprehensive ideological systems or ingrained prejudice. This book challenges the scholarly consensus that blames criticism of the United States on foreigners' irrational resistance to democracy and modernity. Tracing 200 years of the concept of anti-Americanism, this book argues that it has constricted political discourse about social reform and US foreign policy, from the War of 1812 and the Mexican War to the Cold War, from Guatemala and Vietnam to Iraq. Research in nine countries in five languages, with attention to diplomacy, culture, migration and the circulation of ideas, shows that the myth of anti-Americanism has often damaged the national interest.
The ineffectual Ambassador is just one of the handicaps facing the Americans as Southeast Asia becomes increasingly involved with Communism.
A novel interpretation of architecture, ugliness, and the social consequences of aesthetic judgment When buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment—and its concern for ugliness—in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society. Hyde explores how accidental and willful conditions of ugliness—including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry—have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state. Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.
Traces the chaotic breakdown of a friendship that shapes and unravels the identities of two rebellious girls in the wake of a stalker's predations.