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Investigations into the heroic - or not - behaviour of the protagonists of medieval romance. Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism. Dr Neil Cartlidge is Lecturer in English at the University of Durham. Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath
The Anti-Hero in the American Novel rereads major texts of the 1960s to offer an innovative re-evaluation of a set of canonical novels that moves beyond entrenched post-modern and post-structural interpretations towards an appraisal which emphasizes the specifically humanist and idealist elements of these works.
This volume offers a stimulating perspective on the status of representations of a new kind of female character who emerged on the scene on US television in the mid-2000s, that of the anti-heroine. This new figure rivaled her earlier counterpart, the anti-hero, in terms of her complexity, and was multi-layered and morally flawed. Looking at the cable channels Showtime and HBO, as well as Netflix and ABC Television, this volume examines a range of recent television women and shows, including Homeland, Weeds, Scandal, How to Get Away With Murder, Veep, Girls, and Orange is the New Black as well as a host of other nighttime programs to demonstrate just how dominant the anti-heroine has become on US television. It examines how the figure has arisen within the larger context of the turn towards “Quality Television”, that has itself been viewed as part of the post-network era or the “Third Golden Age” of television where new forms of broadcast delivery have created a marketing incentive to deliver more compelling characters to niche audiences. By including an exploration of the historical circumstances, as well as the industrial context in which the anti-heroine became the dominant leading female character on nighttime television, the book offers a fascinating study that sits at the intersection of gender studies and television. As such, it will appeal to scholars of popular culture, sociology, cultural and media studies.
Your hero is not the most important character in your book. Your villain is. Are you fed up of drowning in two-dimensional villains? Frustrated with creating clichés? And failing to get your reader to root for your villain? In 13 Steps to Evil, you’ll discover: + How to develop a villain’s mindset + A step-by-step guide to creating your villain from the ground up + Why getting to the core of a villain’s personality is essential to make them credible + What pitfalls and clichés to avoid as well as the tropes your story needs Finally, there is a comprehensive writing guide to help you create superbad villains. Whether you’re just starting out or are a seasoned writer, this book will help power up your bad guy and give them that extra edge. These lessons will help you master and control your villainous minions, navigate and gain the perfect balance of good and evil, as well as strengthening your villain to give your story the tension and punch it needs. If you like dark humor, learning through examples and want to create the best villains you can, then you’ll love Sacha Black’s guide to crafting superbad villains. Read 13 Steps to Evil today and start creating kick-ass villains.
This reference work is an important resource in the growing field of heroism studies. It presents concepts, research, and events key to understanding heroism, heroic leadership, heroism development, heroism science, and their relevant applications to businesses, organizations, clinical psychology, human wellness, human growth potential, public health, social justice, social activism, and the humanities. The encyclopedia emphasizes five key realms of theory and application: Business and organization, focusing on management effectiveness, emotional intelligence, empowerment, ethics, transformational leadership, product branding, motivation, employee wellness, entrepreneurship, and whistleblowers; clinical-health psychology and public health, focusing on stress and trauma, maltreatment, emotional distress, bullying, psychopathy, depression, anxiety, family disfunction, chronic illness, and healthcare workers’ wellbeing; human growth and positive psychology, discussing altruism, authenticity, character strengths, compassion, elevation, emotional agility, eudaimonia, morality, empathy, flourishing, flow, self-efficacy, joy, kindness, prospection, moral development, courage, and resilience; social justice and activism, highlighting anti-racism, anti-bullying, civil disobedience, civil rights heroes, climate change, environmental heroes, enslavement heroes, human rights heroism, humanitarian heroes, inclusivity, LGBTQ+ heroism, #metoo movement heroism, racism, sustainability, and women’s suffrage heroes; and humanities, relating to the mythic hero’s journey, bliss, boon, crossing the threshold, epic heroes, fairy tales, fiction, language and rhetoric, narratives, mythology, hero monomyth, humanities and heroism, religious heroes, and tragic heroes.
Historians of popular culture have recently been addressing the role of myth, and now it is time that social historians of sport also examined it. The contributors to this collection of essays explore the symbolic meanings that have been attached to sport in Europe by considering some of the mythic heroes who have dominated the sporting landscapes of their own countries. The ambition is to understand what these icons stood for in the eyes of those who watched or read about these vessels into which poured all manner of gender, class and patriotic expectations.
Short Synopsis on the book: Men and Women you love to hate or What’s his name I really hate him’ (As you can see, above; I have two possible titles; but I can’t decide which one to use?) This is how I envisage the book cover the front of the book; the character is a cartoon representation of a ‘Baddie’ based on Dick Dastardly from ‘Whacky Races’ which is originally based on a Victorian actor Todd Slaughter who always played villains in plays and films. The Men & Women you love to hate Or What’s his name? I really hate him! Main Body of the book The character of the villain is an integral part of the history of ‘story telling’ in books, fairy tales in the cinema and on the stage. All cultures that have some form of storytelling tradition, in whatever language the usual premise is of good versus evil or a good person against a bad person. In the English literary tradition follows on from Chaucer in the 14th century and Shakespeare in the 16th century. Shakespeare’s genius was his skill in making his characters believable and, motivated by the things that motivate all human beings. They react to their circumstances and to people in different ways. Some of Shakespeare’s characters act in cruel and unpleasant ways; some kill, deceive and take advantage of the other person whether man or woman but they remain human beings who we can recognise. How does the author or screen writer know if a certain type of villain fits well into the script or book they propose in their genre or story? To an author or screenwriter, each character-type serves a specific purpose in the exploration of a book or script’s premise, which usually starts with the protagonist. An antagonist’s primary purpose is to be the main obstacle to the protagonist (hero’s) quest or goal, which is motivated by a conflicting goal. That goal is something an antagonist is determined to secure for his or her own reason/s. The antagonist (villain) can in most cases be self-serving or the protection of a community he or she might have a ‘stake in’. The character’s reasons for doing what they do can often be the most emotionally compelling part of the story. This is because audiences can on occasions understand the antagonist’s motivation and can sometimes relate to it; these motives fall generally under two distinct classifications of ‘personal gain’ or ‘communal gain’.
Design, build, and deploy performant and maintainable web applications using Spring, Spring Boot, and Angular Key Features Find solutions to common problems faced while developing applications with Angular and Spring Boot Explore tips, tricks, and best practices to overcome challenges related to source code Build applications faster and more efficiently using the Spring Framework and the Spring Boot extension Book DescriptionAngular makes building applications with the web easy and Spring Boot helps get an application up and running using just a few lines of code and minimal configuration. This book provides insights into building full-stack apps using Angular and Spring Boot effectively to reduce overall development time and increase efficiency. You'll start by setting up your CI/CD pipeline and then build your web application’s backend guided by best practices. You'll then see how Spring Boot allows you to build applications faster and more efficiently by letting the Spring Framework and Spring Boot extension do the heavy lifting. The book demonstrates how to use Spring Data JPA and add its dependencies along with Postgres dependencies in the project to save or persist a user's data in a database for future use. As you advance, you'll see how to write tests and test a service using Mockito. Finally, you'll create a CI workflow or pipeline for a Spring Boot and Angular application to enable operations to deliver quality applications faster. By the end of this Spring Boot and Angular book, you'll be able to build a full-stack web application and deploy it through continuous integration and continuous deployment.What you will learn Explore how to architect Angular for enterprise-level app development Create a Spring Boot project using Spring Initializr Build RESTful APIs for enterprise-level app development Understand how using Redis for caching can improve your application s performance Discover CORS and how to add CORS policy in the Spring Boot application for better security Write tests to maintain a healthy Java Spring Boot application Implement testing and modern deployments of frontend and backend applications Who this book is for The book is for busy Java web developers and TypeScript developers with little experience developing Angular and Spring Boot apps who want to learn best practices for building full-stack web apps. Basic knowledge of HTML, CSS, and JavaScript or the Java programming language is necessary.
Cosplay, short for "costume play", has grown from its origins at fan conventions into a billion-dollar global dress phenomenon. Costuming Cosplay takes us from elaborately crafted DIY costumes to online fandoms, examining how the practice of portraying fictional characters from popular culture through dress and performance has become a creative means of expressing and playing with different identities. With an approach that ranges from admiration and role-play to gender performance, this is the first book to fully examine the subculture and costume of the Cosplay phenomenon. Drawing on extensive first-hand research at conventions across North America and Asia, Therèsa M. Winge invites us to explore how Cosplay functions as a meritocracy of creativity, escapism, and disguise, and offers a creative realm in which fantasy and new forms of socializing carry as much importance as costume. Illustrated with color photographs of both celebrity and amateur Cosplayers, Costuming Cosplay is essential reading for students and scholars of fashion and costume, popular culture, anthropology, gender, and media studies, as well as global players and fans of Cosplay.
The first introductory textbook to situate popular culture studies in the United States as an academic discipline with its own history and approach to examining American culture, its rituals, beliefs, and the objects that shape its existence.